VOLUMELLA | 4 - 11 Settembre MMXXV
- Dio Bestia

- 4 set 2025
- Tempo di lettura: 7 min
Vai direttamente all'evento: Gio 4/09 - Il Giardino degli Specchi, RIAH | Dom 7/09 - Rotule Rotte Live Music & Market | Lun 8/09 - Cancer Bats, Don't Try | Mar 9/09 - Texas Toast Chainsaw Massacre, Afterdark | Mer 10/09 - Cotoba, Casamatta | Gio 11 - The Boys, Marc Valentine ||

GIOVEDI 4 SETTEMBRE
Ingresso: Up To You!/// Riservato soci AICS
IL GIARDINO DEGLI SPECCHI (IT)
Il Giardino degli Specchi è una Post-Rock band di Roma.
Valerio Marcellino e Marco Andrea Lippa iniziano il progetto nel 2015 come ambient duo, creando paesaggi sonori tramite l’uso di chitarre, synth ed effetti vocali. Successivamente la line up si completa con l’aggiunta di una sezione ritmica, facendo convergere il sound verso uno stile più orientato al post rock.
Nel 2018 la band pubblica il disco d’esordio dal titolo “Oltremare”, che viene accolto positivamente dalla scena Post Rock internazionale, finendo anche nella Top March-April 2018 releases a cura del canale WherePostRockDwells. Oltremare è caratterizzato per lo più da sonorità calme, sognanti, figlie del sound di origine della band.
Dopo alcuni cambiamenti di line-up nella sezione ritmica, l’arrivo di Luca Tiraterra alla batteria determina una ulteriore evoluzione nel sound de Il Giardino degli Specchi, conferendo una maggiore dinamicità ed esplosività alle composizioni, pur mantenendo l’impronta che caratterizza la band fin dalle origini.
Il 16 Ottobre 2022 esce finalmente il secondo full-length dal titolo “Monstrum”, un disco più ruvido e cupo dei precedenti, che arriva a toccare punte di Post Metal e che raccoglie consensi fin da subito sia negli ascolti digitali che in sede live.
Il Giardino degli Specchi ha un ampio range di sonorità che spazia dall’ambient fino ai massicci muri di suono tipici del post rock/post metal, con una predilezione per ritmiche lente, distorsioni vigorose e atmosfere dilatate.
ROPES INSIDE A HOLE (IT)
Hailing from Bologna, RIAH (Ropes Inside A Hole) plays emotional postmetal.
In November 2018 AUTUMNALIA has been published in CD format for the American label Fluttery Records; recorded and mixed by Enrico Baraldi at Vacuum Studio and Waiting Room Studio, with Magnus Linberg working on the mastering.
During the next year the band had been busy with the presentation of the album on various stages (Opening for Tides From Nebula, Dumbsaint ) and festivals. During 2019 the live activity continues with the participation at the Bologna’s Krakatoa Fest IIII and a tour in Germany along with the German band Brücken. During 2020 quarantine the band works on the composition of new songs, activity that continues continuously through the next two years and in March 2021 Ropes Inside A Hole take part in a collaboration for a split named RIAHPSTVRT with the Italian band Postvorta, split that contains “Epidermide” the first single with the new line-up.
The sophomore album “A Man And His Nature”, will feature external musicians for the cello, the violin, the synth, the saxophone and most important the voice of Daniel Loefgren from Suffocate For Fuck Sake, with which the band is planning to continue the collaboration by making the band a collective between Italy and Sweden. The album produced by dunk!pressing and released by Voice of the Unheard record had an excellent response from the public, becoming the third favorite album by users of the albumoftheyear.com web site in the post metal genre for the year 2023 and Top 10 Best Albums of 2023 for the WherePostRockDwells community.
The band played in 2023 and 2024 in France, Germany, Slovenia, Czechoslovakia and Hungary, gaining acclaim from the public.
DOMENICA 7 SETTEMBRE - H 17
Ingresso: Up to You!/// Riservato soci AICS
☠︎︎ ROTULE ROTTE☠︎︎
Live / D.I.Y. Market
BA🅽🅳🆂:
☠︎︎Vision Division
☠︎︎Numbers and the Operators
☠︎︎One Hour Left
☠︎︎Makka Pinkelton & The Great Sumo Slam
☠︎︎Telecomando
🅳.🅸.🆈.
𓌜 Sottobosco
𓌜 Sputnik Press
𓌜 C.RUDE
𓌜 Kartaclisma
𓌜 Serigrafia Canaglia
𓌜 Moyonese Giochi Misti
𓌜 Ohissa
𓌜 Studio 26
LUNEDI 8 SETTEMBRE
Ingresso: PREVENDITA 15€ / BIGLIETTO ALLA PORTA: 20€ Riservato soci AICS
CANCER BATS (US)
With 17 years under their belt, including 7 acclaimed studio albums, six JUNO Award nominations and countless tours around the globe, Cancer Bats have become an undeniable force within the world of heavy music. One of the hardest working bands in the industry, Cancer Bats have graced the covers and pages of countless taste-making publications including Kerrang!, Exclaim!, Revolver and Rock Sound. Shared stages with so many of the grates! BILLY TALENT, ALEXISONFIRE, HATEBREED, SICK OF IT ALL, GWAR, ANTI FLAG, RISE AGAINST and countless others.
DON'T TRY (CAN)
MARTEDI 9 SETTEMBRE
Ingresso: PREVENDITA 10€ ALLA PORTA 15€ Riservato soci AICS
TEXAS TOAST CHAINSAW MASSACRE (US)
Texas Toast Chainsaw Massacre is a powerhouse of crossover thrash metal, hailing from the vibrant music scene of Chicago, Illinois. Formed in 2011, this band quickly gained notoriety for their high-energy performances and humorous lyrics and antics. The band's lineup includes long-time members Josh “Macho Frost” Kandich on vocals and Jordan Miller on lead guitar, along with bassist Viaj D Crum and drummer Tony Strissel. Over the years, they've maintained their independent status, allowing them the creative freedom to produce music that's unapologetically original and raw.
Texas Toast Chainsaw Massacre is renowned for their live shows, where their infectious energy and dynamic stage presence captivate audiences. Each performance is a rollercoaster of mosh pits, laughter, and headbanging, leaving fans exhilarated and eager for more. Incorporating props such as inflatables and pool noodles, they encourage crowd participation, but also incorporate wrestling themes such as starting “feuds” with bands over a custom made championship title and using “weapons” during their performances such as chairshots and putting people through tables onstage.
The band has played multiple shows across the country, as both headlining and supporting acts; some notable bands they have played with include Ghoul, Jungle Rot, Havok, Nekrogoblikon, Lich King, Psychostick, DRI, Peelander Z, and countless others. Texas Toast Chainsaw Massacre is always ready to ensure everyone is having a good time and encourages fun over all else, always leaving the stage on a high note to get the crowd moving and leaving a positive attitude in the air.
AFTERDARK (IT)
MERCOLEDI 10 SETTEMBRE
Ingresso: 12€ in prevendita oppure 15€ alla porta Riservato soci AICS
COTOBA (SOUTH KOREA)
Step into the captivating world of cotoba (always stylized with a lowercase 'c'), a band that transforms intricate musicianship into an emotional language of its own.
Their music seeks to untangle the feeling of loss—like a poem that makes sense only when felt, not read. Vocals shimmer in and out of complex arrangements, expressing the unspeakable with raw empathy and emotional depth. It’s no wonder their Korean live session went viral, drawing in a global wave of new listeners moved by their sincerity and technical finesse.
After the release of their first full-length album, 4pricøt, cotoba toured over 40 cities, across impactful Europe, Mexican, Asian tours.
CASAMATTA (IT)
GIOVEDI 11 SETTEMBRE
Ingresso: 13€ in prevendita oppure 18 alla porta Riservato soci AICS
THE BOYS (UK)
Along with the Sex Pistols, Clash and The Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977. Highly regarded by the music press and their contemporaries, their well-crafted songs, together with Steel and Dangerfield’s love of harmonies, led to them being described as ‘The Beatles of Punk’ but they could (and should) just as deservedly have been compared to the Ramones – fast, alternately brattish and tongue-in-cheek, and gloriously anthemic.
As Last FM puts it: “The Boys provided the template for superior Pop Punk before even the Buzzcocks had got out of first gear”.
The Boys were born in September 1975 when singer/guitarist Matt Dangerfield left Mick Jones and Tony James’s fledgling punk band London SS to form a new band with ex-Hollywood Brats songwriter/keyboard player Casino Steel. Dangerfield’s art college pal, guitarist Honest John Plain, was quickly recruited. The following year they held auditions for the bass and drum roles with Kid Reid and Jack Black completing the line-up.
Matt Dangerfield had converted the tiny disused coal cellar of his rented basement flat in Maida Vale into a home recording studio/rehearsal room and as a consequence, 47A Warrington Crescent became extremely important in the development of the UK punk scene in the mid-seventies. Mick Jones, Glen Matlock, Tony James, Rat Scabies, Brian James, Gene October, Sid Vicious and Billy Idol were regular visitors. Amongst others, The Sex Pistols, The Damned, London SS, Clash, Chelsea, Generation X and of course, The Boys, made their first recordings there. In this hotbed of creativity Steel and Dangerfield quickly forged a prolific songwriting partnership.
The Boys made their live debut at London’s Hope and Anchor in October 1976. Mick Jones, Billy Idol, Joe Strummer, Tony James and Gene October were in attendance for The Boys first performance. A mere handful of gigs later, they became the first UK punk band to sign an album deal when NEMS Records snapped them up in January 1977.
Having released two albums and three singles with NEMS, they moved to Safari Records in 1979 where two further albums and five more singles followed.
Over the years countless bands have covered The Boys’ back catalogue – from Argentina to Germany and Japan to the USA – and even more artists have cited The Boys as a major influence.
MARC VALENTINE (UK)
As frontman of cult British power-pop outfit Last Great Dreamers, Marc Valentine has brought sparkle to venues and turntables alike with his distinctive vocals, wry charm and songbook of secret classics. Now, with his favourite guitar in tow, he's heading out on a solo adventure, loading his flight case with a fresh set of tunes, and polishing the trademark twinkle in his eye.
Debut album Future Obscure sees Valentine building on his past while expanding his sonic palette, to craft a collection of should-be hits – 7-inch-shaped songs that move both body and mind. The album is produced by Dave Draper (The Professionals, Wildhearts, Ryan Hamilton). Recorded with friends old and new, and featuring collaborations with Wreckless Eric and The Boys' Matt Dangerfield, this is a reflective, sometimes defiant album in the golden-era tradition – a pop record from the heart, packed with songs to holler, heal and hold.








