VOLUMELLA | 30 Ottobre - 6 Novembre MMXXV
- Dio Bestia
- 30 ott
- Tempo di lettura: 8 min
Vai direttamente all'evento: Gio 30 - The Jackets, Hearts Apart | Ven 31 - Atmosphere: Camilla Sparksss, Dlina Volny + Dj Nema | Sab 1 - Little Pieces Of Marmelade, Minerale | Mer 5 - South Sardinian Scum, The Coffeekillers | Gio 6 - Profanatica, Spiter ||
GIOVEDI 30
Ingresso: PREVENDITA 10€ /// PORTA 10€ Riservato soci AICS
THE JACKETS (SWI)
The Jackets create music that’s infectious, raw, and soulful — breaking boundaries while staying true to their identity. Their songs transcend genre, becoming anthems for anyone who still believes in the wild, beating heart of rock ’n’ roll.
The Jackets are a high energy garage-psyche-punk trio from Switzerland led by singer, guitarist, and artist Jackie Brutsche, whose fierce presence and powerful voice have made her a standout in the world of underground rock’n’roll. Formed by Jackie and drummer Chris Rosales and joined over the years by bassists Severin Erni, Samuel Schmidiger and currently Omar Fra, The Jackets have been setting stages ablaze since 2008 across Europe, the USA, Mexico, Canada, and Japan. Their shows are explosive bursts of sweat and swagger delivered with unrelenting energy. As Jackie puts it, “Rock’n’Roll is like an energy source – dangerous, joyful, and totally in the moment.”
With five albums, a string of cult 7” singles, and striking artwork and music videos The Jackets have carved out their own version of garage music catapulting the spirit of the ’60s into the 21st century with fearless attitude, sharp songwriting, and a distinct sense of personality and playfulness.
The Jackets have collaborated over the years with respected musicians and producers like King Khan (King Khan & The Shrines) and Jim Diamond (The Dirtbombs, The White Stripes), released music on celebrated indie labels such as Voodoo Rhythm Records (CH), Soundflat Records (DE), and Chaputa! Records (PT), and built a loyal global following through years of relentless touring and creative independence. In 2021, The Jackets took their creative vision a step further by founding their own independent label, Wild Noise Records.
HEARTS APART (ITA)
The idea came from a trio of friends, when attending a festival on the shores of Garda Lake, in Italy. Their intent was to create a band that could channel all the teenage distress of being close to forty, through punk rock and rock and roll.
Immediately after the first lockdown, HEARTS APART went to the studio with producer and engineer Brown Barcella (Bee Bee Sea, The Peawees) to record these first EP. These tracks have been mastered by Maurizio Baggio (The Soft Moon, Boy Harsher). While HEARTS APART is a very young project, its members are very well known veterans from the italian punk scene, coming from bands such as Miss Chain & The Broken Heels, Universal Sex Arena, Il Buio and Phill Reynolds.
VENERDì 31
Ingresso: Prevendita: 20€ // Porta: 25€ // Dopo i live: 10€ Riservato soci AICS
:ATMOSPHERE:
CAMILLA SPARKSSS (SWI/CAN)
Born Barbara Lehnhoff, Camilla Sparksss is a Swiss-Canadian electro-noise pop musician and visual artist, best known for her raw, high-energy performances. Also a co-founder of the post-punk band Peter Kernel, Sparksss was born at -27 degrees in Kenora, Ontario, where her childhood was filled with unique experiences—including having a pet bear and a father who flew a floatplane.
Her music fuses heavy beats pressed on dubplates, thick synth textures, and cutting vocals, crafting an unmistakable sound. Her debut album For You The Wild (2014) established her as a force in darkwave and experimental electronic music, earning her an opening spot for The Jon Spencer Blues Explosion. Her follow-up album, Brutal (2019), delved deeper into experimental noise, later remixed in Brutal Remix (2020) by artists like Fakear and Rebeka Warrior.
In 2023, she toured extensively as the support act for A Place to Bury Strangers, spanning the UK and Europe. Her boundary-pushing collaborations continued, including a one-hour live composition for Ypsigrock Festival in Sicily with Alec Ounsworth (Clap Your Hands Say Yeah) and Eva Geist, which led to the release of The Sound of This Place (2022). That same year, she composed and performed music for Der Besuch der Alten Dame, a theatre production touring across Europe.
DLINA VOLNY (BLR)
Dlina Volny is a darkwave/post-punk trio originally from Minsk, Belarus, now based in Warsaw and London. The band melds Eastern European post-punk with Western darkwave, crafting a moody, introspective sound driven by haunting vocals that feels both nostalgically familiar and distinctly modern.
Their second album, “Dazed”, released on Italians Do It Betterin 2021, was mixed by Dean Hurley and mastered by Mike Bozzi.
The band has established a strong presence in Europe, the UK, and Mexico, performing at festivals like ESNS, Kalabalik på Tyrolen, and Grauzone.
Their third LP, set for release in spring 2025, promises a darker and more assertive sound, melding elements of industrial, EBM, and cold wave.
🅳🅹🆂🅴🆃🆂
ℕ𝔼𝕄𝔸 (Mint Sound)
𝕃𝕆 𝔹𝕌𝔼 (Atmosphere)
SABATO 1 NOVEMBRE
Ingresso: Prevendita: 10€ // Porta: 15 € // Dopo il live: 5€ Riservato soci AICS
LITTLE PIECES OF MARMELADE
Nati e cresciuti a Filottrano, in provincia di Ancona, Daniele "DD" Ciuffreda (batteria e voce) e Francesco "Frankie" Antinori (chitarre) intraprendono il proprio progetto musicale nel 2014. Dopo essersi aggiudicati l'ottava edizione dell'Homeless Rock Fest pubblicano l'Ep d'esordio, relaborazione di sonorità grunge/crossover anni Novanta infarcite di blues e psichedelia, al quale nel 2020 segue l'omonimo primo album.
Nel frattempo il duo viene lanciato in orbita da X-Factor e accolto sotto l'ala protettrice da Manuel Agnelli, che non solo li vuole nella backing band che lo accompagna nel tour solista a supporto di “Ama il prossimo tuo come te stesso”, ma cura la produzione del secondo disco, “Ologenesi”, pubblicato a ottobre 2022, lavoro che segna il passaggio al cantato in italiano.
Nonostante i Little Pieces Of Marmelade abbiano trovato nel mezzo televisivo la spinta determinante per lanciarsi verso una certa notorietà, quando si ritrovano in studio fanno di tutto per evitare qualsiasi facile omologazione. Con piglio anticonformista non scelgono strade ben asfaltate, ma optano per sudore e polvere, generando un sound sporco, aggressivo, poco in linea con i compromessi imposti dal mercato. Dal punto di vista dell’impatto visivo ricordano tanto i Black Keys quanto i nostri Bud Spencer Blues Explosion, ma le soluzioni migliori risultano quelle meno prevedibili e più complicate da replicare.
In "Ologensi" si ispirano alle distorsioni disturbate e all’atteggiamento generale dei Verdena, alle metriche hip-hop e alle inflessioni vocali dei Beastie Boys, mentre il falsetto di “Canzone 10” è un omaggio al Prince più elettricamente intenso. Non è facile riempire in due tutto lo spazio disponibile, specie dal vivo, ma i ragazzi esondano grazie a talento, tecnica e a un’urgenza post-adolescenziale servita con testi senza censure, costruiti attingendo dal gergo dei loro coetanei.
AFTER SHOW:
Tornano nelle miniere del Freakout Club:
Lappa
Mox (liquid dreams metal set)
Treega
MERCOLEDI 5 NOVEMBRE
Ingresso: Up to you!! //// Riservato soci AICS
SOUTH SARDINIAN SCUM
I South Sardinian Scum si formano nel 2013 a Cagliari, forgiando una variante letale ed esaltata del classico sound rockabilly maniacale con un'ossessione ironica per i film horror, la passione per il rock’n’roll più scuro, 5 Ep e un full length Album che porta il nome della band all’attivo, cantano e strillano al suono di chitarre acide, canzoni come Devil’s Shoes , Black Moon, Deadly Water e corrompono HITS come Teddy Boy Boogie (Crazy Cavan) e Look Like a Monkey (Milton Brown).
Con alle spalle concerti nelle principali europee e nei più importanti clubs rocknroll/punk la Band continua a macinare chilometri.
THE COFFEEKILLERS
Band composta da quattro personaggi ben conosciuti nel panorama rock'n'roll italiano composta da Flamin'Gene alla voce e chitarra (the Rock'n'Roll Kamikazes, the Basement Boppers, the Caribbean Delights ) accompagnato da Aurelio Ristuccia chitarra solista, Zimmy Martini (Basement Boppers, Jhonny Clash Project)al contrabbasso e Carlo Berbellini alle pelli (ovvero i the Lucky Strikes). La band propone un rockabilly esplosivo ispirato alle tipiche formazioni pioniere del genere. Il loro show è un cocktail di dinamite e ritmo incalzante davanti al quale è impossibile restare fermi!
GIOVEDI 6 NOVEMBRE
Ingresso: Prevendita: 20€ /// Porta: 25 € Riservato soci AICS
PROFANATICA (US)
PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.
Ledney formed the band from the ashes of the rst INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled o three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession.
The band yers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the edgling Osmose Productions for what became one of that labels rst releases (Osmose release #5); a legendary split with Colombia’s MASACRE.
Something so volatile could only last briey, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide. After almost fteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the
ames of Profanatica in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released ‘The Enemy of Virtue’, a collection of that vaunted early material, and a new full-length, ‘Profanatitas de Domonatia’. A triumphant return, ‘Profanatitas de Domonatia’ picked up right where these Kings of US Black Metal left o, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred. This set-in motion another frenetic burst of work for Profanatica. The next decade saw them unleash four
new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP’s, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the rst time Profanatica were appearing near or at the top of the bill at festivals like MDF, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.
In fall 2018, Profanatica joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album ‘Rotting Incarnation of God’.
The band embarked on an extensive twelve-country European headline tour in the album’s wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjunction with BATUSHKA, little was heard from Profanatica.
That is until spring 2023, when Profanatica emerged from their den of iniquity on a European headline tour to promote a new album. ‘Crux Simplex’ is a ten-track oensive of sin and sacrilege, a nasty aront that bastardizes the rst 10 stations of the cross. As per their legacy, Profanatica deals in bestial, rst-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy.
SPITER (US)
It was but the summer of 2022 when SPITER burst from the fucking grave with their debut album for HELLS HEADBANGERS, Bathe the Babe in Bats’ Blood. Featuring members of labelmates SHITFUCKER and Devil Master, the power-trio made plain - and vulgar - their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and SPITER took their madness on the road, cementing their cult status immediately.
Now, the deviants of SPITER return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of SHITFUCKER) and drummer Snake (Disjawn) - they continue to be a trio for live purposes - and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut.
And then, over before it began, you’re again possessed to press “play” and enter those fucking gates over and over...again, until it fucking hurts.
