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Vai direttamente all'evento:   Gio 6 - Profanatica, Spiter | Ven 7 - Mark Cunningham, Volkverkkfolletto | Sab 8 e Dom 9 - Improved Sequence III, Undicesimacasa | Lun 10 - Vinnie Stigma's The Outlaw, Nabat | Lun 10 [TANK] - Weekend Martyr, Baseball Gregg, Tab_Ularasa |   Mar 11 - Kult Of Speed: Apocalyptic Raids, Whipstriker, Cancer Spreading | Mer 12 - Jennifer Touch   |   Gio 13 - Vapors Of Morphine || GIOVEDI 6 Ingresso: Prevendita: 20€ /// Porta: 25 € Riservato soci AICS LINK ALLE PREVENDITE  PROFANATICA (US) PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years. Ledney formed the band from the ashes of the rst INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled o three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band yers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the edgling Osmose Productions for what became one of that labels rst releases (Osmose release #5); a legendary split with Colombia’s MASACRE. Something so volatile could only last briey, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide. After almost fteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the ames of Profanatica in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released ‘The Enemy of Virtue’, a collection of that vaunted early material, and a new full-length, ‘Profanatitas de Domonatia’. A triumphant return, ‘Profanatitas de Domonatia’ picked up right where these Kings of US Black Metal left o, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred. This set-in motion another frenetic burst of work for Profanatica. The next decade saw them unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP’s, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the rst time Profanatica were appearing near or at the top of the bill at festivals like MDF, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more. In fall 2018, Profanatica joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album ‘Rotting Incarnation of God’. The band embarked on an extensive twelve-country European headline tour in the album’s wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjunction with BATUSHKA, little was heard from Profanatica. That is until spring 2023, when Profanatica emerged from their den of iniquity on a European headline tour to promote a new album. ‘Crux Simplex’ is a ten-track oensive of sin and sacrilege, a nasty aront that bastardizes the rst 10 stations of the cross. As per their legacy, Profanatica deals in bestial, rst-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. SPITER (US) It was but the summer of 2022 when SPITER burst from the fucking grave with their debut album for HELLS HEADBANGERS, Bathe the Babe in Bats’ Blood. Featuring members of labelmates SHITFUCKER and Devil Master, the power-trio made plain - and vulgar - their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and SPITER took their madness on the road, cementing their cult status immediately. Now, the deviants of SPITER return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of SHITFUCKER) and drummer Snake (Disjawn) - they continue to be a trio for live purposes - and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut. And then, over before it began, you’re again possessed to press “play” and enter those fucking gates over and over...again, until it fucking hurts. VENERDì 7 Ingresso: Up To You!! //// Riservato soci AICS MARK CUNNINGHAM (US) Started out in No Wave New York with Mars, featured on 'No New York' produced by Brian Eno in 1978, continuing in the 80s in Don King before moving to Barcelona in 1991 to form a series of bands: Raeo, Convolution, Bestia Ferida and now Blood Quartet. Collaborators over the years include Arto Lindsay, Christian Marclay, Pascal Comelade, Etant Donnes and Lydia Lunch. VOLKWERKKFOLLETTO (IT) Volkwerk Folletto è un oscuro collettivo nato con l'intenzione di sovvertire, indispettire e scompaginare, aspirando con l'intensità centripeta di un aspirapolvere elettrico la superficie obliqua della musica contemporanea. Folletto restituisce al rumore un riflesso melodico compresso, ri-codificato da un'elettronica nichelista e spartana. Difficile descrivere le suggestioni di una musica impura per nascita e metodo, e fuorviante per i rimandi alla musica sperimentale, ma anche al post-punk o il folk, aggettivi presenti - ma non determinanti - concepiti in un percorso di elaborazione a ritroso, dalla a-tonalità più esasperata fino alla scoperta di una melodia lineare e siderale. "Caspar Pulver” segna il ritorno su vinile dei VF dopo il disco d'esordio del 2010 che vedeva la collaborazione con il filosofo Toni Negri insieme al pioniere della musica elettronica tedesca Hans Joachim Roedelius dei Cluster. Il nucleo base di Volkwerk Folletto è composto dall’aspirapolverista e artista visivo Andrea Renzini e dall'operatore elettronico e chitarrista Gian Luca Patini, affiancati per questo lavoro da ospiti d'eccezione come Suz alla voce solista nel singolo “ We’ll Be Fine” composta da Justin Bennett, e da Angela Baraldi in “ Zermatt Hassle”. Il progetto discografico è stato prodotto dal Comune di Bologna nell'ambito delle produzioni culturali legate alle capitali Unesco della musica europea. SABATO 8 [IMPROVED SEQUENCE FESTIVAL III DAY 1 @ FREAKOUT] Ingresso: 17.25€ su Dice Riservato soci AICS BIGLIETTI DAY 1  IMPROVED SEQUENCE III •Fluxus •The Wild Cat Quartet (Mark Cunningham, Pierre Bastien, Mike Cooper & Dr.Truna) •Massimo Pupillo DOMENICA 9 [IMPROVED SEQUENCE FESTIVAL III DAY 2 @ T.P.O.] Ingresso: 25 € su Dice NO TESSERA BIGLIETTI DAY 2 IMPROVED SEQUENCE III •City of Caterpillar •Poison Ruin •OvO •By All Means •Riviera •Baratro •Lathe of Heaven •Astio SABATO 8 Ingresso: 5€ Riservato soci AICS after improved sequence festival "DON'T SLEEP" da mezzanotte per tutta la notte balli sotto le coperte, frequenze insonni, massaggi cardiaci lineup: FERA + sorprese doors mezzanotte LUNEDI 10 [FREAKOUT] Ingresso: 15€ Riservato soci AICS LINK ALLE PREVENDITE  VINNIE STIGMA'S THE OUTLAW (US) Vinnie Stigma, storico chitarrista nonché fondatore degli Agnostic Front, esce con il suo nuovo album country americano. SUPERBAND COMPOSTA DA: 𝗧𝗵𝗲 𝗢𝘂𝘁𝗹𝗮𝘄 𝗩𝗶𝗻𝗻𝗶𝗲 𝗦𝘁𝗶𝗴𝗺𝗮 / Known associates: Agnostic Front, Madball Favorite western movie: The Good, The Bad, and The Ugly 𝗡𝗮𝘁𝗵𝗲𝗻 𝗠𝗮𝘅𝘄𝗲𝗹𝗹 Known associates: Flogging Molly, Volores Favorite western movie: Straight To Hell 𝗝𝗲𝘀𝘀𝗲 𝗪𝗮𝗴𝗻𝗲𝗿 Known associates: The Aggrolites Favorite western movie: Three Amigos 𝗖𝗵𝗶𝗽𝗽𝘆 𝗛𝗮𝗻𝗻𝗮 Known associates: US Bombs, TSOL Favorite western movie: The Outlaw Josey Wales 𝗧𝗲𝘅 𝗠𝗼𝗿𝘁𝗼𝗻 Known associates: Mad Sin Favorite western movie: Flaming Star 𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗕𝗲𝗹𝗹 Known associates: Forgotten Highway Favorite western movie: Tombstone NABAT (In acustico) I Nabat sono uno dei più importanti gruppi Punk-oi italiano, fondati nel 1979 e da allora capitanati dal grande Steno. LUNEDI 10 [TANK] Ingresso: Up to you!! ///// Riservato soci ARCI WEEKEND MARTYR Post - punk e psichedelia da Livorno. Band fondata da Riccardo Prianti, Elia Lazzerini. Registrano il primo album "Weekend Martyr" nel 2019 edito da Aloch Dischi e Orfan Records, un album frutto di registrazioni low-fi e dalla produzione in studio di Niccolò Mazzantini (Appaloosa). Disco caratterizzato da un approccio punk e diy dalle sfumature glam rock e acide. Tornano con "Gastrin" album in uscita a gennaio 2024 per Cruel Records e Gigia Booking. Lavoro prodotto da Marco Fasolo (Jennifer Gentle / I Hate My Village) che porta la band in nuove direzioni sonore. Più oscuro e sofferto il disco spazia dalla psichedelia dei '70 fino all'altrernative dei '90 rimanendo però sempre fedele alla matrice post - punk della band. Nel 2025 esce "Young Elvis Lover Known For Being Out Of Control" un EP autoprodotto di 5 brani scritti durante il Tour di "Gastrin" Caratterizzato da un approccio live grezzo e molto punk, il disco viene registrato in presa diretta nella sala prove della band presso Jeebo Recording e mixato in seguito su un vecchio mixer analogico cercando di essere fedele all’attitudine diretta dei brani. Un’autoproduzione volta a fotografare un momento della band. Esce in cassetta per Mostä Records (Nantes). BASEBALL GREGG A quasi un anno dall'uscita del loro ultimo album _Briefs_ , tornà in città la band italo-californiana Baseball Gregg, il collettivo e multinazionale surf pop partorito dall'estro di Luca Lovisetto e Sam Regan. Di pochi mesi fa la loro straordinaria partecipazione al MiAmi 2025 in apertura ai The Pais of Being Pure at Heart. TAB_ULARASA Luca Tanzini ha una molteplice attività in vari settori dell’underground. Che si tratti di musica, di fumetti, collage di video la sua attività raminga e ramificata ha come tratto fondamentale un DIY che è espressione di libertà e consapevolezza e che, in termini mediatici, si traduce in una rocciosa marginalità. Inesauribile, letteralmente perso in vari progetti (attualmente “in vigore” ci sono TOTALE!, Punk Xerox, Duodenum, Liutprando,!), Tab_ularasa è il “suo” progetto musicale personale. MARTEDI 11 Ingresso: 15€ alla porta Riservato soci AICS KULT OF SPEED BLITZKRIEG 2! APOCALYPTIC RAIDS (BRA) WHIPSTRIKER (BRA) CANCER SPREADING (IT) MERCOLEDI 12 Ingresso: Up to you!! ///// Riservato soci AICS JENNIFER TOUCH (GER) Showcasing her unique sound in the saturated world of electronica, Jennifer Touch successfully combines dark 80’s vintage synths with industrial soundscapes, delivered with a visceral post-punk snarl that is home on the dance floor and off, as a live musician or in her DJ Sets. You’ll rarely find an artist today so devoted to sound or as deeply immersed in the affective reverberation of old synths. She calls it Post-Wave-Cold-Pop-Acid-Romance, rubbing sonic shoulders with PJ Harvey, DAF, Tempers and Depeche Mode. Jennifer Touch released 2 studio albums via Fat Cat Records, both part of several Best-Of- Lists, alongside interviews and reviews at Metal Mag, MOJO, Uncut, Future Music and DJ Mag. She delivered exclusive song contributions to compilations alongside Boy Harsher, The KVB, Buzz Kull, Paranoid London, Bobby Gillespie, Rebeka Warrior, Curses and many more. Over the last years, Jennifer has been touring across the UK, Europe, Mexico and Colombia. Her new LP will be out in 2025 on Fabrika Records. GIOVEDI 13 Ingresso: Prevendita: 20 € /// Porta: 25 € Riservato soci AICS LINK ALLE PREVENDITE  VAPORS OF MORPHINE (US) Vapors of Morphine are a power trio featuring electric baritone sax, drums, and 2 string slide bass (often guitar). Baritone saxophonist Dana Colley is the through-line between Vapors and “low rock” pioneers Morphine, whose leader Mark Sandman left this earth while performing onstage in Italy in 1999. Vapors of Morphine perform much of the Morphine repertoire, plus new material and original versions of selective covers. They expand on the ethereal, hypnotic sounds popularised by the group in the nineties, and dig into their influences, from African music to delta Blues.The group was formed over a decade ago by Dana Colley, singer and multi-instrumentalist Jeremy Lyons and Morphine’s original drummer Jerome Deupree. Drummer Tom Arey (J. Geils Band, Peter Wolfe’s Midnight Ramblers, Ghosts of Jupiter) replaced Deupree in 2019.Their latest album, Fear & Fantasy, represents both a new era and a return to form for Vapors of Morphine. In its often lush arrangement, recalls Morphine’s final album, The Night, where Deupree teamed up with Billy Conway, the drummer who had replaced him; this time Arey plays on one side, Deupree on the other. It only seems fitting when both bands have been blessed with a revolving cast of top-notch percussionists.

Vai direttamente all'evento:    Gio 30 - The Jackets, Hearts Apart | Ven 31 - Atmosphere: Camilla Sparksss, Dlina Volny + Dj Nema | Sab 1 - Little Pieces Of Marmelade, Minerale | Mer 5 - South Sardinian Scum, The Coffeekillers | Gio 6 - Profanatica, Spiter || GIOVEDI 30 Ingresso: PREVENDITA 10€ /// PORTA 10€ Riservato soci AICS LINK ALLE PREVENDITE  THE JACKETS (SWI) The Jackets create music that’s infectious, raw, and soulful — breaking boundaries while staying true to their identity. Their songs transcend genre, becoming anthems for anyone who still believes in the wild, beating heart of rock ’n’ roll. The Jackets are a high energy garage-psyche-punk trio from Switzerland led by singer, guitarist, and artist Jackie Brutsche, whose fierce presence and powerful voice have made her a standout in the world of underground rock’n’roll. Formed by Jackie and drummer Chris Rosales and joined over the years by bassists Severin Erni, Samuel Schmidiger and currently Omar Fra, The Jackets have been setting stages ablaze since 2008 across Europe, the USA, Mexico, Canada, and Japan. Their shows are explosive bursts of sweat and swagger delivered with unrelenting energy. As Jackie puts it, “Rock’n’Roll is like an energy source – dangerous, joyful, and totally in the moment.” With five albums, a string of cult 7” singles, and striking artwork and music videos The Jackets have carved out their own version of garage music catapulting the spirit of the ’60s into the 21st century with fearless attitude, sharp songwriting, and a distinct sense of personality and playfulness. The Jackets have collaborated over the years with respected musicians and producers like King Khan (King Khan & The Shrines) and Jim Diamond (The Dirtbombs, The White Stripes), released music on celebrated indie labels such as Voodoo Rhythm Records (CH), Soundflat Records (DE), and Chaputa! Records (PT), and built a loyal global following through years of relentless touring and creative independence. In 2021, The Jackets took their creative vision a step further by founding their own independent label, Wild Noise Records. HEARTS APART (ITA) The idea came from a trio of friends, when attending a festival on the shores of Garda Lake, in Italy. Their intent was to create a band that could channel all the teenage distress of being close to forty, through punk rock and rock and roll. Immediately after the first lockdown, HEARTS APART went to the studio with producer and engineer Brown Barcella (Bee Bee Sea, The Peawees) to record these first EP. These tracks have been mastered by Maurizio Baggio (The Soft Moon, Boy Harsher). While HEARTS APART is a very young project, its members are very well known veterans from the italian punk scene, coming from bands such as Miss Chain & The Broken Heels, Universal Sex Arena, Il Buio and Phill Reynolds. VENERDì 31 Ingresso: Prevendita: 20€ // Porta: 25€ // Dopo i live: 10€ Riservato soci AICS LINK ALLE PREVENDITE  :ATMOSPHERE: CAMILLA SPARKSSS (SWI/CAN) Born Barbara Lehnhoff, Camilla Sparksss is a Swiss-Canadian electro-noise pop musician and visual artist, best known for her raw, high-energy performances. Also a co-founder of the post-punk band Peter Kernel, Sparksss was born at -27 degrees in Kenora, Ontario, where her childhood was filled with unique experiences—including having a pet bear and a father who flew a floatplane. Her music fuses heavy beats pressed on dubplates, thick synth textures, and cutting vocals, crafting an unmistakable sound. Her debut album For You The Wild (2014) established her as a force in darkwave and experimental electronic music, earning her an opening spot for The Jon Spencer Blues Explosion. Her follow-up album, Brutal (2019), delved deeper into experimental noise, later remixed in Brutal Remix (2020) by artists like Fakear and Rebeka Warrior. In 2023, she toured extensively as the support act for A Place to Bury Strangers, spanning the UK and Europe. Her boundary-pushing collaborations continued, including a one-hour live composition for Ypsigrock Festival in Sicily with Alec Ounsworth (Clap Your Hands Say Yeah) and Eva Geist, which led to the release of The Sound of This Place (2022). That same year, she composed and performed music for Der Besuch der Alten Dame, a theatre production touring across Europe. DLINA VOLNY (BLR) Dlina Volny is a darkwave/post-punk trio originally from Minsk, Belarus, now based in Warsaw and London. The band melds Eastern European post-punk with Western darkwave, crafting a moody, introspective sound driven by haunting vocals that feels both nostalgically familiar and distinctly modern. Their second album, “Dazed”, released on Italians Do It Betterin 2021, was mixed by Dean Hurley and mastered by Mike Bozzi. The band has established a strong presence in Europe, the UK, and Mexico, performing at festivals like ESNS, Kalabalik på Tyrolen, and Grauzone. Their third LP, set for release in spring 2025, promises a darker and more assertive sound, melding elements of industrial, EBM, and cold wave. 🅳🅹🆂🅴🆃🆂 ℕ𝔼𝕄𝔸 (Mint Sound) 𝕃𝕆 𝔹𝕌𝔼 (Atmosphere) SABATO 1 NOVEMBRE Ingresso: Prevendita: 10€ // Porta: 15 € // Dopo il live: 5€ Riservato soci AICS LINK ALLE PREVENDITE  LITTLE PIECES OF MARMELADE Nati e cresciuti a Filottrano, in provincia di Ancona, Daniele "DD" Ciuffreda (batteria e voce) e Francesco "Frankie" Antinori (chitarre) intraprendono il proprio progetto musicale nel 2014. Dopo essersi aggiudicati l'ottava edizione dell'Homeless Rock Fest pubblicano l'Ep d'esordio, relaborazione di sonorità grunge/crossover anni Novanta infarcite di blues e psichedelia, al quale nel 2020 segue l'omonimo primo album. Nel frattempo il duo viene lanciato in orbita da X-Factor e accolto sotto l'ala protettrice da Manuel Agnelli, che non solo li vuole nella backing band che lo accompagna nel tour solista a supporto di “Ama il prossimo tuo come te stesso”, ma cura la produzione del secondo disco, “Ologenesi”, pubblicato a ottobre 2022, lavoro che segna il passaggio al cantato in italiano. Nonostante i Little Pieces Of Marmelade abbiano trovato nel mezzo televisivo la spinta determinante per lanciarsi verso una certa notorietà, quando si ritrovano in studio fanno di tutto per evitare qualsiasi facile omologazione. Con piglio anticonformista non scelgono strade ben asfaltate, ma optano per sudore e polvere, generando un sound sporco, aggressivo, poco in linea con i compromessi imposti dal mercato. Dal punto di vista dell’impatto visivo ricordano tanto i Black Keys quanto i nostri Bud Spencer Blues Explosion, ma le soluzioni migliori risultano quelle meno prevedibili e più complicate da replicare. In "Ologensi" si ispirano alle distorsioni disturbate e all’atteggiamento generale dei Verdena, alle metriche hip-hop e alle inflessioni vocali dei Beastie Boys, mentre il falsetto di “Canzone 10” è un omaggio al Prince più elettricamente intenso. Non è facile riempire in due tutto lo spazio disponibile, specie dal vivo, ma i ragazzi esondano grazie a talento, tecnica e a un’urgenza post-adolescenziale servita con testi senza censure, costruiti attingendo dal gergo dei loro coetanei. AFTER SHOW:  Tornano nelle miniere del Freakout Club:   Lappa  Mox (liquid dreams metal set)  Treega MERCOLEDI 5 NOVEMBRE Ingresso: Up to you!! //// Riservato soci AICS SOUTH SARDINIAN SCUM I South Sardinian Scum si formano nel 2013 a Cagliari, forgiando una variante letale ed esaltata del classico sound rockabilly maniacale con un'ossessione ironica per i film horror, la passione per il rock’n’roll più scuro, 5 Ep e un full length Album che porta il nome della band all’attivo, cantano e strillano al suono di chitarre acide, canzoni come Devil’s Shoes , Black Moon, Deadly Water e corrompono HITS come Teddy Boy Boogie (Crazy Cavan) e Look Like a Monkey (Milton Brown). Con alle spalle concerti nelle principali europee e nei più importanti clubs rocknroll/punk la Band continua a macinare chilometri. THE COFFEEKILLERS Band composta da quattro personaggi ben conosciuti nel panorama rock'n'roll italiano composta da Flamin'Gene alla voce e chitarra (the Rock'n'Roll Kamikazes, the Basement Boppers, the Caribbean Delights ) accompagnato da Aurelio Ristuccia chitarra solista, Zimmy Martini (Basement Boppers, Jhonny Clash Project)al contrabbasso e Carlo Berbellini alle pelli (ovvero i the Lucky Strikes). La band propone un rockabilly esplosivo ispirato alle tipiche formazioni pioniere del genere. Il loro show è un cocktail di dinamite e ritmo incalzante davanti al quale è impossibile restare fermi! GIOVEDI 6 NOVEMBRE Ingresso: Prevendita: 20€ /// Porta: 25 € Riservato soci AICS LINK ALLE PREVENDITE  PROFANATICA (US) PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years. Ledney formed the band from the ashes of the rst INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled o three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band yers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the edgling Osmose Productions for what became one of that labels rst releases (Osmose release #5); a legendary split with Colombia’s MASACRE. Something so volatile could only last briey, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide. After almost fteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the ames of Profanatica in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released ‘The Enemy of Virtue’, a collection of that vaunted early material, and a new full-length, ‘Profanatitas de Domonatia’. A triumphant return, ‘Profanatitas de Domonatia’ picked up right where these Kings of US Black Metal left o, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred. This set-in motion another frenetic burst of work for Profanatica. The next decade saw them unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP’s, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the rst time Profanatica were appearing near or at the top of the bill at festivals like MDF, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more. In fall 2018, Profanatica joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album ‘Rotting Incarnation of God’. The band embarked on an extensive twelve-country European headline tour in the album’s wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjunction with BATUSHKA, little was heard from Profanatica. That is until spring 2023, when Profanatica emerged from their den of iniquity on a European headline tour to promote a new album. ‘Crux Simplex’ is a ten-track oensive of sin and sacrilege, a nasty aront that bastardizes the rst 10 stations of the cross. As per their legacy, Profanatica deals in bestial, rst-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. SPITER (US) It was but the summer of 2022 when SPITER burst from the fucking grave with their debut album for HELLS HEADBANGERS, Bathe the Babe in Bats’ Blood. Featuring members of labelmates SHITFUCKER and Devil Master, the power-trio made plain - and vulgar - their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and SPITER took their madness on the road, cementing their cult status immediately. Now, the deviants of SPITER return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of SHITFUCKER) and drummer Snake (Disjawn) - they continue to be a trio for live purposes - and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut. And then, over before it began, you’re again possessed to press “play” and enter those fucking gates over and over...again, until it fucking hurts.

Vai direttamente all'evento:    Gio 23 - Suffering Hour, Artificial Brain | Ven 24 - Igea Noctis : :Of The Wand And The Moon: alla Rocchetta Mattei | Ven 24 - Undicesimacasa | Sab 25 - The Outcasts, Smalltown Tigers | Dom 26 - Yao Bobby & Simon Grab, Shezan il Rago ft Mr. Dalla e Dj Lugi | Lun 27 - Divide // Dissolve | Mar 28 - Pile, Heisa | Gio 30 - The Jackets, Hearts Apart || GIOVEDì 23 Ingresso: PREVENDITA 15€ /// PORTA 20€ Riservato soci AICS LINK ALLE PREVENDITE  ARTIFICIAL BRAIN (US) Artificial Brain are a progressive and technical death metal quintet from Long Island, New York. Formed in 2011, they have, since their self-titled demo, merged technical ferocity, alien dissonance, and blackened cosmic atmosphere. With the Butchering Cosmic Giants EP (2013), they caught the attention of Profound Lore Records. Their debut full-length Labyrinth Constellation (2014), shaped under the guidance of Colin Marston, established a dense, cerebral, and claustrophobic sound. Infrared Horizon (2017) expanded their sonic range, tearing through electronic-infused landscapes and crafting new metallic textures. Their latest chapter, the 10-track, 45-minute self titled Artificial Brain (2022), stands as the culmination of a decade-long vision, featuring iconic guest appearances from Mike Browning (Nocturnus) and Luc Lemay (Gorguts) that intensify its sonic atmosphere. The band has appeared at notable festivals such as Maryland Deathfest and Covenant. In recent years they have extensively toured Europe, including performances at Brutal Assault and Frantic Fest, recently joined by Mike Paparo from Inter Arma on vocals and Alex Tolmin from Battlemaster on drums they are ready to come back on European soil supported by Suffering Hour. SUFFERING HOUR (US) Suffering Hour are a blackened death metal band from Minnesota. Their unique sound garnered high acclaim with their 2017 debut record In Passing Ascension, a guitar-driven slab of nihilistic savagery. This sound was then further explored on their 2019 EP Dwell, a single 18 minute track proving their unrelenting songwriting prowess. The Cyclic Reckoning was a turning point for the band’s style and has since inspired more experimentation and pushing of conventional boundaries within their respective genre. Suffering Hour also released a split entitled Time’s Withering Shadow in 2022 alongside Irish death metal giants Malthusian. The band has since played numerous shows and fests across the globe, most notably: Maryland Deathfest, Covenant Montreal/Vancouver, Killtown Deathfest, SWR fest in Portugal plus two European tours. After a long hiatus due to health issues within the band, Suffering Hour are slated to release a new EP and will be embarking on a European tour supporting fellow Profound Lore artists Artificial Brain in the fall of 2025. VENERDì 24 Ingresso: Prevendita 35€ Riservato soci AICS LINK ALLE PREVENDITE  𝐈𝐆𝐄𝐀 𝐍𝐎𝐂𝐓𝐈𝐒 :OF THE WAND AND THE MOON: (DK) 𝐕𝐢𝐬𝐢𝐭𝐚 𝐆𝐮𝐢𝐝𝐚𝐭𝐚 + 𝐋𝐢𝐯𝐞 𝐒𝐡𝐨𝐰 Rocchetta Mattei, uno dei castelli più eclettici al mondo. Superata la scalinata di pietra, una serie di sonorità ultraterrene selezionate con cura dal regista cinematografico MESSNR (Opificio Ciclope) vi condurrà in uno spazio-tempo che si farà sempre più labile. Sarete condotti nelle vorticose sale che compongono la rocca, ognuna delle quali cela storie e architetture cangianti. L'entusiasta preparazione delle guide della Rocchetta saprà appagare molte delle vostre curiosità. A seguito della visita guidata, sarete finalmente pronti a degustare la più profonda malinconia, il sottobosco più torbido delle verdi foreste danesi, il frutto amaro generato dal tormento. L'Appennino che verdeggia dalle vaste vetrate muterà la sua flora e la sua fauna affinché possiate approdare nelle sconfinate lande scandinave di Kim Larsen, traghettati dalla sua discografia solista che è nota col nome di :Of The Wand And The Moon:. Tutte le informazioni relative all'evento, gli aggiornamenti e i biglietti sono disponibili su www.freakoutbologna.com/rocchetta Biglietti: 35€ + d.d.p. ✵✵✵✵✵✵✵✵✵✵✵✵✵✵ ORARI 19:30 Apertura cancelli 20:30 Visita guidata 21:30 Chiusura cancelli 22:00 Of The Wand And The Moon VENERDI 24 Ingresso: 5€ alla porta Riservato soci AICS undicesimacasa presenta IN DUB con O.M.THEOREM (nor/ger) - live Tobias Sørensen Urhaug studia da venti anni anni le tecniche di incisione e performance dub ed è resident del progetto Dub&Dal, una community di base a Berlino che ruota attorno alla cultura dei soundsystem. Dopo diversi EP e remix (tra cui Ossia) si appresta a pubblicare il suo primo LP, Eruption, nato proprio da sessioni collaborative sviluppate all'interno della community Dub&Dal. Nei suoi live fonde le sue esperienze nelle tecniche dub e intricate evoluzioni poliritmiche. DONATO D'ARGENTO EMADAME - djset bass-heavy hi-nrg psycho-acoustics SABATO 25 Ingresso: PREVENDITA E PORTA: 15 € Riservato soci AICS LINK ALLE PREVENDITE  THE OUTCASTS (IRL) In early 1977, a band of brothers became just that: a band. Sick of not being allowed into clubs – and getting barred from five in one week – because of the way they looked, three brothers and a few friends became a clique known as The Outcasts. Within months, they were one of the hottest bands on the emerging Belfast punk scene. At their first gigs the band was playing a mixture of their own songs and cover versions of songs by The Sex Pistols, The Clash, The Damned and The Ramones. And most of the shows ended in some kind of disaster, so the local press dubbed the band 'The band you love to hate' due to their bad boy image. After three studio albums, many 7“s and EPs ( a bunch of them were for the legendary Good Vibrations record label), day time national UK radio airplay, a song in the UK charts, sessions for the famous BBC broadcaster, John Peel, and constant tours in the UK and Europe, the band lost guitar player Getty who had died and in 1985, they split. The Outcasts reformed in 2011, without Colin on drums, to play Rebellion Festival in England. This was the beginning of the new chapter for the two remaining brothers and their two new fellows. The Outcasts are featured in the critically acclaimed and BAFTA nominated movie, Good Vibrations and in an Arte documentary [a popular art TV series made in France], which was shown in 2014 in France, Belgium and Germany; also a number of compilation and live albums have been released, and they have been touring constantly again in the UK, Ireland and across Europe. A musical play at the Belfast Lyric Theatre called ‘Good Vibrations’ is currently showing the band in their teenage years alongside the Undertones and Rudi. In 2019 The Outcasts just released a 4 track EP on vinyl (5 tracks on cd) of new material for the US Record Label Violator Records. Also a double gatefold album of all their singles plus some sessions and live recordings was released by another US Record Label based in Japan. A band that still wants it and gets it. Great to watch live with probably their best years still ahead of them, this band is a legend and a true punkrock unit that wont retire any time soon. The current line up of the band consists of Originals Greg Cowan on bass and vocals and Martin Cowan on guitar; Buck Defect on guitar and JP 'Dear Boy Moonie' on drums are the newbies. SMALLTOWN TIGERS (IT) Vengono da Rimini, Romagna, costa Est. Le SMALLTOWN TIGERS si sono fatte le ossa suonando i Ramones nei centri sociali e ai party sulla spiaggia della zona, mischiando amore vero per tavole da surf e punk rock sound. Nel 2019 registrano il loro album di esordio "Five Things". Dopo tanti concerti in giro per l Italia ed in UK nel 2022 aprono i concerti di Reunion dei The Damned e successivamente nel 2023 aprono anche il loro tour europeo! DOMENICA 26 Ingresso: 5€ Riservato soci AICS YAO BOBBY (TOGO) & SIMON GRAB (SWI) The togolese Rapper and political activist Yao Bobby collaborates with swiss noisemaker Simon Grab. An intense soundbattle between energetic rhymes fired into a dark soundworld of raw electronic bass pulsations with a dubby punk attitude, produced on analog feedback electronics. Their show is a very raw and improvised form of live experimental hiphop – ‚Freeform Rap and Noise’. SHEZAN IL RAGIO FT MR. DALLA & DJ LUGI Shezan il Ragio nasce a Bologna il 2 aprile 1975 e trascorre a Mazzini gran parte della sua adolescenza. Tra i nove e i quattordici anni inizia dapprima a skateare e dopo ad appassionarsi al writing sotto la guida di validi maestri come B-nut e Ciuffo. Durante lo stesso periodo fonda assieme a Flower una crew di writers-skaters, la Flo.Ra della quale entreranno a far parte anche Cap e Chime Nadir. Il giovane Shezan predilige hip- hop, punkrock, metal, jungle, dub, blues (il tutto in chiave hardcore) ed inizia ad appassionarsi all MCing. Durante le visite ai parenti marchigiani, socializza con la scena senigallese di quel periodo che aveva tra i rappers di punta Fabri Fibra e Lato. Negli anni successivi, dalla fusione di due crew , una bolognese(i Garden's Abitudineri) e una senigalliese(Uomini di mare) nascono i "Qustodi del tempo". Prendono poi vita progetti quali "Di me ti ricordi (rapimento dal vulplà)" e "Dinamite Teste Mobili". Grazie poi, alla permanenza in paesi come Francia e Inghilterra, Shezan il Ragio ha modo di conoscere l'hip hop da più punti di vista e confrontare le diverse realtà. Nel 1995 si appassiona al beatmaking e da' origine nel 2002 al suo primo lavoro da solista che prende il nome di "Randagio Sapiens". Il successivo disco "Sectio Aurea" è interamente autoprodotto e regisrato presso i "Cantieri Shezan" e vanta featuring del calibro di Lord bean, Eos, Claver gold, Hiko, F.n.o. Rubo e altri ancora. DJ LUGI Lugi è un rapper, disc jockey e beatmaker italiano, di origine etiope ma cosentino di adozione. Nel suo percorso musicale nell'hip hop salta subito all'occhio il suo approccio positivo che ha nei confronti della vita, che si riflette anche nella sua musica, un funk melodico e delicato, fatto di strumentali mai pesanti e non troppo cariche di elementi. Il suo rap mischia dialetto calabrese e l'esoticità della sua origine in una miscela che ai più piace. Lugi è un artista che spicca per il suo equilibrio nei lavori in cui è stato impegnato, tra i suoi lavori ci sono le strumentali del disco Italy's Most Wanted dei Flaminio Maphia. Nel 2000, pubblicato dalla Jackpot Records di Neffa, è uscito il suo primo album solista dal titolo Ca'Pu. Nell'LP spiccano brani come Adelante, Funky Per Funky ed il remix di Non C'è Limite Allo Show, il cui brano originale era stato inserito all'interno dell'LP Novecinquanta del DJ Fritz Da Cat. Di origine etiope, il "lugico" Lugi cresce a Cosenza nel quartiere popolare di via Popilia. Per come racconta nei suoi testi Luigi cresce ascoltando e ballando il funky, che ancora oggi è il suo genere musicale preferito, finché negli anni '80 non viene folgorato dai primi echi rap provenienti dall'oltreoceano. Cosenza è una città culturalmente in crescita, per cui aereosol art e breaking non faticano a diffondersi. Cominciano a comparire i primi graffiti sui muri cittadini mentre Dj Louis, così si faceva chiamare all'epoca, si appassiona alla danza non disdegnando però il rap. È il periodo in cui in Italia cominciano a diffondersi le posse e proprio intorno ad un centro sociale, il Gramna, nasce la prima crew rap cittadina: la South Posse. Il gruppo in cui Lugi trova collocazione si distingue dalle altre omologhe, sparse sul territorio nazionale, per via dei testi poco scontati e del suo stile molto travolgente. L'attività della South Posse culmina con la realizzazione di un Lp inciso presso la sala di registrazione del Forte Prenestino a Roma. LUNEDI 27 Ingresso: PREVENDITA: 15€ /// PORTA: 18€ Riservato soci AICS LINK ALLE PREVENDITE  DIVIDE // DISSOLVE (AUSTRALIA) Divide and Dissolve is an instrumental Doom metal band based in Melbourne, Australia, comprising saxophonist and guitarist Takiaya Reed (who is Tsalagi, one of the indigenous peoples of the southeasternwoodlands of the United States) and Māori percussionist Sylvie Nehill. Utilising drums, guitar, saxophone and live effects, the duo creates music which is designed to empower Black & Indigenous people the world over and dismantle white supremacy. MARTEDI 28 Ingresso: PREVENDITA 15€ /// PORTA 20€ Riservato soci AICS LINK ALLE PREVENDITE  PILE (US) Between their tireless D.I.Y. work ethic and constantly evolving sound, Pile have earned both a large homegrown following and the respect of their peers. Led by singer/guitarist Rick Maguire, the band evolved with a string of increasingly complex albums released throughout the 2010s, bringing a varied instrumentation to their often-aggressive sound on albums like 2017's A Hairshirt of Purpose or 2019's Green and Gray. The band took a different approach to their 2021 album Songs Known Together, Alone, which saw Maguire refashioning the band's older material as a group of solo songs. Pile returned in 2023 with a retooled lineup and another sonic shift on the texturally dense All Fiction. Pile was initially the solo project of Boston-based singer/guitarist Rick Maguire. He issued a pair of rough but engaging lo-fi albums that segued between experimental folk, jagged indie rock, and elements of post-rock. Transforming Pile into a collective, Maguire assembled the full-time lineup of guitarist Matt Becker, bassist Matt Connery, and drummer Kris Kuss in 2010 and released Magic Isn't Real, establishing the dark and noisy tones that would become one of the group's hallmarks. Following a 2011 EP titled Big Web, Pile signed with Exploding in Sound and made their label debut with 2012's widely touted Dripping. With each release, Pile's sound continued to evolve, adding piano, banjo, and strings on 2017's A Hairshirt of Purpose, which ran the gamut from slow, orchestrated tracks to massive noisy assaults. Jack White's Third Man label issued Pile's first live album, Live at Third Man Records, in late 2017. By this point Maguire had moved from Boston to Nashville and enlisted new member Chappy Hull (guitar) and Alex Molini (bass) to join him.. HEISA (BE) GIOVEDI 30 Ingresso: PREVENDITA 10€ /// PORTA 10€ Riservato soci AICS LINK ALLE PREVENDITE  THE JACKETS (SWI) The Jackets create music that’s infectious, raw, and soulful — breaking boundaries while staying true to their identity. Their songs transcend genre, becoming anthems for anyone who still believes in the wild, beating heart of rock ’n’ roll. The Jackets are a high energy garage-psyche-punk trio from Switzerland led by singer, guitarist, and artist Jackie Brutsche, whose fierce presence and powerful voice have made her a standout in the world of underground rock’n’roll. Formed by Jackie and drummer Chris Rosales and joined over the years by bassists Severin Erni, Samuel Schmidiger and currently Omar Fra, The Jackets have been setting stages ablaze since 2008 across Europe, the USA, Mexico, Canada, and Japan. Their shows are explosive bursts of sweat and swagger delivered with unrelenting energy. As Jackie puts it, “Rock’n’Roll is like an energy source – dangerous, joyful, and totally in the moment.” With five albums, a string of cult 7” singles, and striking artwork and music videos The Jackets have carved out their own version of garage music catapulting the spirit of the ’60s into the 21st century with fearless attitude, sharp songwriting, and a distinct sense of personality and playfulness. The Jackets have collaborated over the years with respected musicians and producers like King Khan (King Khan & The Shrines) and Jim Diamond (The Dirtbombs, The White Stripes), released music on celebrated indie labels such as Voodoo Rhythm Records (CH), Soundflat Records (DE), and Chaputa! Records (PT), and built a loyal global following through years of relentless touring and creative independence. In 2021, The Jackets took their creative vision a step further by founding their own independent label, Wild Noise Records. HEARTS APART (ITA) The idea came from a trio of friends, when attending a festival on the shores of Garda Lake, in Italy. Their intent was to create a band that could channel all the teenage distress of being close to forty, through punk rock and rock and roll. Immediately after the first lockdown, HEARTS APART went to the studio with producer and engineer Brown Barcella (Bee Bee Sea, The Peawees) to record these first EP. These tracks have been mastered by Maurizio Baggio (The Soft Moon, Boy Harsher). While HEARTS APART is a very young project, its members are very well known veterans from the italian punk scene, coming from bands such as Miss Chain & The Broken Heels, Universal Sex Arena, Il Buio and Phill Reynolds.

Vai direttamente all'evento:    Gio 16 - Gnaw Their Tongues, Entrøpia, Hate & Merda | Ven 17 - The Morlocks, Chow, Djset Felix e Olimpia | Sab 18 - Non Mi Piace; Aftershow: Girovelle Psicotroniche | Lun 20 - Catharsis, Gravekult | Mar 21 - Wyatt E., Litania | Mer 22 - Rien Virgule, Il Libro Rosso | Gio 23 - Artificial Brain, Suffering Hour || GIOVEDI 16 Ingresso: PREVENDITA: 15€ / PORTA CON LP ENTRØPIA: 20€ / PORTA SOLO CONCERTO: 15€ /// Riservato soci AICS LINK ALLE PREVENDITE  (+LP Entropia) GNAW THEIR TONGUES (NL) Gnaw Their Tongues is an experimental drone/noise black metal project, conceived by Maurice de Jong, originating from Drachten, The Netherlands in 2005. The moniker of the project derives its name from a biblical verse. The lyrical themes explored by Gnaw Their Tongues encompass subjects such as bondage, torture, and morbid esoterica. Notably, tracks from Gnaw Their Tongues have been featured on various compilations including Black Industrial Grimoire, Mind the Gap Volume 77, Oaken Throne 6, and The Static Hymnal. Prior to the establishment of Gnaw Their Tongues, Maurice de Jong was involved in a band called Ophiuchus. However, with the exception of a few tracks, no further releases were made under the Ophiuchus moniker. ENTRØPIA Formati nel 2020 durante il buio momento del lockdown per evitare di uscire di testa chiusi in casa, siamo comunque usciti di testa una volta usciti di casa. Vaffanculo a tutti, vi roviniamo i concerti. HATE & MERDA Born to hate. Unn1/Unn2 We're sick of everything, and we're tired to hold it back. Sick of good intentions, strategies, scenes, cities, countrysides and life. Our first LP 'L'Anno Dell'Odio' (The Year Of Hate) is out NOW under the underground labels Toten Schwan, UTU Conspiracy and Diodrone, all together. Limited edition on vinyl (250 copies), cd (300 copies) and tape (26 pz). 'La Capitale Del Male', the second full length, is out from 21st of January 2016! Released by Dischi Bervisti, Sangue Dischi, Shove Records, Toten Schwan Records, Zas Autoproduzioni, Icore Produzioni, UTU Conspiracy, Dio Drone [on vinyl] and Simula Records (UK) [on tape]. Nihilism. Terrible complaint. Post mortem (yours). VENERDì 17 Ingresso: Prevendita 15€ / Porta 18€ Riservato soci AICS LINK ALLE PREVENDITE  THE MORLOCKS (US) The Morlocks si stanno preparando per un ambizioso tour di 6 settimane in Europa, con alcune piccole variazioni nel loro organico. La band ha reclutato Roméo Lachasseigne (della band Les Lullies e Les Grys-Grys) per unirsi a Bernadette alla chitarra, offrendo un duo con sonorità potenti e ad alto impatto! Non meno importante, sono felici di annunciare l'acquisizione del “metronomo del rullante” noto come il leggendario Buanax. Inoltre, sono in uscita le ristampe su vinile degli album ormai introvabili: Easy Listening For The Underachiever, The Morlocks Play Chess, Submerged Alive e Leighton Koizumi Power Hits, pubblicati rispettivamente dall’etichetta italiana Area Pirata Records e Improved Sequence questa primavera. The Morlocks sono dotati di un’attitudine garage autentica e pura. Questi ragazzi hanno ricreato il ritmo selvaggio di band come i primi Stones, The Stooges e New York Dolls, con la potente voce infuocata di Leighton completamente in comando. La loro musica ha un sound da brivido che non ha rivali. CHOW (IT) Three piece band from Bologna. CHOW like (in no particular order): eating, Blue Cheer, Screaming Trees, cooking, old punk rock records, autumn on the hills, Birdmen Of Alkatraz, flannel, psychedelic stuff. AFTERSHOW DJSET: FELIX (If The Kids Are United) + Olimpia SABATO 18 Ingresso: 5€ alla porta Riservato soci AICS BAZAAR (IT) BAZAAR, visioni post punk e sentimenti alt rock sul mondo che cambia. Mettono la testa fuori dallo studio per testare i pezzi che faranno parte del primo LP, in uscita nel 2026. Qualcuno dice ‘The next punk thing’, qualcun’altro ‘post punk or whatever’. LO SIMPLE (UK) Lo Simple è un trio con base a Londra formato da Ignacio Salvadores (Gal Go / King Krule), Sheiva e Danny Jerome. Tra post-rock, shoegaze e pop sperimentale, costruiscono paesaggi sonori intensi e personali. Dopo i live al Windmill Brixton, il loro LP di debutto. FANCIULLINO (IT) Fanciullino è un duo chitarra/batteria fondato tra Cagliari e Cafaggiareggi da Dav Cappai e Andrea Del Bravo. Nudi e tirati, portano la velocità negli spazi stretti e dolci accordi. insieme da dieci anni. AFTESHOW: GIROVELLE PSICOTRONICHE LUNEDì 20 Ingresso: PREVENDITA: 20€ /// PORTA: 25€ Riservato soci AICS LINK ALLE PREVENDITE  CATHARSIS (US) Dopo anni di silenzio, uno dei nomi più incendiari dell’hardcore internazionale torna in Europa e l’unica tappa italiana sarà proprio a Bologna . Ci sarà un nuovo disco in arrivo? GRAVEKULT (US) Gravekvlt is a throwback to early 80’s extreme metal, cheap horror movies, with a Rock’n’Roll attitude. A blend of Speed, Punk and Black Metal, seasoned with an evil dose of chorus. Get ready for a trip through the stench of ancient graves, dried blood and burning amplifiers. MARTEDì 21 Ingresso: Up to You!! /// Riservato soci AICS WYATT E. (BEL) Wyat E. is a belgian drone/doom metal band. In 2015, their debut EP Mount Sinai/Aswan caught the eye of Shalosh Cult, a Jerusalem-based label which released their critically acclaimed debut album Exile to Beyn Neharot in 2017. In 2022, their second full-length record “āl bēlūti dārû” (“The Eternal City” in Akkadian language) marks the rise of the band on the doom scene. Mixed by the godfather of doom Billy Anderson (Sleep, Om, Melvins,...), the album led them to a 95-concert tour across Europe and the Middle East. They played at notable events such as Roadburn Mystic Festival, DesertFest London, ArcTanGent, DesertFest Belgium, Dunajam, Stoned From The Underground, Red Smoke Festival, A Colossal Weekend, Rock in Bourlon, Dour Festival, Fusion Festival, Stick & Stone, Astral Festival Bristol, Black Earth Festival and many more. In 2023, the group composed for the motion picture soundtrack Bowling Saturne and released Roadburn-commissioned live-collaboration with the English band Five The Hierophant and singer Tomer Damsky under the name Atonia. Now the band has signed to Heavy Psych Sounds and will released a brand new album in early 2025. LITANIA (SRB/ITA) Litania è una band doom/hindustani Italo-Serba che si fonda su droni, riff e antichi canti e suoni hindustani (con strumenti quali Sitar, Dilruba and Harmonium) Litania è anche il titolo del primo album, otto tracce di doom evocativo e ipnotico, dove la potenza delle chitarre si intreccia con la spiritualità della musica indiana. Le canzoni, intense e oscure, sono intervallate da inserti strumentali con sitar, dilruba, harmonium e tanpura. Il canto si ispira agli antichi Raga dell'India, evocando un viaggio sonoro sospeso tra abisso e trascendenza. MERCOLEDì 22 Ingresso: PREVENDITA: 10€ /// PORTA: 15€ Riservato soci AICS LINK ALLE PREVENDITE  RIEN VIRGULE (FR) As our ears wander through the cacophony of a saturated world, drowned in the dissonance and excess of noise that besieges us, Rien Virgule invites us to explore sonic interstices, to slow down and resist the frenzy. With ‘Berceuses des deux mondes’ (‘Lullabies of the Two Worlds’), the deafening fires of the din are extinguished, the volume of the over-amplified world subsides, and music becomes a refuge. We listen as though contemplating a flickering candle flame, imbued with luminous melancholy. Two ears like two worlds: contrasts are reflected, musical pieces transform into movements, telluric spaces collide, crackle, and resonate. With this fourth album, the band amplifies its musical geology, revealing barely perceptible forces, all marked by tension and subtlety, to sculpt finely chiseled soundscapes. IL LIBRO ROSSO (IT) Emadame + Andrea De Franco GIOVEDì 23 Ingresso: PREVENDITA 15€ /// PORTA 20€ Riservato soci AICS LINK ALLE PREVENDITE  ARTIFICIAL BRAIN (US) Artificial Brain are a progressive and technical death metal quintet from Long Island, New York. Formed in 2011, they have, since their self-titled demo, merged technical ferocity, alien dissonance, and blackened cosmic atmosphere. With the Butchering Cosmic Giants EP (2013), they caught the attention of Profound Lore Records. Their debut full-length Labyrinth Constellation (2014), shaped under the guidance of Colin Marston, established a dense, cerebral, and claustrophobic sound. Infrared Horizon (2017) expanded their sonic range, tearing through electronic-infused landscapes and crafting new metallic textures. Their latest chapter, the 10-track, 45-minute self titled Artificial Brain (2022), stands as the culmination of a decade-long vision, featuring iconic guest appearances from Mike Browning (Nocturnus) and Luc Lemay (Gorguts) that intensify its sonic atmosphere. The band has appeared at notable festivals such as Maryland Deathfest and Covenant. In recent years they have extensively toured Europe, including performances at Brutal Assault and Frantic Fest, recently joined by Mike Paparo from Inter Arma on vocals and Alex Tolmin from Battlemaster on drums they are ready to come back on European soil supported by Suffering Hour. SUFFERING HOUR (US) Suffering Hour are a blackened death metal band from Minnesota. Their unique sound garnered high acclaim with their 2017 debut record In Passing Ascension, a guitar-driven slab of nihilistic savagery. This sound was then further explored on their 2019 EP Dwell, a single 18 minute track proving their unrelenting songwriting prowess. The Cyclic Reckoning was a turning point for the band’s style and has since inspired more experimentation and pushing of conventional boundaries within their respective genre. Suffering Hour also released a split entitled Time’s Withering Shadow in 2022 alongside Irish death metal giants Malthusian. The band has since played numerous shows and fests across the globe, most notably: Maryland Deathfest, Covenant Montreal/Vancouver, Killtown Deathfest, SWR fest in Portugal plus two European tours. After a long hiatus due to health issues within the band, Suffering Hour are slated to release a new EP and will be embarking on a European tour supporting fellow Profound Lore artists Artificial Brain in the fall of 2025.

Vai direttamente all'evento:    Gio 9/10 1000voltegatto, Kuzu Kenopsia, Patec |  Ven 10/10 - Nabat | Sab 11/10 - Mystifier, Vigljos, Tulpa, Dwellnought, Spettro | Dom 12/10 Ondakeiki, Rainbow Island | Lun 13/10 Antimatter  | Mar 14/10 Unholy Altar | Gio 16/10 Gnaw Their Tongues, Entrøpia, Hate & Merda || GIOVEDI 9 OTTOBRE Ingresso: PORTA: 5€ Riservato soci AICS 4 anni di numero sono passati dall'ultimo disco (e release party) di 1000voltegatto: spezziamo la streak della pausa per IL MUTISMO COME FORMA DI ESPRESSIONE, un album che di sicuro cercherà di farci uscire dal nostro guscio madreperlato e che verrà suonato per la prima volta giovedì 9 ottobre al Freakout Club in compagnia degli amici Kuzu Kenopsia e Patec. Il tutto sarà patrocinato dall'ottima Orchestra Marchetti e dalla puzzosa troppistruzzi. VEN 10 OTTOBRE Ingresso: PORTA CON LP IN OMAGGIO: 20€ /// PORTA SOLO CONCERTO: 10€ Riservato soci AICS NABAT I NABAT si formano a Bologna nel 1979. La prima line-up era composta da Steno voce (già bassista di un’altra formazione bolognese, i RAF PUNK), Stiv chitarra, Giulio basso e Davide alla batteria. Il primo gig si tiene al circolo anarchico “C.Bernieri”, dove i Nabat suonano insieme ad altre storiche formazioni delle scena punk bolognese come i già citati RAF Punk, gli Stalag 17, i Bacteria, gli Anna Falks etc.Con la seguente formazione Steno alla voce, Stiv chitarra, UI-UI alla batteria e Abbondante al basso, i Nabat registrano un demo-tape con i concittadini RIP-OFF. La cassetta riscuote, per quanto riguarda i Nabat, un discreto successo. La band comincia a farsi conoscere anche fuori Bologna. Qualche tempo dopo Abbondante lascia il gruppo per unirsi ad una band rockabilly, mentre i Nabat, rimasti in tre, intraprendono con i Soldier Of Fortune un memorabile tour nel sud Italia. Nel 1982, la band registra al Teatro Dehon (uno studio di registrazione di tipo parrocchiale) il primo ed indimenticabile E.P. “Scenderemo nelle Strade” contenente cinque pezzi. Il disco esce nel giugno dello stesso hanno per la loro etichetta la C.A.S. e vende circa 2000 copie (cifra considerevole per l’epoca).Nel frattempo alla band si unisce al basso Riccardo (ex batterista dei Rip Off e dei Bacteria).In poco tempo i Nabat, anche in virtù di una impressionante attività live (circa 90 concerti nel solo 1982), diventano una delle più amate OI! band italiane. Nel 1983, sempre su C.A.S., esce in una lussuosa veste grafica il secondo E.P. “Laida Bologna”. Nello stesso periodo, i Nabat sono tra i protagonisti, nonchè tra i promotori, dei due raduni OI nazionali di Monza e Bologna, ben recensiti dalle fanzine e dalla stampa musicale indipendente.Lo scopo di questi concerti, in cui suonano band Skin e Punk, è quello di superare le divergenze che dividono i due movimenti.“SKIN E PUNK SARANNO UNITI GLI OBBIETTIVI SON COMUNI QUESTI FOTTUTI PERBENISTI” cantano i Nabat e non si può che essere d’ accordo.Da dimenticare invece il terzo ed ultimo raduno Oi di Certaldo (maggio 1983) che finisce tra gli incidenti e le provocazioni di stampo fascista dei Rip Off e di una parte del pubblico.I Nabat inoltre producono, sempre per la C.A.S, due ottime compilation :“Skin+Punk =TNT” E.P. con Nabat, Dioxina, Armm e Rappresaglia e più tardi il LP “Quelli che urlano ancora” con vari gruppi della scena punk e skin italiana tra cui Cani, Klaxon, Basta, UDS, Hydra etc. Quindi nell’ 85, viene pubblicato dopo una lunga attesa il primo L.P. “Un altro giorno di gloria”, grande album con 10 grandi pezzi non solo OI. Alla chitarra c’è Red (ex Dioxina).Il disco è dedicato a Nelson Mandela ed a Martò dei Judas (band bolognese degli anni 60). La band si scioglie nel 1987. Più tardi membri della band suoneranno nella Punk band degli STAB mentre Stiv si unirà con gli Skrewdriver. Ma il 23-1-92 ,in una magica notte, Steno ritorna sul palco ed accompagnato dagli Stab da vita ad un pirotecnico concerto, immortalato sul CD “Live alla morara” edito dalla Twins Records nel 1994. Il disco contine una manciata dei migliori pezzi dei Nabat più una cover di “If the kids are united” degli Sham 69.Nel 1995 i Nabat si riformano in occasione del “TIZIANO ANSALDI BENEFIT TOUR”, da loro stessi organizzato per raccogliere fondi in favore della mamma del loro mitico ex manager scomparso nel 1994. La band si esibisce insieme ai bolognesi Ghetto 84 e ai Klasse Kriminale , prima al Leoncavallo di Milano e poi al Livello 57 di Bologna. Tra il dicembre 95 e gennaio 96 viene registrato “Nati per niente” Cd pubblicato su Banda Bonnot. Dodici pezzi, più una bonus track, potenti e diretti che sono una ulteriore conferma delle capacità della band, diventata nel frattempo un quintetto. Il disco è dedicato a IQBAL MASIH leader dei bambini pakistani, morto assassinato.L’album è stato registrato con la seguente formazione:Steno – voce, Riccardo – chitarra, Romano – chitarra, Abbondante – basso e Toppi – batteria.Agli inizi del 1997 Riccardo Pedrini (chitarrista dei Nabat) ha pubblicato il libro “Skinhead: lo stile della strada” edito da Castelvecchi. Il libro, molto bello, ripercorre la storia del movimento Skinhead, dalle origini fino ad oggi, con particolare riferimento alla scena italiana, e contiene una vasta e dettagliata bibliografia e discografia, nonchè un elenco di siti internet e di fanzine Skinhead.Sempre Riccardo nell’ estate 1998 a pubblicato “Ordigni”, saggio sulla scena punk bolognese dei primi anni ottanta. Nel settembre 1998 è uscito per la Potere Records uno splendido bootleg intitolato “Campane a Stormo” che raccoglie le registrazioni apparse sul primo demo tape della band, due live ed alcuni pezzi tratti principalmente dal primo LP del gruppo bolognese. Purtroppo la band si è definitivamente sciolta nell’Ottobre ’98 alla vigilia di un concerto in terra vicentina in occasione del 1 Festival SHARP Tre Venezie durante il quale però Steno ha improvvisato un mini-gig accompagnato dai alcuni membri dei Los Fastidios. Alcuni anni dopo lo scioglimento Steno ha ripreso a fare musica con un nuovo gruppo di musicisti, che ha preso il nome Laida Bologna Crew proprio dalla canzone simbolo dei Nabat. Altri ex-componenti del gruppo sono attualmente impegnati nel gruppo Punk Rock/Punk & Roll The Stab, le cui sonorità ricordano sia i Clash che il classico Oi! italiano e inglese. Nel 2006 la Laida Bologna Crew si scioglie e Steno decide di riformare ufficialmente i Nabat mantenendo il bassista della Laida Bologna Crew e contattando tre membri degli Uguaglianza, giovane band ligure di cui Steno produsse il primo album l’anno prima. La formazione rimane tutt’ora invariata e con molti concerti all’attivo. SABATO 11 OTTOBRE Ingresso: PREVENDITA: 20€ /// PORTA: 25€ Riservato soci AICS MYSTIFIER (BRA) I Mystifier sono una band death/black metal brasiliana. Attiva dal 1989, la band esplode letteralmente creando in poco più di un anno due dischi fondamentali per il genere, Wicca e Göetia, veri e propri rituali sonori influenzati da un classico heavy metal dalle distorte vocalità. Il bassista fondatore Beelzeebubth è un grande punto di riferimento per la scena black metal estrema brasiliana, e nonostante i vari cambi di line up, è sempre riuscito a mantenere una certa attitudine bellica, metallica e prepotente sia nella macabra ed occulta estetica sia nella discografia. L’inquietante cult debut album Wicca dal profumo vagamente acre è solo un assaggio di ciò che poi ne seguirà; Göetia infatti ne conserva lo spirito ma presenta nuovi spunti; richiami esoterici, una ‘’qualità’’ migliore ed una sorta di ‘’evoluzione compositiva’’. Gli aspetti peculiari di questo disco sono tanti: in primis la vocalità gutturale/evocativa nuova di Arnaldo Asmodeus che padroneggia in tutto il disco ma soprattutto la strumentazione che è sicuramente più complessa del precedente. Le chitarre hanno suoni migliori e le parti ritmiche sono più atmosferiche. Goetia è sporco e sacrilego, ha quell’anima classica oscura ed ignota che regala alla band ed al disco un fascino misterioso e tetro ancora attuale. I nove canti infernali di questo disco hanno nomi articolati e tanti simboli nascosti, i feroci cinquantasei minuti sono accompagnati da un songwriting arcano ed atmosfere sulfuree. VIGLJOS (SWI) Vigljos is conceptually centred around the practice of medieval beekeeping and is currently experiencing accelerated momentum after the release of their beautifully filmed video for their self titled track, ‘vígljós’. The band, quickly after their inception in 2023, were invited to perform at special events and festivals in Switzerland and Europe including Culthe Festival (DE), Eros at Arms (CH), Skullcrusher (DE), and is set to play another onslaught of increasingly prolific festivals for the remainder of 2024 and into 2025. TULPA (IT) Tulpa is a black metal project founded in 2016 as a form of abreaction stemming from the cyclically repeated trauma of death, rebirth, and decay in samsara. DWELLNOUGHT (IT) Trascendental walls of noise blackened doom notes held from progenic distant dimensions. SPETTRO (IT) Spettro is a black metal band born in Emilia in 2020. Their music is a ritual to turn solitude into a taste of immortality. After four years as a studio project, on October 11th they will make their live debut at Freakout Club in Bologna with a renewed line-up, marking a new chapter in their journey. Meanwhile, they are working on their upcoming album, set to embody their dark and uncompromising vision. Non serviam!   LINK ALLE PREVENDITE   DOMENICA 12 OTTOBRE Ingresso: Up to You!! /// Riservato soci AICS ONDAKEIKI ONDAKEIKI è un gruppo formato a Milano da Rella (Rella The Woodcutter, Everest Magma, Eternal Zio), Nicola (Servant Songs, Pueblo People, His Electro Blue Voice) e Giacomo (Mirrorism, Porta d’Oro, Kobra). La loro musica è influenzata da rock psichedelico, kosmische musik, dub e post punk. Il loro primo EP autoprodotto è ‘Canti Vol. 1’ (Sentiero Futuro Autoproduzioni, aprile 2024). Dopo due tirature in cassetta è ristampato in vinile da Legno a marzo 2025, uscita accompagnata dalla serie di remix ‘Sei Fiori’, con Neurotica Exotica, Crystal Therapy, Everest Magma, Lay Llamas, biased e GMPop. Il 10 ottobre 2025 esce per 42 Records il loro secondo album, ‘Canti Vol. 2’, disponibile in digitale e nelle versioni fisiche in vinile e in cassetta. RAINBOW ISLAND Rainbow Island is an interdimensional-psychedelic based in Rome formed by PikkioMania, Simne Donadni, Lou Pappagallo and DJ Kimchi. Their musical research ranges from Interdimensional Folk to Gombo Riddims and acts to create psychedelic sounds and atmospheres. Their debut dates back to 2012 with the album RNBW, released by Flying Kids Records. In 2017 they released the acclaimed Crystal Smerluvio Riddims, an album produced by No=Fi Recordings in collaboration with Flying Kids Records. Their third work, Illmatrix, of 2020, published by the Fifth World label ArteTetra, marked an even more narcotizing and deforming turning point in the band’s experimental path. Now, their latest work, “Moonlit Panacea” is out on Riforma: blurred riddims and psychedelic ritual ambient music released on tape. Rainbow Island has drawn the attention of many industry insiders and of magazines, such as “Rumore”, “Blow Up”, “The Wire” and “OndaRock”. LUNEDI 13 OTTOBRE Ingresso: PREVENDITA: 13,64€ /// PORTA: 18€ Riservato soci AICS ANTIMATTER (UK) A Tour Celebrating 25 Years Of Music XXV Mick Moss’ electric Antimatter live band returns in Autumn 2025 to complete the celebrations for a quarter-century of Antimatter albums with the final silver anniversary ‘XXV’ tour of this year. With the focus on Moss' instantly recognisable baritone vocal, songwriting form and psychological lyrics, he has achieved the seemingly impossible balancing act of distilling an eclectic variety of styles and influences into one homogenous, unique identity, delivering a run of consistently strong albums across the years. As the late U.S. journalist Dewey Gurall wrote in 2016 ‘’from so many different elements, Moss has constructed something both wholly original and emotionally moving’’ Following on from a series of sold-out shows, XXV features never-before and lesser performed Antimatter tracks brought from the discography and into the spotlight as well as keeping mainstay classics in what has shaped up to be a truly unique setlist… a celebration of 25 years of moving, melodic music sung passionately by one of today's most relatable voices. MARTEDI 14 OTTOBRE Ingresso: Up to you!! //// Riservato soci AICS UNHOLY ALTAR Formed in 2021, raw black metal quintet Unholy Altar is a demonstration of ritualistic chaos compelled by nature. With clear love for the second wave Norwegian bands, Unholy Altar assaults the listener with relentless blasts, searing tremolos, and a twisted sinister melodicism that lurks under the chaotic surface. With a debut LP under their belt and a slew of performances and tours across the country, Unholy Altar is poised to take the world by storm with their dark oppressive sound. “The corpse-painted quintet have embraced the raw, bloody, chains-and-black-leather aesthetic to great effect, and poured their efforts into constructing a faithfully old-school sound devoid of any reactionary baggage. Grandly sepulchral songs like “Infernal Flesh,” with its biting atmosphere and melodic underbelly, exhibit a brilliant grasp of what makes the genre so great. – “ROLLING STONE – TOP 20 METAL ALBUM OF 2024 GIOVEDI 16 OTTOBRE Ingresso: PREVENDITA: 15€ / PORTA CON LP ENTRØPIA: 20€ / PORTA SOLO CONCERTO: 15€ /// Riservato soci AICS GNAW THEIR TONGUES (NL) Gnaw Their Tongues is an experimental drone/noise black metal project, conceived by Maurice de Jong, originating from Drachten, The Netherlands in 2005. The moniker of the project derives its name from a biblical verse. The lyrical themes explored by Gnaw Their Tongues encompass subjects such as bondage, torture, and morbid esoterica. Notably, tracks from Gnaw Their Tongues have been featured on various compilations including Black Industrial Grimoire, Mind the Gap Volume 77, Oaken Throne 6, and The Static Hymnal. Prior to the establishment of Gnaw Their Tongues, Maurice de Jong was involved in a band called Ophiuchus. However, with the exception of a few tracks, no further releases were made under the Ophiuchus moniker. ENTRØPIA Formati nel 2020 durante il buio momento del lockdown per evitare di uscire di testa chiusi in casa, siamo comunque usciti di testa una volta usciti di casa. Vaffanculo a tutti, vi roviniamo i concerti. HATE & MERDA Born to hate. Unn1/Unn2 We're sick of everything, and we're tired to hold it back. Sick of good intentions, strategies, scenes, cities, countrysides and life. Our first LP 'L'Anno Dell'Odio' (The Year Of Hate) is out NOW under the underground labels Toten Schwan, UTU Conspiracy and Diodrone, all together. Limited edition on vinyl (250 copies), cd (300 copies) and tape (26 pz). 'La Capitale Del Male', the second full length, is out from 21st of January 2016! Released by Dischi Bervisti, Sangue Dischi, Shove Records, Toten Schwan Records, Zas Autoproduzioni, Icore Produzioni, UTU Conspiracy, Dio Drone [on vinyl] and Simula Records (UK) [on tape]. Nihilism. Terrible complaint. Post mortem (yours). LINK ALLE PREVENDITE

Vai direttamente all'evento:   Gio 02/10 - Mephistofeles, Giac Taylor |  Ven 03/10 - CRAZY HARDCORE NIGHT: Silver, 3nd7r, Substrata | Mar Sab 4/10 - Hard Squat Crew, XVI Rlgn, Nor Psychohead, Dj Dima | Dom 5/10 The Wants, Trans Upper Egypt | Mer 8/10 Mondo Generator, Komatsu  | Gio 9/10 1000voltegatto, Kuzu Kenopsia, Patec || GIOVEDI 2 OTTOBRE Riservato soci AICS SOLD-OUT!!! MEPHISTOFELES (ARG) I Mephistofeles sono un trio argentino originario di Entre Ríos. Dal 2013 fedelissimi ai fumi allucinogeni degli Electric Wizard e al dogma dei padri supremi Black Sabbath, si inseriscono nel genere stoner doom. Inizialmente pubblicano una serie di demo e nel 2016 esce il loro primo vero e proprio full album Whore attraverso le Black Noise, Pirámide Records et Golden Dawn Recordings. Southcave Records, Creep Purple Promotion e Black Farm Records l'anno successivo pubblicano già una seconda edizione del disco. Il 2017 è in effetti un anno cruciale per i Mephistofeles, che compaiono nella compilation Devotional Doom e nello stesso periodo fanno uscire l'ep Mayhem Sessions, uno split coi Sahara e, non paghi, il loro secondo album (((I'm Heroin))). FULL ALBUM "WHORE": https://www.youtube.com/watch?v=gkIvlWuSXb8&list=RDgkIvlWuSXb8&ab_channel=666MrDoom GIAC TAYLOR (IT) Giac Taylor is the solo project of Giacomo Panarisi. It all started in January 2021, when « il signore » Panarisi decided to make the most of « lockdown ». Isolating himself in his studio with his sound engineer, Moorad Agjij, he began working furiously on a lifelong goal he has always wanted to achieve ; recording a solo album in less than a week. The concept is simple : wake up, compose tracks, record them the same day and finish an album in 7 days ; thus the name of the project « One Week/One Record presents Giac Taylor ». From this experience, four albums were recorded, « First Of All ... Fuck You » (January 2021), « Jesus Loves You But I Don't » (March 2021), « Dead Man Shoes » (June 2021) and « The Last Sicilian Standing » (December 2021), the latter being recorded in less than 24 hours. On stage, Giac Taylor is accompanied by experienced musicians and trusted friends, with his first concert taking place in March 2022. Since, the project played more than 100 gigs across Europe (Germany, France, the Netherlands, Italy & Belgium) touring with band such as Fuzz, Earth, Danko Jones, Triggerfinger, Nashville Pussy, Lords of Altamont, the Murlocks, HooverIII, Unida, Charles Moothart ... In october 2024, they played at the famous Desert fest in Antwerpen & in May 2025 at Les Nuits du Botanique in Brussels. VEN 3 OTTOBRE Ingresso: PORTA: 8€ Riservato soci AICS SILVER Portabandiera dell'HC italiano in giro per il mondo e dopo aver recentemente calcato i palchi di FYA Fest e Damage Is Done Fest, tornano a Bologna per promuovere il loro nuovo /2 split con Godskin Peeler. Hardcore/crossover cento per cento NY Style dritto in faccia. 3ND7R Avete presente Grimlock, Unbroken, Acme ed Helmet? Metteteli insieme ed ecco la pozione magica. Per la prima volta a Bologna, reduci dai migliori festival HC estivi in Europa pronti a portare il loro HC brutale targato 90's. SUBSTRATA All Star band con veterani e nuove leve del Nord Est per la prima volta a Bologna. Matrice Deftoniana con tocco moderno e tanta personalità, sarà live infuocato! SABATO 4 OTTOBRE Ingresso: PORTA: 10€ Riservato soci AICS TORNA LA HARD SQUAT CREW AL FREAKOUT CLUB Dinastia Rap Hardcore di Bologna. Ingresso: 10€ riservato ai soci e alle socie AICS PREVENDITE SOLD-OUT!! Consigliamo a chi non ha la prevendita di arrivare alle 21:00 per poter entrare. KAPPA-O VIRUX XVI RLGN NOR PSYCHOHEAD [release party] DJ DIMA   DOMENICA 5 OTTOBRE Ingresso: Up to You!! /// Riservato soci AICS THE WANTS (US) The Wants began playing shows in the New York City underground music scene in 2017. They signed with the London-based record label Council Records, an imprint of Johnny Greenwood’s Octatonic label. The Wants played SXSW 2019 and then The Great Escape 2019, followed by a series of short tours in the UK and France in the lead-up to the release of their debut album, Container. Their touring cycle for Container was cut short by the COVID-19 pandemic lockdowns. Nevertheless, the record received critical acclaim from outlets like NME and Mojo and has maintained an organic listenership. During this downtime, The Wants worked on what would become Bastard. They opened for Nation of Language in the US and returned to playing local shows in New York City. They have shared the stage with notable acts like Dry Cleaning, Nation of Language, Bambara, Bodega, Lithics, Working Men’s Club, Model/Actriz, Public Practice, Xeno & Oaklander, and others. TRANS UPPER EGYPT (IT) Some folks use the phrase ‘no place like home’ when referring to Roma Est’s beloved venue Fanfulla, four walls that have single handedly delivered some of the most unique and vital music from the peninsula’s underground community. Trans Upper Egypt are maybe one of the most vivid representations of that legacy with their dazzling blend of motorik syncopation, punchy extensive basslines, spaced out twirling organs and scorched phased out vocals. From phantom jazz-rock, to dazed, chopped and screwed ESG funk and late 70s French OSTs, the trio of Leo Non (WOW), Bob Junior (Holiday Inn) and Simone Donadini (Rainbow Island) have not lost their appetite for tight jams but they’ve managed to construct a psychedelic voyage without using any of the usual tricks to achieve so. Terrestrial psych that steers far from any dub stereotypes. MERCOLEDI 8 OTTOBRE Ingresso: PREVENDITA: 13,64€ /// PORTA: 18€ Riservato soci AICS MONDO GENERATOR (US) Mondo Generator was formed in 1997 by Queens of the Stone Age bassist/singer Nick Oliveri. Initially intended as a solo/side project, the classic "Cocaine Rodeo" album was recorded that same year, but shelved until the Southern Lord label released it and its unique brand of criminal insanity to widespread acclaim and horror in the summer of 2000. The follow-up, "A Drug Problem That Never Existed," was released jointly in the Summer of 2003 by Ipecac/Rekords Rekords to further critical acclaim. A worldwide tour followed that was chronicled on video for the DVD release "Use Once and Destroy Me". In 2004, Mondo Generator recorded and released "III The EP." Oliveri began a solo acoustic career shortly after, which would see two full releases, "Demolition Day", and 2010's "Death Acoustic." In 2006, Mondo Generator released "Dead Planet: SonicSlowMotionTrails" on English label Mother Tongue. It would be released worldwide the following year on Suburban Noize Records. In late 2010, Mondo Generator would be put on a back-burner as Oliveri rejoined Kyuss, re-branded as Kyuss Lives! (and now Vista Chino), which also features John Garcia, Brant Bjork, and new guitarist Bruno Fevery. In summer 2012, the new Mondo Generator album, "Hell Comes To Your Heart," was released by Mondo Media/Cobraside. KOMATSU (NL) In 2010 the sky ripped open above Eindhoven Rock City. Four musicians came thundering down, surrounded by ferocious looking thunderbolts and the roar of a thousand gods. Their mission? To scorch the earth with a brutal mix of sludge, stoner and metal. Komatsu was born with a surefire determination to never look back. LINK ALLE PREVENDITE   GIOVEDI 9 OTTOBRE Ingresso: PORTA: 5€ Riservato soci AICS 4 anni di numero sono passati dall'ultimo disco (e release party) di 1000voltegatto: spezziamo la streak della pausa per IL MUTISMO COME FORMA DI ESPRESSIONE, un album che di sicuro cercherà di farci uscire dal nostro guscio madreperlato e che verrà suonato per la prima volta giovedì 9 ottobre al Freakout Club in compagnia degli amici Kuzu Kenopsia e Patec. Il tutto sarà patrocinato dall'ottima Orchestra Marchetti e dalla puzzosa troppistruzzi.

Vai direttamente all'evento:   Ven 26/09 - Lust For Youth |  SAB 27/09 - ATMOSPHERE: Venin Carmin, Casa Gialla | Mar 30/09 - Whitney K., Luna Lias | Gio 2/10 Mephistofeles, Giac Taylor || VENERDI 26 Ingresso: PREVENDITA 15€ // PORTA: 20€ Riservato soci AICS LUST FOR YOUTH (SWE/DAN) Lust For Youth is a Swedish/Danish electronic duo comprised of Hannes Norrvide and Malthe Fischer, based in Copenhagen. Known for their moody, synth-driven sound, Rrecent singles: Accidental Win (fall 2022) and Giorgia (spring 2023), both carrying forward the style introduced in their 2019 album. Their latest single, Blue Suzuki, released on the Posh Isolation label, marks a notable shift— a 6-minute ambient piece that trades fast-paced synths for a slower, more atmospheric feel. This experimental direction hints at the evolution in their sound, setting the stage for their upcoming collaborative album with Croatian Amor, All Worlds. LINK ALLE PREVENDITE   (Attive fino alle ore 19:00) SABATO 27 SETTEMBRE Ingresso: PREVENDITA 10€ /// PORTA: 15€ Riservato soci AICS Ma quale paese del bel canto: è ora di sputare fuori tutto quello che non ci sta bene. Sentiamo il bisogno urgente di urlare ciò che inevitabilmente ci portiamo dentro, costretti ogni giorno a guardare in faccia quello che succede fuori. Non è un caso, quindi, se abbiamo voluto coinvolgere tre nuovi progetti, uniti dalla stessa esigenza di esprimersi senza mezzi termini. VENIN CARMIN (FRA) "I am both cynical and deeply obsessed with pop icons. I navigate between gloom and glitter. I channel my emotions through my bass and synths to craft songs that reflect my inner messy world (and perhaps yours as well). My passion is undeniable. I’m not the easiest person to be around, but I'm kind-hearted. Je m'appelle Lula, but you can call me “Venin Carmin”. CASAGIALLA (IT) Casa Gialla nasce a Venezia nel 2023 da un’idea di Giovanni Bertiato e Giuditta Fabiani. Il duo propone un progetto darkwave dalle influenze anglosassoni e sovietiche ma con testi in italiano. I brani inediti sono onirici, cupi ed allo stesso tempo estremamente catchy sulla scia della new wave anni ‘80. Con i synth ipnotici, le chitarre di Giovanni e la voce profonda di Giuditta, verrete immediatamente trasportati in un’altra dimensione, un po’ più vintage, un po’ più goth, come in una giornata di nebbia nella Pianura Padana. Casa Gialla ha esordito dal vivo proprio a Venezia, dove il progetto si è formato nel contesto universitario lagunare, ma recentemente le esperienze live sono state variegate e varie sono stati i contesti, con concerti anche a Bologna, dove il duo ha debuttato al leggendario Covo Club in apertura a gruppi come Glazyhaze e Mondaze. Al momento contiamo quattro inediti già rilasciati sulle principali piattaforme digitali ed un album in studio in arrivo. LINK ALLE PREVENDITE   (Attive fino alle ore 19:00) MARTEDI 30 SETTEMBRE Ingresso: PREVENDITA: 10€ Riservato soci AICS WITHNEY K. (MONTREAL, CANADA) Whitney K is the musical vehicle for Canadian born songwriter Konner Whitney. He is known for his agile lyricism, unpolished yet luminously resonant recordings, and a gritty baritone that balances cool detachment with profound emotional undercurrents. For years, Whitney K existed as an amorphous moving target, as restless as the man behind it. After a string of cassette releases, the band focused its vision on their highly praised 12” debut, Two Years (2020; Maple Death Records), a pivotal period during which band-member Josh Boguski’s role solidified as primary collaborator and producer. Together with multi-talented musicians Avalon Tassonyi and Michael Halls, their synergy has since yielded two more acclaimed albums on Maple Death: Hard to be a God (2022), an immersive orchestral EP, and Vivi! (2023), a frenetic live album preserving their first international tour. https://whitneyk.bandcamp.com/album/bubble-2 LUNA LIAS (IT) https://lunalias.bandcamp.com LINK ALLE PREVENDITE   (Attive fino alle ore 19:00) GIOVEDI 2 OTTOBRE Ingresso: PREVENDITA: 10€ /// PORTA: 15€ Riservato soci AICS -20 BIGLIETTI AL SOLD-OUT MEPHISTOFELES (ARG) I Mephistofeles sono un trio argentino originario di Entre Ríos. Dal 2013 fedelissimi ai fumi allucinogeni degli Electric Wizard e al dogma dei padri supremi Black Sabbath, si inseriscono nel genere stoner doom. Inizialmente pubblicano una serie di demo e nel 2016 esce il loro primo vero e proprio full album Whore attraverso le Black Noise, Pirámide Records et Golden Dawn Recordings. Southcave Records, Creep Purple Promotion e Black Farm Records l'anno successivo pubblicano già una seconda edizione del disco. Il 2017 è in effetti un anno cruciale per i Mephistofeles, che compaiono nella compilation Devotional Doom e nello stesso periodo fanno uscire l'ep Mayhem Sessions, uno split coi Sahara e, non paghi, il loro secondo album (((I'm Heroin))). FULL ALBUM "WHORE": https://www.youtube.com/watch?v=gkIvlWuSXb8&list=RDgkIvlWuSXb8&ab_channel=666MrDoom GIAC TAYLOR (IT) Giac Taylor is the solo project of Giacomo Panarisi. It all started in January 2021, when « il signore » Panarisi decided to make the most of « lockdown ». Isolating himself in his studio with his sound engineer, Moorad Agjij, he began working furiously on a lifelong goal he has always wanted to achieve ; recording a solo album in less than a week. The concept is simple : wake up, compose tracks, record them the same day and finish an album in 7 days ; thus the name of the project « One Week/One Record presents Giac Taylor ». From this experience, four albums were recorded, « First Of All ... Fuck You » (January 2021), « Jesus Loves You But I Don't » (March 2021), « Dead Man Shoes » (June 2021) and « The Last Sicilian Standing » (December 2021), the latter being recorded in less than 24 hours. On stage, Giac Taylor is accompanied by experienced musicians and trusted friends, with his first concert taking place in March 2022. Since, the project played more than 100 gigs across Europe (Germany, France, the Netherlands, Italy & Belgium) touring with band such as Fuzz, Earth, Danko Jones, Triggerfinger, Nashville Pussy, Lords of Altamont, the Murlocks, HooverIII, Unida, Charles Moothart ... In october 2024, they played at the famous Desert fest in Antwerpen & in May 2025 at Les Nuits du Botanique in Brussels. LINK ALLE PREVENDITE   (FINO A ESAURIMENTO)

Vai direttamente all'evento:   Gio 18/09 - Dischi Decenti: Bastos, Maremarcio |  Ven 19/09 - Knarzy, Ursula, Flaw, Eva Can't  | Sab 20/09 - Nina Harker  | Mer 24/09 - Ecko Bazz w/Still || GIOVEDI 18 Ingresso: 5€ Riservato soci AICS A Bologna si consolida il gemellaggio tra due band navigate del panorama europeo. Sarà una notte accettabile? Venire per credere, sicuramente sarà un momento OK. Il 18 settembre in rapida sequenza avremo al Freakout Club: MAREMARCIO (IT) Screamo antifa da Parma BASTOS (ROMANIA) screamo da Bucharest per la prima volta in Italia immancabilerrimi VENERDI 19 Ingresso: 5€ Riservato soci AICS Ma quale paese del bel canto: è ora di sputare fuori tutto quello che non ci sta bene. Sentiamo il bisogno urgente di urlare ciò che inevitabilmente ci portiamo dentro, costretti ogni giorno a guardare in faccia quello che succede fuori. Non è un caso, quindi, se abbiamo voluto coinvolgere tre nuovi progetti, uniti dalla stessa esigenza di esprimersi senza mezzi termini. KNARZY L’attività da producer di knarzy inizia in età adolescenziale ma viene ufficialmente inaugurata soltanto nel 2020 con la pubblicazione del brano Aside sotto la storica etichetta di Chicago Trax Records e la pubblicazione del primo disco con il nome di MVMNT EP con l’etichetta indipendente bolognese Timeless Records. Nello stesso anno dà vita anche a un progetto da live performer parallelo a quello da producer intitolato ACIDM, in cui mischia le classiche basslines acid con i ritmi macchinosi dell’IDM. Successivamente alla pubblicazione di tre singoli da artista indipendente nel 2021, nel 2023 esce il secondo EP intitolato Mental Breakbeat EP sotto l’etichetta Girovelle Psicotroniche e il suo primo remix del brano Higher di Sacrobosco (Trovarobato), mentre nel 2024 partecipa alla compilation dell’etichetta olandese Boomstraat 1818 con il brano Planet Hedonism. URSULA URSULA Ursula esplora la musica elettronica come un rituale in continua evoluzione, fondendo la fisicità del club con la natura fluida dell'improvvisazione sonora. Nei suoi set, sintetizzatori e drum machine prendono vita in tempo reale, intrecciando groove ipnotici, ambienti sonori stratificati e incursioni sperimentali. Il risultato è un viaggio sonoro che sfugge alle etichette e si muove liberamente tra techno, ambient ed electro. FLAW Dj/Selector con base a Bologna, Flaw fa parte della famiglia Girovelle Psicotroniche e si colora di sonorità techno, progressive, breakbeat, trance ed electro. Fusione fra passato e contemporaneità, nuove release e dischi riemersi si completano cercando di raccontare sempre qualcosa di diverso, l'idea definita dei suoni che ama non ostacola un continuo ricambio del suo archivio. EVA CAN'T Metà del progetto techno ambient sea:side con Sacrobosco e founder del duo bolognese Under The Bed insieme ad Aurora Onokai, tramite il quale ha organizzato e prodotto l'outdoor local fest bolognese "Pomeriggissimo", nel 2025 alla 3a edizione. Dal 2010 crea e organizza format per la salvaguardia dell'underground e club culture locale. Instancabile ricercatrice di suoni, dancefloors e ispirazioni, privilegia ritmi veloci e influenze che spaziano dalla raw techno spedita alla hardgroove, tocchi hip hop, bass ed electro classic. Ha collaborato con diversə artistə e realtà sia local che europeə, come Francesco Resta (Monophase (IT)), LaRoboterie, Plug Radio, Link, Tank - Serbatoio Culturale, Klang Roma e altrə. Suona anche per Techno Runs e Microwave (Bruxelles). SABATO 20 Ingresso: 5€ Riservato soci AICS NINA HARKER (US) Un veicolo sonoro costantemente puntato verso l’ignoto, nina harker è un enigmatico duo mitteleuropeo, o forse un dispositivo di seduzione per vampiri, o meglio un camaleonte che cambia pelle e colore traccia dopo traccia. “In un’epoca di musica dissociata senza vergogna, è quasi rinfrescante ritrovarsi impigliati in qualcosa di così altro e inebriante” [All Night Flight] https://aguirrerecords.bandcamp.com/album/nina-harker selezioni musicali a cura di Donato D’Argento (hi-nrg subaru nostalgia) eeeaeeeeaee (pattern recognition audio journey) Emadame (innerspace bass psychoanalysis) fera (visceral oscillating radical softness) con un intervento visivo di fera (L’abisso trema) dedicato a Henri Michaux start @ h 22:00 ! grafica: Andrea De Franco + Maria Sole Barzacchini MERCOLEDI 24 Ingresso: PREVENDITA: 12€ PORTA: 15€ Riservato soci AICS LINK ALLE PREVENDITE   (Attive fino alle ore 19:00) ECKO BAZZ W/STILL (UGANDA/IT) Since his incendiary debut LP Mmaso released on Hakuna Kulala earlier this year, Ugandan conscious rapper and acrobatic MC, Ecko Bazz has rapidly rose to international success. His style is an amalgamation of supernatural trap intensity, demonic nu-dancehall, and politically-incensed Lugandan poetry exploring violence, religion, or the poverty in the Ugandan slums. Anyone that has the privilege of seeing him live will know what to expect from his feverish flow and his fire-manic presence. The rapper alternates freely between sober truths and hyperactive screams, flipping from bar to bar overs beats by Debmaster, Slikback, and UK producer PQ (Nightmare song) among others. For this tour, Ecko Bazz is joining forces with long time collaborator, Milan-based producer and visual artist STILL (Head of Hundebiss Records, also known for his project Dracula Lewis). STILL’s practice is defined by a unique, nomadic approach shapeshifting through his vernacular worlds of sound and imagery. Founded Invernomuto alongside Simone Bertuzzi , published music under different monikers and debuted with his STILL alias on PAN in 2018.

Vai direttamente all'evento:   Gio 11/09 - The Boys, Marc Valentine |  Ven 12/09 - NON MI PIACE: Trelovsky (release party), Chevalier, Sono Ancora Vivo-  | Lun 15/09 - Shearling (US), Allarme (Polonia), Songs About Dogs  | Mer 17/09 - Minipony (Ecuador), Duæl  | Gio 18/09 - Dischi Decenti: Bastos (Romania), Maremarcio || GIOVEDI 11 Ingresso: 13€ in prevendita o 18€ alla porta Riservato soci AICS LINK ALLE PREVENDITE (Attive fino alle ore 19:00) ORARI 21:00 Apertura porte 21:30 Marc Valentine 22:30 The Boys THE BOYS (UK) Along with the Sex Pistols, Clash and The Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977. Highly regarded by the music press and their contemporaries, their well-crafted songs, together with Steel and Dangerfield’s love of harmonies, led to them being described as ‘The Beatles of Punk’ but they could (and should) just as deservedly have been compared to the Ramones – fast, alternately brattish and tongue-in-cheek, and gloriously anthemic. As Last FM puts it: “The Boys provided the template for superior Pop Punk before even the Buzzcocks had got out of first gear”. The Boys were born in September 1975 when singer/guitarist Matt Dangerfield left Mick Jones and Tony James’s fledgling punk band London SS to form a new band with ex-Hollywood Brats songwriter/keyboard player Casino Steel. Dangerfield’s art college pal, guitarist Honest John Plain, was quickly recruited. The following year they held auditions for the bass and drum roles with Kid Reid and Jack Black completing the line-up. Matt Dangerfield had converted the tiny disused coal cellar of his rented basement flat in Maida Vale into a home recording studio/rehearsal room and as a consequence, 47A Warrington Crescent became extremely important in the development of the UK punk scene in the mid-seventies. Mick Jones, Glen Matlock, Tony James, Rat Scabies, Brian James, Gene October, Sid Vicious and Billy Idol were regular visitors. Amongst others, The Sex Pistols, The Damned, London SS, Clash, Chelsea, Generation X and of course, The Boys, made their first recordings there. In this hotbed of creativity Steel and Dangerfield quickly forged a prolific songwriting partnership. The Boys made their live debut at London’s Hope and Anchor in October 1976. Mick Jones, Billy Idol, Joe Strummer, Tony James and Gene October were in attendance for The Boys first performance. A mere handful of gigs later, they became the first UK punk band to sign an album deal when NEMS Records snapped them up in January 1977. Having released two albums and three singles with NEMS, they moved to Safari Records in 1979 where two further albums and five more singles followed. Over the years countless bands have covered The Boys’ back catalogue – from Argentina to Germany and Japan to the USA – and even more artists have cited The Boys as a major influence. MARC VALENTINE (UK) As frontman of cult British power-pop outfit Last Great Dreamers, Marc Valentine has brought sparkle to venues and turntables alike with his distinctive vocals, wry charm and songbook of secret classics. Now, with his favourite guitar in tow, he's heading out on a solo adventure, loading his flight case with a fresh set of tunes, and polishing the trademark twinkle in his eye. Debut album Future Obscure sees Valentine building on his past while expanding his sonic palette, to craft a collection of should-be hits – 7-inch-shaped songs that move both body and mind. The album is produced by Dave Draper (The Professionals, Wildhearts, Ryan Hamilton). Recorded with friends old and new, and featuring collaborations with Wreckless Eric and The Boys' Matt Dangerfield, this is a reflective, sometimes defiant album in the golden-era tradition – a pop record from the heart, packed with songs to holler, heal and hold. VENERDI 12 Ingresso: 5€ Riservato soci AICS Ma quale paese del bel canto: è ora di sputare fuori tutto quello che non ci sta bene. Sentiamo il bisogno urgente di urlare ciò che inevitabilmente ci portiamo dentro, costretti ogni giorno a guardare in faccia quello che succede fuori. Non è un caso, quindi, se abbiamo voluto coinvolgere tre nuovi progetti, uniti dalla stessa esigenza di esprimersi senza mezzi termini. TRELKOVSKY (IT) release party di un disco necessario e oscuro: filosofia black metal su racconti screamo. CHEVALIER (IT) quanto di più vero e diretto ci si possa aspettare dall’emoviolence. SONO ANCORA VIVO (IT) l’hardcore come dev’essere: dritto al punto. LUNEDI 15 Ingresso: Up to You!/// Riservato soci AICS SHEARLING (US) Serving as a spiritual continuation of the now-defunct Sprain, Shearling exhibits the reunion of a now decade-old collaborative force between guitarists Alexander Kent and Sylvie Simmmons. A subsequent recruiting of percussionist Andrew Chanover, bassist Wesley Nelson, and Keyboardist Elizabeth Carver filled out their orchestrally-minded roster. The band was mostly quiet for its first year of existence, avoiding live performances to instead focus on their brazen debut ‘Motherfucker, I am Both: “Amen” and "Hallelujah"…’ The record retains Sprain’s characteristic commitment to intensity, further mutated through a newfound lens of collagist approach. Featuring only a single, hour-plus long song, Motherfucker is a demanding exhibition of uncompromising ethos. Shearling’s aggressive live performances and meticulous recordings demonstrate an ambition, audacity, and emotional vulnerability that few contemporary bands can parallel. ALLARME (POLAND) SONGS ABOUT DOGS (IT) MERCOLEDI 17 Ingresso: Up to You!/// Riservato soci AICS MINIPONY (ECUADOR) MINIPONY is an extreme metal project that mixes polyrhythmic structures, powerful minimal guitar riffs and exotic female screams and growls. The result is a powerful sound exposing Latin American rhythms in their most brutal form . Link: https://www.miniponyband.com/ DUÆL (IT) I DUÆL sono: Alberto Balboni (NADSAT, COLLARS, Coffin Surfer, Just for Now) - Chitarra & Marco "Samu" Bolognini (MEGABRENZ! ex Nero di Marte) - Batteria & FX. Il progetto, nato nel 2023 a Bologna, esprime ritmi viscerali attraverso suoni distorti e samples atmosferici. Un progetto strumentale che esplora diverse dinamiche, spaziando da parti lente e riflessive a riff più moderni ed aggressivi. A Marzo 2025 esce il primo lavoro in studio “DUÆL”, anticipato dal video di “Primo Respiro”, brano d’apertura del disco. . Facebook: https://www.facebook.com/duaelduo/ . Instagram: https://www.instagram.com/duael_ . YouTube: https://www.youtube.com/@duael-duo GIOVEDI 18 Ingresso: 5€ Riservato soci AICS A Bologna si consolida il gemellaggio tra due band navigate del panorama europeo. Sarà una notte accettabile? Venire per credere, sicuramente sarà un momento OK. Il 18 settembre in rapida sequenza avremo al Freakout Club: MAREMARCIO (IT) Screamo antifa da Parma BASTOS (ROMANIA) screamo da Bucharest per la prima volta in Italia immancabilerrimi

Vai direttamente all'evento: Gio 4/09 - Il Giardino degli Specchi, RIAH | Dom 7/09 - Rotule Rotte Live Music & Market | Lun 8/09 - Cancer Bats, Don't Try | Mar 9/09 - Texas Toast Chainsaw Massacre, Afterdark | Mer 10/09 - Cotoba, Casamatta | Gio 11 - The Boys, Marc Valentine || GIOVEDI 4 SETTEMBRE Ingresso: Up To You!/// Riservato soci AICS IL GIARDINO DEGLI SPECCHI (IT) Il Giardino degli Specchi è una Post-Rock band di Roma. Valerio Marcellino e Marco Andrea Lippa iniziano il progetto nel 2015 come ambient duo, creando paesaggi sonori tramite l’uso di chitarre, synth ed effetti vocali. Successivamente la line up si completa con l’aggiunta di una sezione ritmica, facendo convergere il sound verso uno stile più orientato al post rock. Nel 2018 la band pubblica il disco d’esordio dal titolo “Oltremare”, che viene accolto positivamente dalla scena Post Rock internazionale, finendo anche nella Top March-April 2018 releases a cura del canale WherePostRockDwells. Oltremare è caratterizzato per lo più da sonorità calme, sognanti, figlie del sound di origine della band. Dopo alcuni cambiamenti di line-up nella sezione ritmica, l’arrivo di Luca Tiraterra alla batteria determina una ulteriore evoluzione nel sound de Il Giardino degli Specchi, conferendo una maggiore dinamicità ed esplosività alle composizioni, pur mantenendo l’impronta che caratterizza la band fin dalle origini. Il 16 Ottobre 2022 esce finalmente il secondo full-length dal titolo “Monstrum”, un disco più ruvido e cupo dei precedenti, che arriva a toccare punte di Post Metal e che raccoglie consensi fin da subito sia negli ascolti digitali che in sede live. Il Giardino degli Specchi ha un ampio range di sonorità che spazia dall’ambient fino ai massicci muri di suono tipici del post rock/post metal, con una predilezione per ritmiche lente, distorsioni vigorose e atmosfere dilatate. ROPES INSIDE A HOLE (IT) Hailing from Bologna, RIAH (Ropes Inside A Hole) plays emotional postmetal. In November 2018 AUTUMNALIA has been published in CD format for the American label Fluttery Records; recorded and mixed by Enrico Baraldi at Vacuum Studio and Waiting Room Studio, with Magnus Linberg working on the mastering. During the next year the band had been busy with the presentation of the album on various stages (Opening for Tides From Nebula, Dumbsaint ) and festivals. During 2019 the live activity continues with the participation at the Bologna’s Krakatoa Fest IIII and a tour in Germany along with the German band Brücken. During 2020 quarantine the band works on the composition of new songs, activity that continues continuously through the next two years and in March 2021 Ropes Inside A Hole take part in a collaboration for a split named RIAHPSTVRT with the Italian band Postvorta, split that contains “Epidermide” the first single with the new line-up. The sophomore album “A Man And His Nature”, will feature external musicians for the cello, the violin, the synth, the saxophone and most important the voice of Daniel Loefgren from Suffocate For Fuck Sake, with which the band is planning to continue the collaboration by making the band a collective between Italy and Sweden. The album produced by dunk!pressing and released by Voice of the Unheard record had an excellent response from the public, becoming the third favorite album by users of the albumoftheyear.com  web site in the post metal genre for the year 2023 and Top 10 Best Albums of 2023 for the WherePostRockDwells community. The band played in 2023 and 2024 in France, Germany, Slovenia, Czechoslovakia and Hungary, gaining acclaim from the public. DOMENICA 7 SETTEMBRE - H 17 Ingresso: Up to You!/// Riservato soci AICS ☠︎︎ ＲＯＴＵＬＥ ＲＯＴＴＥ☠︎︎ Ｌｉｖｅ / Ｄ．Ｉ．Ｙ． Ｍａｒｋｅｔ BA🅽🅳🆂: ☠︎︎Vision Division ☠︎︎Numbers and the Operators ☠︎︎One Hour Left ☠︎︎Makka Pinkelton & The Great Sumo Slam ☠︎︎Telecomando 🅳.🅸.🆈. 𓌜 Sottobosco 𓌜 Sputnik Press 𓌜 C.RUDE 𓌜 Kartaclisma 𓌜 Serigrafia Canaglia 𓌜 Moyonese Giochi Misti 𓌜 Ohissa 𓌜 Studio 26 LUNEDI 8 SETTEMBRE Ingresso: PREVENDITA 15€ / BIGLIETTO ALLA PORTA: 20€ Riservato soci AICS LINK ALLE PREVENDITE CANCER BATS (US) With 17 years under their belt, including 7 acclaimed studio albums, six JUNO Award nominations and countless tours around the globe, Cancer Bats have become an undeniable force within the world of heavy music. One of the hardest working bands in the industry, Cancer Bats have graced the covers and pages of countless taste-making publications including Kerrang!, Exclaim!, Revolver and Rock Sound. Shared stages with so many of the grates! BILLY TALENT, ALEXISONFIRE, HATEBREED, SICK OF IT ALL, GWAR, ANTI FLAG, RISE AGAINST and countless others. DON'T TRY (CAN) https://www.bigboysdonttry.com/ MARTEDI 9 SETTEMBRE Ingresso: PREVENDITA 10€ ALLA PORTA 15€ Riservato soci AICS LINK ALLE PREVENDITE TEXAS TOAST CHAINSAW MASSACRE (US) Texas Toast Chainsaw Massacre is a powerhouse of crossover thrash metal, hailing from the vibrant music scene of Chicago, Illinois. Formed in 2011, this band quickly gained notoriety for their high-energy performances and humorous lyrics and antics. The band's lineup includes long-time members Josh “Macho Frost” Kandich on vocals and Jordan Miller on lead guitar, along with bassist Viaj D Crum and drummer Tony Strissel. Over the years, they've maintained their independent status, allowing them the creative freedom to produce music that's unapologetically original and raw. Texas Toast Chainsaw Massacre is renowned for their live shows, where their infectious energy and dynamic stage presence captivate audiences. Each performance is a rollercoaster of mosh pits, laughter, and headbanging, leaving fans exhilarated and eager for more. Incorporating props such as inflatables and pool noodles, they encourage crowd participation, but also incorporate wrestling themes such as starting “feuds” with bands over a custom made championship title and using “weapons” during their performances such as chairshots and putting people through tables onstage. The band has played multiple shows across the country, as both headlining and supporting acts; some notable bands they have played with include Ghoul, Jungle Rot, Havok, Nekrogoblikon, Lich King, Psychostick, DRI, Peelander Z, and countless others. Texas Toast Chainsaw Massacre is always ready to ensure everyone is having a good time and encourages fun over all else, always leaving the stage on a high note to get the crowd moving and leaving a positive attitude in the air. AFTERDARK (IT) MERCOLEDI 10 SETTEMBRE Ingresso: 12€ in prevendita oppure 15€ alla porta Riservato soci AICS LINK ALLE PREVENDITE COTOBA (SOUTH KOREA) Step into the captivating world of cotoba (always stylized with a lowercase 'c'), a band that transforms intricate musicianship into an emotional language of its own. Their music seeks to untangle the feeling of loss—like a poem that makes sense only when felt, not read. Vocals shimmer in and out of complex arrangements, expressing the unspeakable with raw empathy and emotional depth. It’s no wonder their Korean live session went viral, drawing in a global wave of new listeners moved by their sincerity and technical finesse.​ After the release of their first full-length album, 4pricøt , cotoba toured over 40 cities, across impactful Europe, Mexican, Asian tours. CASAMATTA (IT) GIOVEDI 11 SETTEMBRE Ingresso: 13€ in prevendita oppure 18 alla porta Riservato soci AICS LINK ALLE PREVENDITE THE BOYS (UK) Along with the Sex Pistols, Clash and The Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977. Highly regarded by the music press and their contemporaries, their well-crafted songs, together with Steel and Dangerfield’s love of harmonies, led to them being described as ‘The Beatles of Punk’ but they could (and should) just as deservedly have been compared to the Ramones – fast, alternately brattish and tongue-in-cheek, and gloriously anthemic. As Last FM puts it: “The Boys provided the template for superior Pop Punk before even the Buzzcocks had got out of first gear”. The Boys were born in September 1975 when singer/guitarist Matt Dangerfield left Mick Jones and Tony James’s fledgling punk band London SS to form a new band with ex-Hollywood Brats songwriter/keyboard player Casino Steel. Dangerfield’s art college pal, guitarist Honest John Plain, was quickly recruited. The following year they held auditions for the bass and drum roles with Kid Reid and Jack Black completing the line-up. Matt Dangerfield had converted the tiny disused coal cellar of his rented basement flat in Maida Vale into a home recording studio/rehearsal room and as a consequence, 47A Warrington Crescent became extremely important in the development of the UK punk scene in the mid-seventies. Mick Jones, Glen Matlock, Tony James, Rat Scabies, Brian James, Gene October, Sid Vicious and Billy Idol were regular visitors. Amongst others, The Sex Pistols, The Damned, London SS, Clash, Chelsea, Generation X and of course, The Boys, made their first recordings there. In this hotbed of creativity Steel and Dangerfield quickly forged a prolific songwriting partnership. The Boys made their live debut at London’s Hope and Anchor in October 1976. Mick Jones, Billy Idol, Joe Strummer, Tony James and Gene October were in attendance for The Boys first performance. A mere handful of gigs later, they became the first UK punk band to sign an album deal when NEMS Records snapped them up in January 1977. Having released two albums and three singles with NEMS, they moved to Safari Records in 1979 where two further albums and five more singles followed. Over the years countless bands have covered The Boys’ back catalogue – from Argentina to Germany and Japan to the USA – and even more artists have cited The Boys as a major influence. MARC VALENTINE (UK) As frontman of cult British power-pop outfit Last Great Dreamers, Marc Valentine has brought sparkle to venues and turntables alike with his distinctive vocals, wry charm and songbook of secret classics. Now, with his favourite guitar in tow, he's heading out on a solo adventure, loading his flight case with a fresh set of tunes, and polishing the trademark twinkle in his eye. Debut album Future Obscure sees Valentine building on his past while expanding his sonic palette, to craft a collection of should-be hits – 7-inch-shaped songs that move both body and mind. The album is produced by Dave Draper (The Professionals, Wildhearts, Ryan Hamilton). Recorded with friends old and new, and featuring collaborations with Wreckless Eric and The Boys' Matt Dangerfield, this is a reflective, sometimes defiant album in the golden-era tradition – a pop record from the heart, packed with songs to holler, heal and hold.

Vista la dipartita di Ozzy Osbourne, questa sera (mercoledì) e domenica per Psych Sunday, oltre ai live previsti, ascolteremo esclusivamente la sua discografia. Pensiamo che celebrare insieme la sua morte, con la sua musica, sia un atto di gratitudine dovuto dal Freakout, dalla sua crew e da tutte le associate e tutti gli associati che alla Volumella devono qualcosa. Cantiamo e onoriamolo tutte e tutti insieme. Worship Sabbath. Worship Volumella. Vai direttamente all'evento: Mer 23/07 - Spirit Mother, Lord Elephant | Dom 27/07 - PSYCH SUNDAY Vol. VIII: Dopethrone, Throne | Ven 1/08 - D.I., Rough Touch || MERCOLEDI 27 LUGLIO Ingresso: 10€ Riservato soci AICS LINK ALLE PREVENDITE ORARI 21:00 Apertura porte 21:30 Lord Elephant 22:30 Spirit Mother SPIRIT MOTHER (US) Spirit Mother is a heavy rock band with their sound anthologized through a folk-informed and classical lens. Their dynamic and imposing wall of sound, coupled with a driving backbeat, grips through atmospheric strings and haunting vocals. Initially from Long Beach, CA, the band relocated across the United States residing in Buffalo, Los Angeles, and the high-desert of Eastern Oregon. Originally formed by vocalist and bassist, Armand Lance, and violinist, SJ, their line-up has since solidified with the addition of their guitarist, Sean McCormick, and Drummer, Landon Cisneros providing a striking sound described by The Obelisk as lush and ranging, a “languid grunge blasted into outer space in the desert night”. Lead singer and songwriter, Armand Lance, creates the bones of the music in the attic of his rural ranch between cattle working and mustang wrangling - a likeness to his father’s upbringing as an Ecuadorian cowboy. The group convenes at this cabin to write and develop their repertoire before hitting the road for tour nationally and abroad. Spirit Mother received critical praise for their first album, Cadets “a distinct chance we’ll look back on this as an early gem from a band going places” - Sleeping Shaman. In 2020 Spirit Mother was tapped for a pandemic project to create a live record/concert film in the style of Pink Floyd’s Live at Pompeii. Fans and critics worldwide revered the band’s performance in Live In The Mojave Desert Volume 3 which was released by Giant Rock Records and Heavy Psych Sounds Records. “Spirit Mother really goes for it with a killer set. One that has energy, unique flavour and seems to fit so perfectly within the desert environment. If you didn’t know who Spirit Mother was before seeing this show, there’s no way anyone is forgetting them anytime soon. Brilliant." - GBHBL.com. In 2023, the band released their latest single “Locust//Dead Cells” and embarked on their debut European tour summer of 2023 with festival appearances at Metal Days, PALP, and Sonic Blast followed by a Full US Tour Fall 2023. Most recently the band signed to Heavy Psych Sounds Records while in studio for their sophomore album “Trails” in between with regional west coast tours throughout the winter and spring of 2024. They eagerly await its release along with another coast-to-coast US tour this fall with stops at Desert Fest NYC and Levitation Fest in Austin, Tx. LORD ELEPHANT (IT) Lord Elephant was raised by Edoardo and Leandro in 2016, after the split of their previous “napalm blues” band Random’N’Roll and the entry of Tommaso Urzino behind the drum kit. With diversified and complementary experiences, the trio melt its passion for blues, stoner, fuzzy and improvised music into a personal journey of acid psychedelia, graced with heaviness and tasty riffs as well. After almost five years in the work, the DEBUT ALBUM seals the final result of the long road made by Lord Elephant in their musical research, finding in Heavy Psych Sound Records the best possible partner to expand their sound as far as they can! DOMENICA 27 LUGLIO [DALLE 18:00 ALLE 22:00] Ingresso: 15€ in prevendita oppure 18€ alla porta Riservato soci AICS LINK ALLE PREVENDITE ORARI 18:30 Apertura porte Black Sabbath / Ozzy memorial listening 20:00 Throne 21:00 Dopethrone Black Sabbath / Ozzy memorial listening DOPETHRONE (CAN) Dopethrone is a sludge / stoner metal band that was established in March 2008 in Montreal, Quebec, Canada as a completely D.I.Y. project in the very core of Hochelaga. After only 3 weeks of legendary drunkenness and sacred bong worship, the members of Dopethrone had already composed 4 songs and were planning out a concept for an album. A year later, the new album: "Demonsmoke" was materialized. In the spirit of "Do-It-Yourself", The Logo and concept was created by Vincent (guitar - vocals), the recording by Thomas (drummer) and the CD was produced by Vyk (bassist). In 2011 Dopethrone released "Dark Foil" and the followed it in 2012 with "III" both were recorded by Thomas (drummer) and produced by Vyk (bassist). Dopethrone has members of: Vatican, Blight, Unquintessence, (ex)Excreted Cowboy and (ex)Fatal Flaw. THRONE (IT) THRONE is a blackened sludge doom band formed in 2012 in the swampiest and most remote areas of Italy. They combine crushing riffs with a dark and oppressive atmosphere. In the same year, they released their debut full-length album "Avoid the Light," produced by Moonlight Records. After five years of live shows across Europe, in 2017, they released their second full-length album "Consecrates," produced by Black Bow Records and Endless Winter. This album is more mature, darker, and anti-religious. In the following years, they played numerous live shows across Italy and Europe with bands such as Conan, Belzebong, Ufomammut, Weedeater, Messa, and Hexis, gaining extensive experience and delivering brutal and devastating performances. SLUDGE UNTIL THE END. BANCHETTI -Collettivo Cannibale -Inchiostro Lisergico -Freakout Club VENERDI 1 AGOSTO Ingresso: 10€ in prevendita o 15 € alla porta Riservato soci AICS LINK ALLE PREVENDITE ORARI 21:00 Apertura porte 21:30 Rouch Touch 22:30 D.I. D.I. (US) Coming out of the streets of Fullerton California, D.I. was formed in the shadows of The Adolescents back in 1983 in a studio behind a pawn shop The Adolescents Social Distortion, Agent Orange and several other local early punk rock pioneers were the breeding ground from which D.I. was born. D.I. branded their own from of punk rock that complimented the Orange County Punk scene in sound & attitude. ROUGH TOUCH (IT) Oldschool crossover metal punk hc da Ferrara. LA VOLUMELLA TORNA AI PRIMI DI SETTEMBRE Info utile a tutte le band!

INGRESSO Up to You!/// consapevole riservato ai soci e alle socie AICS DOVE BOLOGNA VIOLENTA 3 LUGLIO Baraccano Casa Delle Associazioni Via Santo Stefano, 119/2 Bologna P38, DJ LUGI 4 LUGLIO Freakout Club Via Emilio Zago, 7/c Bologna GIOVEDI 3 LUGLIO 2025 - BOLOGNA VIOLENTA BOLOGNA VIOLENTA è un progetto nato nel 2005 da un’idea di Nicola Manzan, musicista trevigiano che da allora ha pubblicato sotto questo pseudonimo sei album, vari ep, split e remix. La proposta musicale è sempre stata caratterizzata da sonorità estreme e da composizioni molto brevi eseguite con chitarra elettrica, archi e batteria elettronica, ma negli anni ha subito una forte evoluzione fino ad arrivare all’Ep Cortina in cui le chitarre sono state sostituite dal violino. Il nuovo album intitolato Bancarotta Morale è un ulteriore passo avanti nella ricerca di sonorità e non usuali ed è la conseguenza naturale di quanto pubblicato fino ad oggi. Le tematiche affrontate sono per lo più riferite ai drammi della vita, al forte contrasto tra l’essere umano e il mondo che lo circonda, ma soprattutto al difficile rapporto tra gli esseri umani stessi. Nel 2015 il progetto è diventato un duo con l’ingresso in formazione di Alessandro Vagnoni come batterista dal vivo e polistrumentista in studio. BOLOGNA VIOLENTA è stato materia d’esame nel corso di Arte digitale all’Accademia di Belle Arti di Venezia e presso la stessa sede è stato anche presentato il progetto The Sound of…, in cui i pezzi di quaranta discografie diverse vengono fatti suonare simultaneamente. Nel 2019 è uscito il documentario Uno Bianca – Mirare allo Stato in cui la colonna sonora è composta da brani tratti dai dischi pubblicati tra il 2010 e il 2016. Nicola Manzan è un violinista, polistrumentista e produttore trevigiano. Ha lavorato in studio e dal vivo con artisti italiani ed internazionali, tra cui Baustelle, Ligabue, Lo Stato Sociale, Fast Animals and Slow Kids, Il Teatro degli Orrori, MezzoSangue, Ronin e molti altri. Alessandro Vagnoni è un batterista, polistrumentista e produttore fermano. Ha collaborato in passato con band death metal quali Infernal Poetry, Dark Lunacy, Resurrecturis ed altri progetti. È inoltre batterista della band Ronin, chitarrista e compositore del progetto Bushi, polistrumentista nella one-man-band Drovag e attivo come turnista live e tecnico del suono. ORARI 19:30 Apertura porte 21:00 Bologna Violenta VENERDI 4 LUGLIO 2025 - P38, DJ LUGI ＡＴＴＥＮＺＩＯＮＥ ＣＡＭＢＩＯ ＶＥＮＵＥ： Freakout club via Emilio Zago, 7c BOLOGNA La P38 è un collettivo rap-trap dall'attitudine punk che nasce nel 2020 con l'intenzione di portare nel genere un immaginario di estrema sinistra. Irrompono nell'underground italiano a fine 2021 con il loro primo album autoprodotto, NUOVE BR, che li porta ad esibirsi live prima in Italia e poi in Europa. Definiti dalla stampa "i menestrelli delle Brigate Rosse", in virtù dei loro testi sono attualmente indagati dalla procura di Torino per istigazione a delinquere con l'aggravante di terrorismo (pena massima 8 anni e 4 mesi). La peculiarità del loro caso ha attirato l'attenzione degli studiosi di diritto, del mondo culturale italiano e della stampa internazionale. I tre componenti del gruppo - Astore, jimmy pentothal e YUNG STALIN - rimangono anonimi e si esibiscono con un passamontagna bianco. I loro concerti si distinguono per l'energia della performance e sono stati descritti come "un rito collettivo e liberatorio, dove l'odio represso per violenze istituzionali e strutturali viene trasformato in amore tra compagne e compagni". Il 20 febbraio 2025 annunciano a sorpresa l'uscita da indipendenti del loro secondo disco DITTATURA. LUGI è un rapper, disc jockey e beatmaker italiano, di origine etiope ma cosentino di adozione. Nel suo percorso musicale nell'hip hop salta subito all'occhio il suo approccio positivo che ha nei confronti della vita, che si riflette anche nella sua musica, un funk melodico e delicato, fatto di strumentali mai pesanti e non troppo cariche di elementi. Il suo rap mischia dialetto calabrese e l'esoticità della sua origine in una miscela che ai più piace. Lugi è un artista che spicca per il suo equilibrio nei lavori in cui è stato impegnato, tra i suoi lavori ci sono le strumentali del disco Italy's Most Wanted dei Flaminio Maphia. Nel 2000, pubblicato dalla Jackpot Records di Neffa, è uscito il suo primo album solista dal titolo Ca'Pu. Nell'LP spiccano brani come Adelante, Funky Per Funky ed il remix di Non C'è Limite Allo Show, il cui brano originale era stato inserito all'interno dell'LP Novecinquanta del DJ Fritz Da Cat. Di origine etiope, il "lugico" Lugi cresce a Cosenza nel quartiere popolare di via Popilia. Per come racconta nei suoi testi Luigi cresce ascoltando e ballando il funky, che ancora oggi è il suo genere musicale preferito, finché negli anni '80 non viene folgorato dai primi echi rap provenienti dall'oltreoceano. Cosenza è una città culturalmente in crescita, per cui aereosol art e breaking non faticano a diffondersi. Cominciano a comparire i primi graffiti sui muri cittadini mentre Dj Louis, così si faceva chiamare all'epoca, si appassiona alla danza non disdegnando però il rap. È il periodo in cui in Italia cominciano a diffondersi le posse e proprio intorno ad un centro sociale, il Gramna, nasce la prima crew rap cittadina: la South Posse. Il gruppo in cui Lugi trova collocazione si distingue dalle altre omologhe, sparse sul territorio nazionale, per via dei testi poco scontati e del suo stile molto travolgente. L'attività della South Posse culmina con la realizzazione di un Lp inciso presso la sala di registrazione del Forte Prenestino a Roma. ORARI 20:00 Dj Lugi 21:00 P38