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Vai direttamente all'evento: Ven 6 - Junius, Edyakaran | Mar 10 - Wormrot, Grumo, Bleachdrinker | Mer 11 - Spiritual Cramp | Gio 12 - Green Milk From The Planet Orange, Love Gang || VENERDI 6 Ingresso: 20€ in prevendita o 25€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE JUNIUS (US) Junius is a post-metal band that has consistently pushed the boundaries of genre conventions, crafting a unique sonic landscape that seamlessly blends elements of post-rock, post-metal, post punk and shoegaze. The band's ethereal soundscapes, haunting melodies, and thought-provoking lyrics have garnered them a dedicated fanbase and critical acclaim over the years. After almost 2 decades, Junius has now expanded into a 5-piece juggernaut with founders Joseph E. Martinez and Dana Filloon joined by three new members: Orion Wainer (Constants, Tombs), Matthew Vincenty (Glacier), and Eoghan McCarthy(Circus Trees). The Junius wall of sound is even more mountainous as a 5 piece. Junius is currently working on their highly anticipated fourth full-length album. Lead singer/songwriter Joseph E. Martinez comments "This album has been the hardest one to write, since I have no concept to follow, just a feel that i'm chasing after. I've given myself some boundaries as well, only guitar effects, no synth and no lyrical concept, also the arrangement and parts have to be played all live. no stacking of impossible to play guitar parts, which should help the recording process lean towards a more sonically clear recording." Junius are also on the verge of returning to Europe after almost a decade-long hiatus. Patient European fans will finally have the chance to witness Junius' mesmerizing live performances and hear songs from their album "Eternal Ritual for the Accretion of Light." With a history of critically acclaimed albums like "The Martyrdom of a Catastrophist," "Reports from the Threshold of Death" and "Eternal Rituals for the Accretion of Light," Junius remains a force to be reckoned with in the post-metal landscape. As they embark on this exciting new chapter, the band's dedication to artistic evolution and the creation of profound, emotive music ensures that Junius will continue to captivate audiences around the world for years to come. EDYAKARAN (IT) Il progetto artistico “Edyakaran” vuole raccontare il tempo evolutivo umano. La nostra musica vuol essere una celebrazione dell'evoluzione umana e con essa esploriamo e concettualizziamo ciò che era, ciò che è e come è divenuto. Ogni nostra performance (dal vivo o in studio) è atta a liberare il racconto del tempo racchiuso nelle note. Il nostro primo album si intitola “Pantheon” è stato pubblicato a marzo 2025 da My Kingdom Music ed è composto da 10 tracce per un totale di 45 minuti. Ci sono 5 tracce principali, ognuna di esse anticipata da un interludio (chiamato Passo). L'opera narra di come le interazioni primordiali (Amore, Caccia, Guerra, Arte) si siano trasformate da semplici istinti ad emozioni, divenendo in alcuni casi, autodistruttive. Si parte dalla presa di coscienza dell'Uomo (Alfa) che passo dopo passo si evolve da semplice animale, dominato da istinti, ad essere umano invece legato ad emozioni pure, quasi spirituali a completamento di ciò che è (Omega). Curriculum musicale dei membri: Lorenzo Rinaldi, Francesco Paparella e Antonio Ricco provengono dal gruppo “In Tormentata Quiete” (genere progressive avant-garde metal) con il quale hanno pubblicato 5 album, 1 EP e 1 singolo. Matteo Meli proviene invece dal gruppo “Batsalsa Experience” (genere post-punk) ancora attivo, col quale ha pubblicato 2 album. MARTEDI 10 Ingresso: 15€ in prevendita o 20€ alla porta Riservato soci AICS LINK ALLE PREVENDITE WORMROT (SINGAPORE) Wormrot is a Singaporean grindcore band formed in 2007, immediately after the founding members had completed their mandatory two years of National Service. The band was discovered in late December 2009 by Digby Pearson, the owner of record label Earache, in a mix tape posted on the Invisible Oranges blog. After hearing the song "Born Stupid" on the compilation, Pearson searched out and downloaded Wormrot's full-length debut, Abuse, from file-sharing site MediaFire. Pearson was impressed with the album's quality and the band's "ambition, hard work ethic, and willingness to put Singapore and Asian grindcore in the global map." GRUMO (IT) GRUMO (“Clot”, “Gore”) is a grindcore band formed in 2004 in Modena (Italy), when Riki (vocals) and Nico (drums) got together. At the beginning, the sound was inspired by bands like Anal Cunt and early Cripple Bastards, with tracks often under 40 sec. The purpose was to play pure noisecore. During the years, the band has played many gigs and festivals (Porco Dio Fest, September to Dismember 3th, Roma A-Bestial Fest), supporting both Italian (Cripple Bastards, Dysmorfic, Repulsione, Jesus Ain’t in Poland…) and international bands (Holocausto Canibal, D-Compose, Sakatat, Social Chaos, Yack, Captain Cleanoff, Sete Star Sept). Although the first 8 years were characterized by few line-up changes, 2012 marked a significant turning point: the first record, Voglio Vederti Sprofondare (“I Want to See You Sink”), was released through independent labels and a new guitarist (Simmi) and a new bass player (Marco) joined the band. Grumo finally find a more personal sound and plays grindcore combined with elements of death metal. Furthermore, a split with Ebola was released on 7”. After two years of hard work "Fallimento" is out in October 2015, the 2nd official full leght of the band and the first to be released by a single label: ETN Records from italy. With this new effort the band is ready to let itself known outside of its national boundary (european tour in September 2015) , faithfulness to its underground origins, spreading desease and noise as usual! Feel the stench of human garbage, Freaks united in gore!!! 2015, Grumo Crew. BLEACH DRINKER (SWE) Power violence from Sweden. MERCOLEDI 11 Ingresso: 15€ in prevendita o 20€ alla porta Riservato soci AICS LINK ALLE PREVENDITE SPIRITUAL CRAMP (US) Gli Spiritual Cramp nascono dall’idea di vivere seguendo il mantra di Mirror In The Bathroom degli English Beat. Sono il risultato di un'ossessione per Mick Jones (il migliore dei Clash) e di uno sguardo troppo prolungato sui Rude Boys. Se Tony Manero e Richard Ashcroft si scontrassero camminando a testa alta senza voler cedere il passo, e poi finissero per baciarsi con passione, quello sarebbe il suono degli Spiritual Cramp. Ma se chiedi direttamente alla band, si descriveranno semplicemente come un gruppo punk. La loro musica? «Accordi veloci in giù. Upstrokes. Reggae. Produzione hip hop. Live show esplosivo. Ferocia, ma contenuta, su amplificatori piccoli». E tutto questo suona giusto, specialmente quando citano come influenze Tom Tom Club e The Strokes. Perché se c'è una cosa certa, è che gli Spiritual Cramp sono una dance band. Come lo erano The Clash, Big Audio Dynamite, i primi Kaiser Chiefs, Turnstile e Murder City Devils. Dal 2016 gli Spiritual Cramp hanno riportato in auge i cori gang-style e le impennate sui motorini nei parcheggi. Stilosi, carismatici e consapevoli che senza lo show, lo show business è solo un affare triste. Il loro album omonimo dà nuova linfa a quella tradizione di rock & roll sporco e sincero che parte dai The Standells, passa per il punk del '77 e arriva fino a Supergrass, Algiers e Chubby and The Gang. Gli Spiritual Cramp sono Michael Bingham (voce), Michael Fenton (basso), Jose Luna (percussioni), Jacob Breeze e Nate Punty (chitarre), Julian Smith (batteria). Il loro album di debutto è stato prodotto da Bingham e Fenton, con il supporto di Carlos De La Garza (M83, Paramore, Best Coast, The Linda Lindas) e mixato da Dave Collins. GIOVEDI 12 Ingresso: Up to You!/// Riservato ai soci AICS GREEN MILK FROM THE PLANET ORANGE (JP) GREEN MILK FROM THE PLANET ORANGE are from Tokyo, formed in 2001 after the breakup of the grindcore band 'No Rest For The Dead'. Searching for new musical horizons 'A' (drums) and 'Dead K' (guitar, vocals) went different ways for a while but came together again to build up a new band. 'Benjian' (bass) completed the first classic trio line-up which then was into jam sessions musically oriented at playing progressive rock with the emphasis on psychedelic and space. The band released the 7'' production 'The Shape Of Rock To Come' (2001) and the full album 'Birth Of The Neo Trip' (2002) on their own label Ancient Records representing a special blend of space and jazz rock. This received good reviews from Japanese and American magazines. 2003 saw bassist 'Benjian' replaced by 'T'. The same year they went to USA to produce a new album but the work could not be completed. So they kept recording for themselves after going back to Tokyo. Finally it was finished at the end of June containing five well-elaborated songs. 'He's Crying Look' got to be the first album for Beta-lactam Ring Records - released in 2004 on compact disc as well as on double vinyl. The band continued touring USA/Canada for several times and produced the next full album 'City Calls Revolution' - released end of May 2005. As for the next year two new EPs saw the light of day before they lost bass player 'T' in 2007. GMFTTO went to sleep then for an indefinite period only interrupted by the official announcement that new band mate 'Margarette H' was found in the summer of 2008. GREEN MILK FROM THE PLANET ORANGE offers excellent space and heavy psychedelic rock and can be rated on the same level as other Japanese acts like 'Acid Mothers Temple' and 'Flower Travelin' Band'. LOVE GANG (US) Love Gang is a rock ’n roll band based out of Denver, Colorado. Formed in 2015, Love Gang is a throwback to the golden days of rock ’n roll when the amps were loud, the hair was long and the drugs were cheap. Influenced by the obscure and underground rock of the 70s, they manage to keep their sound classic and true while also creating original, compelling songs that don’t grow tired or sound as if you’ve heard it all before. Love Gang likes to play fast, high energy songs full of driving blues boogie, wailing psychedelic guitar solos and crunchy hammond organ.

Vai direttamente all'evento: Gio 29 [Teatro Cinema Perla] - The Necks, Uzeda, John Duncan & Ivan FU's "DIG" | Dom 1 Giu - Psych Sunday Vol. VII: Dead Meadow, Solaris | Lun 2 Giu - The Veldt, Tremours | Mer 4 Giu - Whores, Help || GIOVEDI 29 [TEATRO CINEMA PERLA] Ingresso: 28€ in prevendita o 35€ alla porta LINK ALLE PREVENDITE THE NECKS (AUSTRALIA) The Necks are one of the great cult bands of Australia. Chris Abrahams (piano), Tony Buck (drums), and Lloyd Swanton (bass) conjure a chemistry together that defies description in orthodox terms. Featuring lengthy pieces which slowly unravel in the most mesmerising fashion, frequently underpinned by an insistent deep groove, the eighteen albums by The Necks stand up to re-listening time and time again. The deceptive simplicity of their music throws forth new charms on each hearing. Not entirely avant-garde, nor minimalist, nor ambient, nor jazz, the music of The Necks is possibly unique in the world today. UZEDA (IT) Uzeda is an Italian quartet (Giovanna Cacciola on vocals, Raffaele Gulisano on bass, Davide Oliveri on drums, Agostino Tilotta on guitar) that represents one of the most original takes on noise-rock of the 1990s. Out of Colours (A.V. Arts, 1991), Waters (A.V. Arts, 1993) and the four-song EP 4 (Touch and Go, 1995) slowly cemented a style that is both brutal and lyrical, fierce and mercyful, physical and psychological, but never derivative of the American masters of noise-rock. After 13 years from the last releases, the band with the beloved friend Steve Albini recorded Quocumque Jeceris Stabit released through Overdrive in EU and Temporary Residence in USA. JOHN DUNCAN (US) & IVAN FU PJEVCEVIC (SRB/IT) John Duncan's work often addresses issues of power, authority, and control, often involving elements of personal risk and danger. His early works included confrontational performances, public interventions and a number of audio works, many of which incorporated found sounds, shortwave radio signals and field recordings. Over the years, his work has become increasingly focused on spirituality, ritual, and the subconscious mind. Ivan FU Pjevcevic is a musician, composer graphic artist and audio engineer known for his contributions to experimental and electroacoustic music, often collaborating with avant-garde artists such as John Duncan, playing a significant role in the albums 3NDLSS, Soft Eyes and Lucid Calm, performing on fretless bass, synths and Ondes Martenot. John Duncan and Ivan FU are presenting for the first time in Europe a preview of their short film DIG. A visual story written in six chapters accompanied by a live soundtrack. DOMENICA 1 [dalle 18:00 alle 22:00] Ingresso: 15€ in prevendita o 20€ alla porta Riservato soci AICS LINK ALLE PREVENDITE DEAD MEADOW (US) Dead Meadow’s unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss, and singer Jason Simon’s melodic croon have won over psychedelic pop/rock and stoner rock fans alike. Although the band’s members met while attending all-ages shows in and around Washington, D.C.’s punk/indie scene, the trio draws more of its sound from such classic rock legends as Pink Floyd, Led Zeppelin, and Black Sabbath. The trio formed in the fall of 1998 with singer/guitarist Simon, bassist Steve Kille, and drummer Mark Laughlin. The three members set out to fuse their love of early-’70s hard rock and ’60s psychedelia into their distinct sound. They released their eight song debut album in 1999. Within a relatively short period, the D.C. trio received offers to tour with everyone from local D.C. acts like The Make-Up and Fugazi to psychedelic rockers Brian Jonestown Massacre. The much acclaimed debut was quickly followed by 2001’s “Howls from the Hills”, recorded at friend Stephen McCarty’s (who would later join Dead Meadow) grandparent’s farm house in rural Indiana and also released on Tolotta Records. The band signed with Matador Records in early 2003 and released “Shivering King and Others”. Along with the heavy feel and blues-influenced songs, as found on the previous two records, the band incorporated a more layered and dense sound, and continued in their psychedelic style. With the addition of long time friend Cory Shane as second guitarist, the band released the much acclaimed “Feathers” LP in 2005 on Matador Records. This record incorporated the heavy sound of Dead Meadow with a somewhat more dreamlike feel and included a great deal of two guitar interplay between Cory and Jason. 2007 saw the band reverting back to a three piece and relocating from Washington, D.C. to Los Angeles, CA. “Old Growth”, the fifth studio album was released in 2008 on Matador Records. In 2010 Dead Meadow released a feature length live film and soundtrack, “Three Kings”, that spotlighted their live show and included psychedelic dream sequences that follow a loose storyline. Stephen McCarty left the band and original drummer Mark Laughlin returned. The group spent a long, patient time self-producing and recording 2013’s epic double-album-length release “Warble Womb”, also released on Xemu records. With the release of the LP “The Nothing they Need” in 2018, Steve and Jason celebrate twenty years of Dead Meadow with eight songs that feature everyone that has been musically involved with the band over the years. The Lockdown of 2020 gave the band some much needed rest from touring though two live records were released. Throughout 2023 Dead Meadow performed sporadically and began work on a new full length LP for Heavy Psych Sounds Records. The band completed tracking the record in January of 2024 shortly after finding out the terrible news that bass player Steve Kille had been diagnosed with Cancer. Though he began Chemo within a month or so the cancer had progressed too far and was too aggressive to be stopped. Steve Kille passed away on April 14th, 2024 leaving an incredible legacy of utterly unique bass playing, a singular artistic vision, and boundless creativity. Band members, friends, and fans alike were devastated but the outpouring of love for Steve as a musician, friend, and amazing human being was a beautiful thing to see. SOLARIS (IT) I Solaris, band noise rock nata nel 2015 in Romagna, mescolano noise e post-rock con influenze da Helmet e The Jesus Lizard. Con Bronson Recordings hanno pubblicato due EP e due album, collaborando con artisti come Martin Bisi, Xabier Iriondo, Bruno Dorella, Ottone Pesante e Nicola Manzan. Hanno condiviso il palco con P.I.L., Amyl and the Sniffers, Ufomammut e Messa. LUNEDI 2 Ingresso: 10€ Riservato soci AICS LINK ALLE PREVENDITE THE VELDT (US) Emerging from the dynamic music scene of North Carolina in the 1980s, The Veldt crafted a sound that seamlessly melds shoegaze and progressive soul, carving out a distinct niche within the first wave of shoegaze bands worldwide. Their music is a mesmerizing blend of ethereal atmospheres, sultry melodies, and irresistible rhythms, establishing them as a standout presence in the genre. Drawing from a rich tapestry of influences, The Veldt's music embodies a fusion of emotional depth and daring experimentation. Infused with the soulful resonance of Marvin Gaye, the avant-garde spirit of Sun Ra, and the improvisational brilliance of Pharaoh Sanders, their sonic palette is both profound and boldly innovative. Rooted in the musical traditions of their upbringing, particularly in the church and southern juke-joints, The Veldt's journey began at a young age. A diverse range of inspirations, including gospel, Motown, and the psychedelic sounds of Pink Floyd shaped their musical evolution. Following their signing to Capitol Records in 1989, The Veldt embarked on a transformative musical journey. Collaborating with dream-gaze luminary Robin Guthrie of the Cocteau Twins, they began crafting their debut album, 'Illuminated 1989'. Although initially shelved by the label, their subsequent releases, including the acclaimed 'Marigolds' in 1992 and the seminal 'Afrodisiac' in 1994, garnered widespread praise and cemented their place in the shoegaze canon. With “Afrodisiac” ultimately found its way onto Pitchfork’s list of the “Top 50 Shoegaze Albums Ever Released”. Transitioning briefly to Apollo Heights before reclaiming their original moniker, The Veldt has remained a force of innovation and creativity. Their recent endeavors, including the long-awaited release of 'Illuminated 1989' and their continued exploration of vibrant sonic landscapes, reaffirm their status as pioneers in the genre. The Veldt's enduring legacy promises to inspire future generations with their boundary-pushing sounds and unwavering artistic vision as they forge ahead. TREMOURS (US) TREMOURS formed in Los Angeles in 2021 by the duo of Lauren Andino and Glenn Fryatt. Late night jam sessions in the midst of lockdown uncertainty slowly transformed into TREMOURS creative partnership, driven by the tension between Andino’s hazy, drifting guitars and Fryatt’s urgent, pulsating drums. South Carolina-born Andino has played with LSD And The Search For God and most recently L.A. Witch as a touring guitarist. Fryatt hails from Portsmouth, England, and has toured as a drummer for artists such as Cherubs, The Montrose Avenue and Ten Benson. TREMOURS sees them each newly harnessing and exploring their own creative impulses, inspired by everything from shoegaze to jazz to electronica to literature to looking out at the sea. “Most of our songs center around loneliness. Not necessarily sadness, but the comfort that you can find in being lonely,” says Andino. “It’s when I feel most calm.” Fragments is the much-anticipated debut album from Los Angeles based shoegaze dreampop duo. The album is being released in the US by Portland shoegaze/psych label, Little Cloud Records, home of The Dandy Warhols, Elephant Stone, and The Veldt. MERCOLEDI 4 Ingresso: 16,50 € in prevendita o 20€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE WHORES. (US) Formed in 2010 in Atlanta, Georgia, WHORES. has established themselves as one of the most successful and motivated bands in the noise-rock genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores. are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come. HELP (US) HELP’s moto; Remove fear from decision making.Act in defiant joy. Refuse to dominate others. Do not hoard the giftsof the universe. The future is uncertain. Ends don’t justify means. Solidarity now. Clas war now. Formed in 2018 by Ryan Neighbors (Guitar/vocals), Morty(bas),and Bim Ditson (drums), the members of HELP spent the previous decade or so in more restrained bands. Ditson with grinding indie rockers AndAndAnd, Neighbors with alt-pop dynamos Portugal. The Man and with his electronic project Hustle and Drone. And Morty, Morty has been around the track once or twice. With Help, they are retrieving the punk roots each member had put down in their teens. They are ripping these ams back open to see what’s really inside. “Everyone is angry,” says Neighbors, “Make some art about it.”

Vai direttamente all'evento: Gio 22 - Eggy, Okk, Osama | Ven 23 - Ho Sentito Di Peggio: Cowards - Donïa Nö / Aftershow: Undicesimacasa | Sab 24 - Game Over [Release Party] w/ Vexovoid, HusqwarnaH, Zeb Horsemann Metal Djset | Dom 25 - Mekons | Lun 26 - Kontravoid, Border. | Mar 27 - DVNE | Gio 29 [Teatro Cinema Perla] - The Necks, Uzeda, Six Organs Of Admittance || GIOVEDI 22 Ingresso: Up to You!/// Riservato ai soci AICS EGGY (US) A band whose output is defined by a keen sense for change and continuum, EGGY keep their feet firmly planted in the DIY. Forging songs from fuzzwar tones and analogue frequencies, their reverence for the mechanistic sounds of the 70’s always present aside a love for what was reimagined through the 90’s and into the 00’s. Continuing the nuances and simplicities of all good pop music, whilst adhering to the world of soundtrack obscurities and beyond. Taking notes from influences John Cale, Stereolab, and The BBC Radiophonic Workshop - their live show is an ever evolving shift of creative energy. Enveloping halls and ballrooms with cello and overdriven violin, or in clubs and bandrooms with saxophone and blown out riffs. The thread between static intensity and agile restraint taut from start to fin. Their latest album, With Gusto, released through Flightless Records (King Gizzard and The Lizard Wizard, Amyl and The Sniffers), was named Album of the Week by both 3RRR and 4ZZZ and was featured in Henry Rollins' top 11 albums of 2022 on KCRW. Following With Gusto, they released Open Field in 2024. Written and intended as a three part odyssey, these seven minutes and fifty one seconds traverse through the sounds of a band who keep conviction as their touchstone. Taking notes from the Düsseldorf and Berlin schools of the 70’s, these drifting melodies and mechanistic rhythms hold court alongside the climactic intensity of a group forged by the 00’s New York underground. KK (IT) Okra Kitchen (OkK) è un duo musicale nato nel 2014 con Emanuele alla batteria e Luigi a chitarra e voce. Il progetto rimane in fase embrionale per anni finché i due non lo riprendono in periodo COVID. Nel 2022 entrano in studio a registrare 9 canzoni che vengono divise in tre uscite VOL 1 e VOL 2 nel 2023 e VOL 3 in uscita ad aprile 2025. Il genere è un punk fatto di batterie taglienti, riffoni distorti e molto feedback. OSAMA (IT) VENERDI 23 Ingresso: 5 € Riservato ai soci AICS COWARDS Cowards è un progetto marchigiano di matrice noise/shoegaze/post-punk formatosi nel 2019 a Recanati dall’incontro di Luca Piccinini (voce e chitarra), Giulia Tanoni (voce e basso) e Peppe Carella (batteria). Li caratterizza fin da subito un sound abrasivo figlio degli anni ‘90, con echi dream-pop e grunge che lo rendono profondo e personale. Il loro percorso è indelebilmente macchiato dalla prematura scomparsa del batterista e ad inizio 2023 viene arruolato il nuovo batterista Michele Prosperi, compagno di merende musicali ed ex Jesus Franco & The Drogas, con il quale sviluppano rapidamente quell’intesa che li porta alla pubblicazione del loro album ufficiale God Hates Cowards nel febbraio 2025 per l’etichetta Bloody Sound. Dio, uno qualsiasi, odia i codardi e li butta nella tempesta. Loro rispondono! DONIA NO Nine Inch Nails, The Soft Moon, Fever Ray, Bones UK, Subsonica e molti altri sono tra le varie influenze che Donı̈ a riporta nel suo sound, caratterizzato da elettronica e suoni distorti, voci pulite e sporche che si alternano, urla e melodie eteree. Le atmosfere dark sono onnipresenti e i synth e le chitarre che li producono, creano un immaginario inquietante ma allo stesso tempo magnetico. Donı̈ a trasla la sua ombrosità e la sua rabbia in musica facendo un esorcismo collettivo e di sé: la paura della morte, le pressioni sociali e il femminismo sono alcune delle tematiche ricorrenti dei suoi brani. Quella di Donı̈ a è musica per alleggerire il peso dell’ansia post-moderna, prenderne atto e, in fin dei conti, ballarci su. AFTERSHOW VEN 23 Ingresso: 5 € Riservato ai soci AICS UNDICESIMACASA presenta last rites of spring⎜KNIFE DANCE featuring LUNA LIAS + residents DONATO D'ARGENTO, EMADAME, FERA tonight we dance, we rage and protect each other bass, broken, emo, synth punk, dub metal, fractured but whole last hug before another scorching earth summer SABATO 24 Ingresso: 10 € in prevendita o 15€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE GAME OVER [RELEASE PARTY] Game Over released 4 studio albums and toured across whole Europe, U.S.A., Japan and China sharing the stage with Metal legends such as Megadeth, Exodus, Testament, Overkill, Nuclear Assault, Destruction, Sodom, Takard to name a few. Energetic shows that pumps adrenaline in your veins and massive riffs that pierce your ears combined with sing-a-long choruses: this is what Game Over is. VEXOVOID Vexovoid is an Italian Progressive Thrash Metal band born in Tuscany in the early 2014 when Danny, Leonardo and Salvatore find themselves playing in the same Thrash Punk band. After some time they decide to work on a new project mixing furious and complex sounds with some Sci-Fi atmosphere. Immediately after the publication of the EP "Heralds of the Stars", Salvatore quit the band for personal reasons, returning to live in Sicily, and leaving the band unable to bring on the stage their new recording effort. The remaining members where in search of a replacement, waiting for the return of Salvatore, when they found Mattia Mornelli (Human Decay's Drummer) as a live member but waiting for further confirmations. The trio is now ready to travel everywhere in the galaxy and bring the news of a new age. A new modern space age of battles and fucking lasers. 'Cause they are the Heralds. The Heralds of the Stars. HUSQWANAH 039 death metal - for fans of Bolt Thrower, Asphyx, Morbid Angel, Unleashed. AFTERSHOW: ZEB HORSEMANN Creator, musicista, videomaker, dj e divulgatore di musica. DOMENICA 25 Ingresso: 20€ in prevendita / 25€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE MEKONS (UK) Sonic adventurers, punk rock fundamentalists, exuberant luddites, willing outcasts. “The Mekons are the most revolutionary group in the history of rock ‘n’ roll” – wrote rock critic Lester Bangs The genre-defying Mekons formed in Leeds, England in 1977. Born from the emerging British punk scene, they progressed from art students with no musical skills to the prolific, raucous progeny of Hank Williams. This current classic line-up has remained intact since the mid-1980s, continuing to regularly tour and release new music through to now. Theirs is an improbable history – a surprising and influential embrace of folk and country music with occasional forays into the art world. They have always worked collaboratively and collectively with all work credited to the band, never to individuals. Their mind-boggling output consistently blurs the lines between high art and low and has included exhibitions in the UK and US, a deranged pirate musical recorded and staged with Kathy Acker, an art performance with Vito Acconci, and several books including the unique art catalog/unfinished novel Mekons United. "Revenge of the Mekons", a documentary about the band received nationwide release in 2015 on Music Box Films. The Mekons continue to make bold, unpredictable music while staying true to the punk ethos. Their mind-boggling output consistently blurs the lines between high art and low and they remain one of the truly great live bands. Their last album "Exquisite" was recorded completely remotely during the early months of lockdown and released on Bandcamp in June 2020. The band are working with Fire Records on their new album which comes out in 2025. The single from that album "You're Not Singing Anymore" will be released on Fire Records in early November 2024. LUNEDI 26 Ingresso: 10€ in prevendita / 15€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE KONTRAVOID (CAN/US) Kontravoid’s masked mystique has remained for over a decade. Ever since the release of his self-titled LP in 2012, the Canadian-born, Los Angeles-based Cameron Findlay has perfected dark pop with his oeuvre that teeters between the EBM, electro and goth genres. His productions, such as 2019’s “Too Deep” and 2021’s “Faceless,” dive to the most derelict corners of foggy, strobe-lit clubs: there is no choice but to dance. But there is an uncanny softness and obvious songwriting ability to compose heart-wrenching songs that are both captivating and drenched in melancholy—2018’s “Undone” has been a fan favorite since it came out on Berlin’s Fleisch Records. Onstage, Kontravoid demands the audience’s attention with his powerful performance that balances his specific concoction of harsh beats with his signature bass line rhythmic patterns. He’s toured alongside Boy Harsher, ADULT., Drab Majesty and Hide, and has remixed the likes of Schwefelgelb and Kris Baha. Truly a man of the shadows, Kontravoid is an unparalleled fixture in the dark electronic arena. BORDER. (IT) I Border. si distinguono per un sound estremo e senza compromessi, caratterizzato da ritmi ossessivi e atmosfere che richiamano gli ultimi quarant'anni di punk e industrial. La loro musica, che ricorda le sonorità di Siouxsie e The Prodigy, si configura come un antidoto diretto al mainstream, proponendo un messaggio di resistenza e critica sociale. Questa sintesi di influenze permette al duo di spaziare tra generi e di creare un’identità sonora inconfondibile, che si adatta perfettamente ai temi forti e spesso sarcastici delle loro composizioni. MARTEDI 27 Ingresso: 15€ in prevendita / 20€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE DVNE (UK) Formed in Edinburgh in 2013 by displaced Frenchman Victor Vicart and native Scot Dudley Tait, post-metal prog-sludge artisans Dvne have been building a powerful head of steam since their second album, 2021's kaleidoscopically mesmerising Etemen Ænka. Their first release for the legendary Metal Blade Records label, the LP was a concerted hike up the greasy pole for this enigmatic outfit, enabling Dvne to embark on UK and European headline tours and win spots at such discerning festivals as Hellfest, ArcTanGent, Desertfest, Damnation and Resurrection. A live EP of reimagined album tunes, 2022's Cycles Of Asphodel, kept up their profile while satiating demand from a rapidly mushrooming fanbase, and now in 2024, stunning third album Voidkind looks set to propel this expanded five-piece line-up (welcoming Maxime Keller on keyboards) to the top of their game. GIOVEDI 29 [TEATRO CINEMA PERLA] Ingresso: 28€ in prevendita o 35€ alla porta LINK ALLE PREVENDITE THE NECKS (AUSTRALIA) The Necks are one of the great cult bands of Australia. Chris Abrahams (piano), Tony Buck (drums), and Lloyd Swanton (bass) conjure a chemistry together that defies description in orthodox terms. Featuring lengthy pieces which slowly unravel in the most mesmerising fashion, frequently underpinned by an insistent deep groove, the eighteen albums by The Necks stand up to re-listening time and time again. The deceptive simplicity of their music throws forth new charms on each hearing. Not entirely avant-garde, nor minimalist, nor ambient, nor jazz, the music of The Necks is possibly unique in the world today. UZEDA (IT) Uzeda is an Italian quartet (Giovanna Cacciola on vocals, Raffaele Gulisano on bass, Davide Oliveri on drums, Agostino Tilotta on guitar) that represents one of the most original takes on noise-rock of the 1990s. Out of Colours (A.V. Arts, 1991), Waters (A.V. Arts, 1993) and the four-song EP 4 (Touch and Go, 1995) slowly cemented a style that is both brutal and lyrical, fierce and mercyful, physical and psychological, but never derivative of the American masters of noise-rock. After 13 years from the last releases, the band with the beloved friend Steve Albini recorded Quocumque Jeceris Stabit released through Overdrive in EU and Temporary Residence in USA. SIX ORGANS OF ADMITTANCE (US) Once again, Six Organs of Admittance showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth.

Vai direttamente all'evento: Gio 15 - Hellnation: The Outer Space, Chow | Ven 16 - 66cl, Senza Palle, Adria The Reject | Ven 16 - Under The Bed | Sab 17 - Mint Sound Escape | Dom 18 - Amalekim, Exequiae Sacro | Lun 19 - Snowgoons 25th Anniversary w/ Ill Bill, Sean Strange, Suave Ski, Kappa-o & Virux | Gio 22 - Eggy, Okk, Osama || GIOVEDI 15 Ingresso: 10 € Riservato ai soci AICS THE OUTER SPACE (BEL) (Garage Jangly Rock'n'Roll from Bruxelles) The Outer Space were born out of a drink between Matteo (sings and guitar, previously playing with Italian 60s bands) and Yvan (drums, currently also playing in the 60s Brussels band the Paperclips) in St Gilles, where the two shared their passion for 70s powerpop and 60s folk/garage rock. Immediately Yvan contacted François (backing vocals and guitar, formerly known in France as a member of the Snipers) and the three started playing together until Matteo revamped previous exchanges with Flupke (bass, a pillar of Brussels rock’n’roll scene). After some rehearsals through cover versions of obscure past gems, including Miscommunication by Jode or One Time Around by Dalton, James & Sutton, the four started experimenting with original songs. The result is a mix of 60s folk-rock and 70s powerpop melted in a nice Janglin’ Rock’n’Roll, as they frame it. A first single of the band was self-produced and distributed by independent labels in Italy, Greece and Spain, with acclaimed review in specialized magazines, including Shindigs! in the UK and Rumore in Italy. The band is now working into recording the many original songs they developed through time for a future dedicated Long-Playing record. CHOW (IT) Power/pop band will present their new release "Eternal Lopez" just out now on LP on VENTI3 Rds! VENERDI 16 Ingresso: 5 € Riservato ai soci AICS 66CL Crossover discount punx; Rovereto SENZA PALLE [RELEASE PARTY] Crossover Rap; Bologna ADRIA THE REJECT Performer & Hardcore Rap; Bologna AFTERSHOW VEN 16 Under The Bed Ingresso: 5 € Riservato ai soci AICS SABATO 17 Mint Sound Escape Vol. LX Ingresso: 10 € Riservato ai soci AICS Gli ingressi chiudono alle ore 01:00 DOMENICA 18 Ingresso: Up to You!/// Riservato ai soci AICS AMALEKIM (POL/IT) Pure black metal from Poland/Italy. We are Amalekim, we are one of the group of the five... XEQUIAE SACRO (IT) Death Metal from Varese, Italy. LUNEDI 19 Ingresso: 20€ in prevendita / 25€ alla porta Riservato ai soci AICS LINK ALLE PREVENDITE The 25 Years Snowgoons Anniversary Tour is coming to Freakout Club and it’s going to be legendary! Live on stage: Ill Bill ( Non Phixion & La Coka Nostra) , SNOWGOONS ( Represented by Dj Illegal & Dj Crypt ) , Sean Strange & Chubs bringing that raw energy and Real Hip Hop Heat. With Suave Ski, Kappa-O & Virux HSC GIOVEDI 22 Ingresso: Up to You!/// Riservato ai soci AICS EGGY (US) A band whose output is defined by a keen sense for change and continuum, EGGY keep their feet firmly planted in the DIY. Forging songs from fuzzwar tones and analogue frequencies, their reverence for the mechanistic sounds of the 70’s always present aside a love for what was reimagined through the 90’s and into the 00’s. Continuing the nuances and simplicities of all good pop music, whilst adhering to the world of soundtrack obscurities and beyond. Taking notes from influences John Cale, Stereolab, and The BBC Radiophonic Workshop - their live show is an ever evolving shift of creative energy. Enveloping halls and ballrooms with cello and overdriven violin, or in clubs and bandrooms with saxophone and blown out riffs. The thread between static intensity and agile restraint taut from start to fin. Their latest album, With Gusto, released through Flightless Records (King Gizzard and The Lizard Wizard, Amyl and The Sniffers), was named Album of the Week by both 3RRR and 4ZZZ and was featured in Henry Rollins' top 11 albums of 2022 on KCRW. Following With Gusto, they released Open Field in 2024. Written and intended as a three part odyssey, these seven minutes and fifty one seconds traverse through the sounds of a band who keep conviction as their touchstone. Taking notes from the Düsseldorf and Berlin schools of the 70’s, these drifting melodies and mechanistic rhythms hold court alongside the climactic intensity of a group forged by the 00’s New York underground. OKK (IT) Okra Kitchen (OkK) è un duo musicale nato nel 2014 con Emanuele alla batteria e Luigi a chitarra e voce. Il progetto rimane in fase embrionale per anni finché i due non lo riprendono in periodo COVID. Nel 2022 entrano in studio a registrare 9 canzoni che vengono divise in tre uscite VOL 1 e VOL 2 nel 2023 e VOL 3 in uscita ad aprile 2025. Il genere è un punk fatto di batterie taglienti, riffoni distorti e molto feedback. OSAMA (IT)

Vai direttamente all'evento: Gio 8 - Qael / Luzee, Kelevra & Carlo Corallo | Ven 9 - Noverte [Release Party], Put Pùrana, Trelkovsky / Aftershow: Minerale | Sab 10 - MEGANONMIPIACE: Tanz Akademie, Snüff, Normativ / Aftershow: Girovelle Psicotroniche | Dom 11 - Neroriginal Fest II: Big Sea, Iqonde, Duael, Brenso | Lun 12 - Buenos Vampiros, Sistema de Entretenimiento, I Finnegans | Mer 14 - VMO aka Violent Magic Orchestra, Piper Club, Talpah | Gio 15 - Hellnation: The Outer Space, Chow || GIOVEDI 8 Ingresso: PRE 7€ / DOOR 10€ Riservato ai soci AICS LINK ALLE PREVENDITE KELEVRA Kelevra, nome d'arte di Michele Schettini, è un rapper classe 91 proveniente dalla Campania, precisamente Cervinara (AV). Appassionatosi alla cultura hip hop da giovanissimo, muove i primi veri passi verso i 20 anni con la sua prima crew, ManzHarda. Successivamente fa parte del gruppo Rattatta Music che si scioglie nel 2019. Dopo 4 anni di inattività torna col suo progetto solista nel 2023 che da subito gli dà tante soddisfazioni, gli permette infatti di collaborare con produttori di rilievo come Verano e Tosses e di aprire live di artisti nazionali come Clementino, Tormento e Jack The Smoker. Oltre alla sua attività musicale è social media manager e content creator, cose che gli permettono di curare appieno la comunicazione e la direzione artistica del suo progetto. Ha attualmente all'attivo 6 singoli ufficiali, gli ultimi due usciti con Gold Leaves Academy, etichetta indipendente fondata da Dj Ms. QAEL QAEL è un artista poliedrico originario di Campobasso che si distingue come beatmaker, rapper, songwriter e DJ. La sua carriera musicale nasce dal writing e dal freestyle, evolvendosi nel tempo grazie all'esperienza tra sound system e collaborazioni con il collettivo P.S.A.L.M. Pubblica il suo primo demo, "Un modo di agire", e dopo il trasferimento a Bologna condivide il palco con artisti italiani e internazionali come Inoki, Coez, DJ Shocca, Apollo Brown, Skyzoo, DJ Lugi e molti altri. Nel 2017 rilascia l'EP "Essenzialmente Soul", prodotto da Natty Dub (Funk Shui Project), e successivamente si dedica al beatmaking con "Dream Tape" (2021) e "The Sample Cave" (2023), entrambi per la label Beat's Tailors. Nel maggio 2024 pubblica l'EP "Istinto" e produce le basi dell'EP "New Balance" di Amir Issaa. LUZEE Luzee, è un beatmaker, produttore e bassista italiano originario di Nereto (TE). Il suo stile nasce dalla fusione tra elettronica, campionamento organico e soul. Inizia la sua carriera musicale a Bologna suonando il basso in diverse band blues, jazz e rock. Parallelamente, si avvicina al campionamento, influenzato dall'hip-hop e dal rap. Nel 2017 pubblica "Waterdrops", seguito da "The Loop Room" nel 2019 e "Seed" nel 2021, uscito per Totally Imported. Collabora come produttore con Subconscio, con cui ha realizzato gli album "Il Mondo Invisibile" (2022) e "Esprimi un desiderio" (2023). Inoltre, ha pubblicato "Cutting" (2022) e "Beats for Smoke of Wayne Wang" (2024) per Beat's Tailors. CARLO CORALLO Siciliano, classe 1995, cultore della scrittura, Carlo Corallo è una figura polivalente, capace di eseguire storytelling e in grado di attirare facilmente l’attenzione dell’ascoltatore grazie al raffinato lessico impiegato all’interno dei brani. La sua versatilità e preparazione gli hanno permesso di essere notato dai principali esponenti della scena hip hop italiana, tra cui Murubutu, con cui ha collaborato nel brano “I Maestri pt. 2” e di cui apre alcune tappe del tour. VENERDI 9 Ingresso: 5 € Riservato ai soci AICS NOVERTE [RELEASE PARTY] (skramz da Bologna) suonano il nuovo EP "Life in minor". PUT PURANA Swag screamo brianzolo. TRELKOVSKY True blackened bassa modenese. AFTERSHOW VEN 9 Ingresso: 5 € Riservato ai soci AICS 🏛 Tornano nelle miniere del Freakout club: 💿 Lappa 💿 Mox (Liquid Dreams Metal set) 💿 Treega SABATO 10 Ingresso: 5 € Riservato ai soci AICS TANZ AKADEMIE La big band indie di cui abbiamo bisogno, from Torino e Alba. SNUFF Sogno punk ad occhi lucidi, ritornelli appiccicosi. NORMATIV Gli Avengers di Mantova, super gruppo post tutto con membri di A/lpaca e Submeet. AFTERSHOW SAB 10 Ingresso: 5 € Riservato ai soci AICS Amanti del cybergroove e delle danze tecnotribali, i selektors riapprodano nella cabina di comando per sparare groove alieno nei condotti uditivi bisognosi di tecnologikelubrificazioni. ✺ local crew DOMENICA 11 [dalle 18:00 alle 23:00] Ingresso: Up to You!/// Riservato ai soci AICS IQONDE Gli Iqonde sono un progetto che nasce dalla stratificazione di distorsioni, storture ritmiche e suggestioni ispirate alle sonorità martellanti e percussive delle musiche dell'Africa nera. Una batteria, un basso e una chitarra che si intersecano e si rincorrono in un immaginario fatto di frenetiche cadenze primitive, danze tribali, isterie noise e distensioni rarefatte. BIG SEA I Big Sea nascono a Bologna, Italia, nel 2020. Il loro sound riflette la volontà di fuggire dalla monotonia quotidiana e dai percorsi prestabiliti, spaziando dal post-punk al garage. I testi sono un grido contro lo status quo, espressione di una generazione tradita dalle aspettative di carriera. La band ha suonato in numerosi club del nord Italia e ha partecipato a diversi festival prima di andare oltreoceano nel Marzo 2023, prendendo parte al New Colossus Festival a New York. Sono stati citati da Brooklyn Vegan come una delle 12 band più attese. They are just employees. BRENSO Brenso nasce dalle ceneri di Who Knows Cares e Justamember. E’ una band di amici che all’inizio voleva soltanto condividere una sala prove e fare un concerto ogni tanto. Poi sono arrivate le canzoni, e le canzoni meritavano più impegno, più determinazione, le aspettative sono cambiate. DUAEL I DUÆL sono: Alberto Balboni (NADSAT, COLLARS, Coffin Surfer, Just for Now) - Chitarra & Marco "Samu" Bolognini (MEGABRENZ! ex Nero di Marte) - Batteria & FX. Il progetto, nato nel 2023 a Bologna, esprime ritmi viscerali attraverso suoni distorti e samples atmosferici. Un progetto strumentale che esplora diverse dinamiche, spaziando da parti lente e riflessive a riff più moderni ed aggressivi. LUNEDI 12 Ingresso: 10€ Riservato ai soci AICS LINK ALLE PREVENDITE BUENOS VAMPIROS (ARG) Buenos Vampiros es una banda marplatense nacida en julio de 2018. Conformada por Ignacio Perrotta e Irina Tuma en guitarra y voz, Luana Giobellina en bajo y coros y Mora Murguet en batería, se trata de una de las propuestas más importantes de la movida emergente del nuevo rock argentino. Sus canciones varían entre melodías melancólicas y bailables, con influencias del post-punk, new-wave y dream pop. Con tres discos aclamados por los fans y la prensa en su haber, Paranormal (2019), Destruya! (2022), Entre Sombras (2024), la banda recorrió varios de los escenarios más importantes de la Ciudad de Buenos Aires, como Niceto Club, CC Konex, Vorterix, CC Art media, participando de importantes festivales como el Primavera Sound Buenos Aires, Grl Pwr Córdoba, Mar del Pop, Festival Nuevo Día y compartiendo con artistas internacionales como Dry Cleaning, American Football, Ana Curra y nacionales como Juana Molina, Las Ligas Menores, Daniel Melero, Barbi Recanati, entre otras. También recorrieron varias provincias del país, como Córdoba Capital, Rosario, Mendoza, Salta, Tucuman y Santiago del Estero. Y shows sold out dos semanas antes de su presentación en Uruguay y Chile. SISTEMA DE ENTRETENIMIENTO (ESP) Sistema de Entretenimiento is an arcade punk band that combines synthesizer sounds and electronic beats with fast-paced guitar riffs. Their formula is straightforward: undistorted sounds and catchy synths. Blending punk energy, raw edge, and a hint of 80s anime, they create what they call "arcade punk." The band is part of the Fast Food Records family, along with other ones like Sin Bragas, Leonor SS, Mazmorra, and many more. Their performances range from DIY spaces to large festivals, making them a band that will undoubtedly continue to make waves. I FINNEGANS (IT) I Finnegans torturano le tradizioni mischiandole a ruvida rabbia e malinconia, quello che si ottiene è un post punk fatiscente, rapido e melodico con chitarre al sapore di chorus, basso martellante e urla. MERCOLEDI 14 Ingresso: 10€ PRE / 15€ DOOR Riservato ai soci AICS LINK ALLE PREVENDITE VMO AKA VIOLENT MAGIC ORCHESTRA (JP) VMO is an Ultitmate Extreme Supreme Art project that uses humans, strobe lights, smoke machines, and intense visual art to create an all-encompassing, smoke-filled, luminous blend of techno, black metal, gabber, hardcore, noise, and contemporary music. They have been invited to live houses, clubs, galleries, and festivals all over the world to make bodies dance, throw people into mosh pits, trip people brains into fantasy, white out people vision, destroy people hearing, and invite their audiences into a new dimension and new world. PIPER CLUB (IT) Piper Club is a power electronics duo from Italy +TALPAH DJSET GIOVEDI 15 Ingresso: 10 € Riservato ai soci AICS THE OUTER SPACE (BEL) (Garage Jangly Rock'n'Roll from Bruxelles) The Outer Space were born out of a drink between Matteo (sings and guitar, previously playing with Italian 60s bands) and Yvan (drums, currently also playing in the 60s Brussels band the Paperclips) in St Gilles, where the two shared their passion for 70s powerpop and 60s folk/garage rock. Immediately Yvan contacted François (backing vocals and guitar, formerly known in France as a member of the Snipers) and the three started playing together until Matteo revamped previous exchanges with Flupke (bass, a pillar of Brussels rock’n’roll scene). After some rehearsals through cover versions of obscure past gems, including Miscommunication by Jode or One Time Around by Dalton, James & Sutton, the four started experimenting with original songs. The result is a mix of 60s folk-rock and 70s powerpop melted in a nice Janglin’ Rock’n’Roll, as they frame it. A first single of the band was self-produced and distributed by independent labels in Italy, Greece and Spain, with acclaimed review in specialized magazines, including Shindigs! in the UK and Rumore in Italy. The band is now working into recording the many original songs they developed through time for a future dedicated Long-Playing record. CHOW (IT) Power/pop band will present their new release "Eternal Lopez" just out now on LP on VENTI3 Rds!

Vai direttamente all'evento: Mar 29/4 - Sum Of R, Ural Umbo, Necronauta | Mer 30/4 - Human Impact | Ven 2/5 e Sab 3/5 - HEAVY PSYCH SOUNDS FEST @ TPO | S ab 3/5 - Sacrobosco, knarzy, Vertex, Gilles Barberis | Dom 4/5 - AMENRA, GNAW THEIR TONGUES @ TPO | Gio 8/5 - Qael / Luzee, Kelevra & Carlo Corallo || MARTEDI 29/04 Ingresso: Up to You!/// Riservato ai soci AICS SUM OF R (FIN/SUI) [Avant-garde metal, Drone rock, Psychedelic kraut doom. Ranked #1 in CVLT Nation's Top 10 sludge Albums of 2022] Every story has a beginning, no matter how unlikely. And the story of the new incarnation of Sum Of R, the project that Reto Mäder formed in 2007 and has led as the only fixed member ever since, began with some really good news, and then some really bad news, because you never know where magic is going to come from. 2020, remember that? Before the world went weird, Sum Of R were supposed to tour (remember that, too?), a trek which included a much distinguished Roadburn appearance. The line-up for the tour was already set to be a duo, with Reto joining forces with drummer Jukka Rämänen, known for his presence in such luminaries of the groundbreaking Finnish psych scene as Dark Buddha Rising, Atomikylä or the supergroup Waste Of Space Orchestra (Oranssi Pazuzu & Dark Buddha Rising), not to mention Hexvessel and Dust Mountain. A power duo, in the true sense of the word. Because Roadburn is special, Reto thought about having a guest singer for that particular performance, and once you already have a connection established with the mighty Dark Buddha Rising – a connection first established on the joint Dark Buddha Rising / Sum Of R tour of 2018, by the way –, why look further? Enter vocalist Marko Neuman (also of Convocation and, naturally, the all-consuming Waste Of Space Orchestra), who would make them a remarkable and unlikely trio just for that evening. Then, as we know, the world changed, and both the tour and Roadburn itself didn’t happen. In one of the best examples of there being a silver lining to almost every bad situation, Reto tried to make something positive of the situation and booked the first possible flight after the first lockdown in his native Switzerland to travel to Finland for three weeks of studio recording with the line-up that never was, Jukka and Marko. And boom: magic happened. As Reto puts it, “we had such a good and intense as wellas grateful and creative time together that it could not be more natural that Marko alsobecame a part of Sum Of R through these common experiences. For Jukka and me, Marko's voice is like a transmitter to another dimension." URAL UMBO (FIN/SUI) [Avant-garde, Horror soundtrack, Dark ambient, Doom Jazz, Drone Rock] Every now and then, music should feel like a swim in a cold lake after a hot and sweaty day or opening the windows in a stuffy room: cleansing, refreshing, different. But be careful, you never know what can enter through an open window! Swiss-Finnish trio Ural Umbo with Reto Mäder (Sum Of R, JeGong, RM74), Marko Neuman (Sum Of R, Dark Buddha Rising, Waste Of Space Orchestra, Convocation) and Jukka Rämänen (Sum Of R, Dark Buddha Rising, Waste Of Space Orchestra, Hexvessel, Dust Mountain) can't hide their penchant for the modern aesthetics of ritual doom, experimental black metal and 70's synth drone. On their latest album "Roomer" (mixed by Randall Dunn) they row in a rotting boat through dark musical avant-garde waters with a proximity to Bohren & der Club of Gore, Sunn O))), Swans, Anna von Hauswolff, Zombi and Goblin. Following horror movie soundtracks like Mandy, Beyond The Black Rainbow and Suspiria (1977) they mingle with a wide range of instruments: down-tuned piano, analog synthesizers, bass, organ, electronics, drums and percussion. Added to this are ritualistic and disembodied vocals in the form of a spitting, screaming, pleading and crying medium that slowly weaves its way through dark melodies, epic drones, multiple feedback doom mantras and a generally dominant psychedelic atmosphere in order to gain entry. Knock, knock. NECRONAUTA (IT) MERCOLEDI 30/04 Ingresso: PRE 12€ / DOOR 17€ Riservato ai soci AICS LINK ALLE PREVENDITE HUMAN IMPACT (US) Institutions crumble under the weight of political hubris. The environment withers in the face of systemic neglect. Interpersonal relationships fall apart among divisive discourse. However, friendship endures in spite of all that tragedy and trauma… The story of Human Impact really begins with the mutual respect and admiration shared by four noise rock pioneers whose paths circled for nearly three decades, yet finally converged in 2018. The quartet—vocalist and guitarist Chris Spencer [Unsane], bassist Chris Pravdica [Swans, Xiu Xiu], keyboardist Jim Coleman [Cop Shoot Cop], and drummer Phil Puleo [Cop Shoot Cop, Swans]—manifest the potential of this union on their 2020 self-titled debut, Human Impact [Ipecac Records]. Underpinned by guitar grind, industrial buzz, and unnervingly catchy vocal transmissions, these ten tracks ebb flow between intense instrumental insurgency and hypnotic harmonies. “It works, because of the friendship and connection,” exclaims Coleman. “The band is surprisingly free of ego. We’re all old enough that we’ve been beaten up by making music and living life in general. We’ve been through it all. So, our approach is humble. There’s room for input from everybody. It’s an organic process. At the same time, we ended up with a record that’s uncompromising and very much of the time in terms of how it sounds and addresses the world socially, politically, and emotionally.” “Even though a lot of the subject matter could be perceived as negative, the energy is hopeful in a way,” adds Spencer. “Everything might be collapsing, but we put positivity out there.” The seeds would be planted for Human Impact in the Lower East Side where Coleman recalls “getting in trouble together with Chris during the late eighties.” A few years later, Unsane and Cop Shoot Cop shared a rehearsal space on Avenue B. Around the same time, Coleman and Spencer commenced conversations about eventually making music together. However, those conversations didn’t formally pick up until much later when Coleman attended an Unsane gig in the summer of 2018… “Jim came up to me and was like, ‘Do you still have any interest in working together?’,” recalls Spencer. “I had been doing Unsane for 30 years, and I was ready to do something else in general. Jim just happened to approach me at the right time. We started writing together shortly after.” Following two more tours with Unsane, Spencer finally focused all of his energy on what would become Human Impact. Coleman invited Puleo into the fold, and Pravdica would be the final piece of the puzzle. Throughout 2019, they recorded at BC Studios alongside studio founder Martin Bisi [Sonic Youth, John Zorn, Bootsy Collins] and at Hoboken Recorders with Spencer and Coleman at the helm as co-producers and Alan Camlet handling mixing. In August 2019, their live debut was met with fan excitement and critical praise as The New York Times claimed, “The supergroup’s lineup represents the fulfillment of a noise rock ran’s most fervent wish.” VENERDI 2 E SABATO 3 MAGGIO [TPO] CLICCA SULL'IMMAGINE PER SCOPRIRE HPS FEST 2025! SABATO 3/05 Ingresso: 5€ Riservato ai soci AICS SACROBOSCO [RELEASE PARTY] Sacrobosco è un progetto di musica elettronica creato da Giacomo Giunchedi dove confluiscono sonorità analogiche, campionamenti jazz e atmosfere drone-ambient. Nel 2023 entra nell'etichetta Trovarobato, con cui pubblica gli album IVXVI e IXVXI. Nelle sue performance dal vivo collabora con Paolo Raineri (Ottone Pesante, Calibro 35, Iosonouncane) e Gioele Pagliaccia (Joe Lally, Idris Akamoor and The Pyramids, Vincenzo Vasi). Il nuovo album Apes + Tigers é in uscita il 9 maggio per Antinational Noise. KNARZY Il background di knarzy, producer e live performer di base a Bologna, abbraccia ogni forma e aspetto della cultura musicale rave. Dal 2020 porta avanti il progetto intitolato “ACIDM” in cui fonde le classiche basslines acid con i ritmi macchinosi della cosiddetta IDM in un live set che incorpora vari stili tipici del dancefloor, dai BPM più lenti ai più veloci e viceversa. VERTEX Progetto di Marco Costa, producer di base a Bologna. La sua musica nasce da intuizioni subliminali e dall’interazione sperimentale tra hardware e software. I suoi suoni ipnotici e psichedelici spaziano tra elettronica, techno e IDM, puntando a portare l’ascoltatore in uno stato percettivo unico. GILLES BARBERIS (djset) Gilles Barberis è un tecnico del suono specializzato in post-produzione e docente di music computing e sintesi sonora. Musicalmente figlio della sperimentazione glitch degli anni ‘90 e della scena rave europea dei primi anni 2000, oggi si riconnette con un’idea di clubbing innovativo dove l’elettronica sperimentale si fonde con ritmi ipnotici, techno destrutturata e tempi inusuali. DOMENICA 4/05 [TPO] Ingresso: PRE 8€ / DOOR 10€ Riservato ai soci AICS LINK ALLE PREVENDITE AMENRA (BEL) Dopo la data acustica all'aperto del 29 settembre 2021 ancora sottoposti alle restrizioni pandemiche, tornano a Bologna con un loro concerto elettrico i belgi oscuri e misteriosi per un evento al limite del rituale. Apertura Porte ore 20:00 GNAW THEIR TONGUES (NL) The experimental black metal moniker of Mories, the Netherland's Gnaw Their Tongues (Named after a verse in the bible) first started releasing work in 2006 with the full-length CD Spit At Me And Wreak Havoc On My Flesh a year after "formation". As with most one-man black metal/noise projects/bands/outfits/etc., Gnaw Their Tongues' output over the next two-plus years was prolific and extensive, including a large number of EPs, a few splits, and full-lengths. After Spit At Me..., a few of the aforementioned EPs followed before the 2007 release of full-length number two, Reeking Pained And Shuddering, which was quickly followed by two EPs and another full-length on Crucial Blast, An Epiphanic Vomiting Of Blood, later that same year. 2008 would find Gnaw releasing two split albums (with Constructing Enochian Temples, Mary Magdalene, and Narcosa) and a pair of EPs (Devotion and For All Slaves... A Song Of False Hope) but, more importantly, it would also see the release of a remastered and re-edited version of Spit At Me. GIOVEDI 8/05 Ingresso: PRE 7€ / DOOR 10€ Riservato ai soci AICS KELEVRA Kelevra, nome d'arte di Michele Schettini, è un rapper classe 91 proveniente dalla Campania, precisamente Cervinara (AV). Appassionatosi alla cultura hip hop da giovanissimo, muove i primi veri passi verso i 20 anni con la sua prima crew, ManzHarda. Successivamente fa parte del gruppo Rattatta Music che si scioglie nel 2019. Dopo 4 anni di inattività torna col suo progetto solista nel 2023 che da subito gli dà tante soddisfazioni, gli permette infatti di collaborare con produttori di rilievo come Verano e Tosses e di aprire live di artisti nazionali come Clementino, Tormento e Jack The Smoker. Oltre alla sua attività musicale è social media manager e content creator, cose che gli permettono di curare appieno la comunicazione e la direzione artistica del suo progetto. Ha attualmente all'attivo 6 singoli ufficiali, gli ultimi due usciti con Gold Leaves Academy, etichetta indipendente fondata da Dj Ms. QAEL QAEL è un artista poliedrico originario di Campobasso che si distingue come beatmaker, rapper, songwriter e DJ. La sua carriera musicale nasce dal writing e dal freestyle, evolvendosi nel tempo grazie all'esperienza tra sound system e collaborazioni con il collettivo P.S.A.L.M. Pubblica il suo primo demo, "Un modo di agire", e dopo il trasferimento a Bologna condivide il palco con artisti italiani e internazionali come Inoki, Coez, DJ Shocca, Apollo Brown, Skyzoo, DJ Lugi e molti altri. Nel 2017 rilascia l'EP "Essenzialmente Soul", prodotto da Natty Dub (Funk Shui Project), e successivamente si dedica al beatmaking con "Dream Tape" (2021) e "The Sample Cave" (2023), entrambi per la label Beat's Tailors. Nel maggio 2024 pubblica l'EP "Istinto" e produce le basi dell'EP "New Balance" di Amir Issaa. LUZEE Luzee, è un beatmaker, produttore e bassista italiano originario di Nereto (TE). Il suo stile nasce dalla fusione tra elettronica, campionamento organico e soul. Inizia la sua carriera musicale a Bologna suonando il basso in diverse band blues, jazz e rock. Parallelamente, si avvicina al campionamento, influenzato dall'hip-hop e dal rap. Nel 2017 pubblica "Waterdrops", seguito da "The Loop Room" nel 2019 e "Seed" nel 2021, uscito per Totally Imported. Collabora come produttore con Subconscio, con cui ha realizzato gli album "Il Mondo Invisibile" (2022) e "Esprimi un desiderio" (2023). Inoltre, ha pubblicato "Cutting" (2022) e "Beats for Smoke of Wayne Wang" (2024) per Beat's Tailors. CARLO CORALLO Siciliano, classe 1995, cultore della scrittura, Carlo Corallo è una figura polivalente, capace di eseguire storytelling e in grado di attirare facilmente l’attenzione dell’ascoltatore grazie al raffinato lessico impiegato all’interno dei brani. La sua versatilità e preparazione gli hanno permesso di essere notato dai principali esponenti della scena hip hop italiana, tra cui Murubutu, con cui ha collaborato nel brano “I Maestri pt. 2” e di cui apre alcune tappe del tour.

Vai direttamente all'evento: Ven 18 - Wolf Eyes, The Flying Luttenbachers | Ven 18 Aftershow: Undicesimacasa | Sab 19 - Cultcha | Dom 20 - Psych Sunday vol. VI: Acid Mammoth, Jahbulong, Slow Order | Lun 21 - And So I Watch You From Afar, Scaler, Robocobra Quartet [Covo Club] | Mar 22 - Nox Novacula, Bootblacks | Mer 23 - Sleap-E, Weekend Martyr, Andrea Pifferi | Gio 24 - Delta Sleep, Inventory [Locomotiv Club] | Gio 24 - Girovelle Psicotroniche || VENERDI 18 Ingresso: Pre 15€ / Door 18€ Riservato ai soci AICS PREVENDITE IN ESAURIMENTO A QUESTO LINK WOLF EYES (US) Wolf Eyes is a band from Michigan. Formed in the fall of 1996 by N. Young. They are known for their bizarre and otherworldly approach to music. Creating a sound that is both disturbing and hypnotic. The band has released numerous albums and EPs on various labels. With their intense and bizarre live performances, Wolf Eyes has garnered a reputation as one of the most frightening and weird bands in the world. Wolf Eyes is currently John Olson and Nate Young. They have performed together for over 20 years. THE FLYING LUTTENBACHERS (US) The cosmic warriors of punk jazz/no wave/free death apocalypse noise! 1991 to the present, and still crushing normalcy. AFTERSHOW | VENERDI 18 Ingresso: 5 € Riservato ai soci AICS "Il Lento Violento è il suono dellə giovanə tamarrə stanchə di essere discriminatə e demonizzatə dalla cultura dominante e perbene" Codificato e battezzato da Gigi D'Agostino che lo introduce al mondo per mezzo di due seminali compilation pubblicate nel 2007, lo SlowStyle è una microscopica nicchia del clubbing basata su un'ibridazione perversa di ritmi rallentati e distruttivi e campionamenti da hip-hop, hardstyle e hardcore, spesso uniti a melodie taglienti e cantilenanti che alle volte richiamano la canzone popolare italiana. Un suono che invece di scandire il tempo lo sfonda, e che ha mantenuto una curiosa vitalità nei suoi quasi vent'anni di vita nonostante lx interpretx originatorx di questo sottogenere si possano contare sulle dita di poche mani. VIBRISSE e Nahshi, indagatorx dello spettro sonoro dell'hardcore underground, hanno dedicato molta attenzione a questo piccolo mondo tramite le loro produzioni, remix, e DJset. Undicesimacasa li ha invitati a condividere questo amore con uno speciale approfondimento sul Lento Violento presso Titivil che sarà seguito da un imperdibile aftershow al Freakout Club, memori del loro soldout schiacciasassi dell'1 Febbraio 2020 (time flies...) https://secchiate.substack.com/.../6-secchiate-x-vibrisse ... https://soundcloud.com/vibrisseduo https://nahshi.net/ VIBRISSE è un duo di DJ/producer, di base a Torino, che si occupa di musica hardcore in tutti i suoi sottogeneri, scuotendo l'underground italiano con i loro DJset e produzioni. Nahshi è un DJ e producer che abita un paesaggio sonoro ibrido, multiforme e sconvolgente arricchito sin dagli inizi del suo percorso dalla passione per il Lento Violento. YYDJ è una DJ nata nel Sichuan, che miscela nei suoi set influenze che attingono dall'underground dell'estremo oriente e mondiale e dalla sua ricerca artistica personale. SABATO 19 Ingresso: 5€ Riservato ai soci AICS 6th season • 5th episode Easter edition Ai controlli in heavy rotation: Onedrop Fellas Kalyweed Jungle Army DOMENICA 20 Ingresso: Up to You!/// (consigliato 10€) Riservato ai soci AICS ACID MAMMOTH (GR) Acid Mammoth is a doom metal band from Athens, Greece. The band was formed in 2015 by Chris Babalis Jr. (Vocals & Guitars) and Dimosthenis Varikos (Bass), good friends since high school, with a deep love for Sabbath and other heavy music. They were quickly joined by their very good friend Marios Louvaris (Drums) and Chris Babalis Sr. (Guitars), Jr.'s father. Acid Mammoth is more than just a band of friends. They are a family. JAHBULONG (IT) JAHBULONG is a Stoner Doom trio formed in 2015 and based in Verona, Italy. Their sound is characterized by rough and oppressive rhythms mixed with dark and wistful mantras. The band members take inspiration from legendary groups like Sleep, Electric Wizard, and Black Sabbath. They have played all around Italy and abroad, sharing the stage with The Freeks, High Reeper, R.I.P., Ananda Mida, Deadsmoke, Fvzz Popvli, and Rhino Rino. SLOW ORDER (IT) This band was born from the desire to experiment with every kind of emotion and bring it back to music thru use of anger and heaviness. This project represents love for low strings and the pioneers of metal (Black Sabbath, Led Zeppelin, Cream), merging them with some stoner and modern heavy metal influences. The band have decided to be an instrumental project, rock and groove is the rules! LUNEDI 21 [COVO CLUB] Ingresso: PRE 20€ / DOOR 25€ Riservato ai soci HAVOC AND SO I WATCH YOU FROM AFAR (IRL) An all-encompassing aural assault, a force as unstoppable and fiercely alive as the tide. The post-rock powerhouse known as AND SO I WATCH YOU FROM AFAR have returned with their 7th studio album, ‘Megafauna’. A tribute to the two places the collective call home, their beloved Portrush on the Irish North Coast and the beating heart that is Belfast; ‘ Megafauna’ is headstrong exploration and heartfelt appreciation with all the intuition, intimacy and humour of four firm friends approaching their 20th year as a band. Like so many other bands and creatives throughout the pandemic, ASIWYFA found themselves suddenly stationary, with any plans outside of their immediate vicinity put on indefinite hold. However, where this might have seen other acts falter, ASIWYFA took comfort in their communal bond and, as soon as they were able, began writing a record that quickly became a love letter to the communities they call home. “‘Megafauna’ is essentially a distilled moniker for our peers,” says guitarist Rory Friers, “all of the friends and characters that we’ve grown up with who’ve made us and our homes what they are today. Lockdown was an intensely introspective and reflective process, which put the comfort of community at the forefront of our minds.” The intent behind ‘Megafauna’ is clear from the outset. Two guitars, bass and drums all recorded in a week erupt into effervescent life in an endorphin rush of collaboration and togetherness after the physical and psychological wilderness of isolation. Lead single ‘Do Mór’ is a preposterously playful collision of light-hearted guitar hooks, effortless jazz syncopation and the triumphant return of ASIWYFA’s inimitable wall-of-sound distortion, whilst opening track ‘North Coast Megafauna’ serves as an anthem for the whole album and perhaps for a band reinvigorated too; proudly wearing the joyously jarring confrontation of their sound on their sleeves. Elsewhere on ‘Megafauna’, introspection and sombre sentimentality take centre stage with the downtempo ‘Years Ago’ providing remarkable dynamic depth that speaks to a band approaching two decades together whilst the moments of calm on ‘Button Days’ are interspersed with cacophonous blasts reminiscent of the unbridled energy on ASIWYFA’s earliest material. ‘Megafauna’ is the band’s first new music since 2022’s critically-acclaimed ‘Jettison’, an ambitious multi-media ensemble piece packed full of experimentation and collaboration. Jokingly referring to ‘Jettison’ as the band’s “mature record”, guitarist Niall Kennedy frames the writing of ‘Megafauna’ around the band’s long-running mantra of ‘DO THE SCARY THING’ which sees them constantly hurtling towards newness, towards progress, evolution and the unknown. Whilst the new record is ASIWYFA taking on a more familiar, traditional form; in this post-’Jettison’, post-pandemic world ‘Megafauna’ is a deafening and defiant statement of intent from the band’s propulsive core – a clarion call for the communities that shape them, a resplendent celebration of togetherness over separation. SCALER (UK) Based in Bristol, UK, SCALER are a four-piece band: Isaac Jones on drums, James Rushforth on bass guitar, Nick Berthoud on guitar and Alex Hill on electronics. For the last five years, SCALER have been writing, recording and performing music together, trying to answer the question that guides their work; “How can a band bridge the gap between live guitar music and live electronic music?” ROBOCOBRA QUARTET (IRL) Experimentation is at the core of Robocobra Quartet, whether it be in the fluid line-up (six musicians tagging in and out to make up the live touring quartet) or in their unique self-produced records made in their hometown of Belfast, Northern Ireland. These juxtapositions are just the beginning of the complex world of Robocobra Quartet - a band serious about their music but humorous in their approach, including members with no musical training alongside members with music conservatoire pedigree. The result is a collective of musicians inspired by Stravinsky and Dead Kennedys in equal measures. On stage, the band are protons and electrons circling drummer-vocalist Chris W Ryan; meticulous arrangements and on-the-spot improvisations hang on every word spoken, sung and shouted by Ryan. These words and rhythms are what propel the music of Robocobra Quartet forward and concoct a sound that is groove-driven but cerebral too, invoking the likes of Fugazi, Talking Heads and contemporaries such as Black Midi, Squid and BadBadNotGood. MARTEDI 22 Ingresso: PRE 8€ / DOOR 10€ Riservato ai soci AICS LINK ALLE PREVENDITE NOX NOVACULA (US) Since their formation in 2017, Nox Novacula has carved out a commanding presence in the deathrock scene with their icy, visceral sound. Emerging from Seattle, the band channels the raw spirit of goth and punk into a distinctively modern yet hauntingly timeless identity. Their 2021 release, Ascension, showcased a mastery of traditional deathrock influences, drawing comparisons to legendary acts like Christian Death while solidifying their place among contemporary dark music innovators. Their latest album, Feed the Fire (2024), takes their artistry to a new level. Released on Artoffact Records, it blends the band's signature ominous riffs and energetic rhythms with an expanded palette of electronic elements and experimental compositions. Tracks like "Plague" and "No Forgiveness" exemplify their ability to balance fierce, anthemic energy with intricate arrangements, while "Stay" and "Flood" highlight their bold foray into darkwave and electropop. The result is an album that pushes the boundaries of the genre without losing its dark, evocative core. Nox Novacula’s sound is a meticulously crafted homage to the genre’s origins—evoking the apocalyptic anthems of Sisters of Mercy and the gritty gothic punk of Death Cult—while forging a path that feels both urgent and innovative. Whether you're a long-time devotee of deathrock's theatrical gloom or a new admirer drawn by the genre's revival, Nox Novacula offers a thrilling dive into a soundscape of shadows and rebellion. BOOTBLACKS (US) BOOTBLACKS IS A BROOKLYN-BASED POST-PUNK BAND THAT WAS FORMED IN 2010. THE CURRENT LINEUP OF THE BAND CONSISTS OF PANTHER ALMQVIST ON VOCALS, BARRETT HIATT ON SYNTH, AND KALLE FAGERBERG ON GUITAR. BOOTBLACKS' SOUND IS CHARACTERIZED BY ITS BROODING AND ATMOSPHERIC MELODIES, DRIVING RHYTHMS, AND ALMQVIST'S EMOTIVE VOCALS. THE BAND DRAWS INSPIRATION FROM THE POST-PUNK AND DARKWAVE MOVEMENTS OF THE 1980S, BUT ALSO INCORPORATES CONTEMPORARY ELEMENTS OF ELECTRONIC MUSIC INTO THEIR SOUND. SINCE THEIR FORMATION, BOOTBLACKS HAVE RELEASED SEVERAL CRITICALLY ACCLAIMED ALBUMS, INCLUDING "VEINS" (2016), "FRAGMENTS" (2018), AND "THIN SKIES" (2020). THE BAND HAS ALSO TOURED EXTENSIVELY THROUGHOUT NORTH AMERICA AND EUROPE, PERFORMING AT RENOWNED VENUES AND FESTIVALS. WITH THE ADDITION OF FAGERBERG, BOOTBLACKS ARE LOOKING TO EXPLORE NEW SONIC TERRITORIES AND EXPAND THEIR ALREADY FORMIDABLE MUSICAL HORIZONS. FANS CAN LOOK FORWARD TO MORE EXCITING MUSIC AND PERFORMANCES FROM THE BAND IN THE YEARS TO COME. MERCOLEDI 23 Ingresso: 7 € Riservato ai soci AICS SLEAP-E (IT) (bossa punk, anti-folk) Correndo nelle campagne inglesi indossando la maglia di Remember that i love you di Kimya Dawson, ascoltando i Prison Affair, urlando miao miao WEEKEND MARTYR (IT) (garage punk) Garage punk e psichedelia da Livorno, presentano il loro nuovo EP “Young Elvis Lover Known For Being Out Of Control” in uscita il 26 Aprile per Mostä Records. ANDREA PIFFERI (IT) (ambient, prog, acid rock) Progetto di musica ambient, dove l’improvvisazione diventa centrale e le esecuzioni richiamano la drone music e il prog con incursioni di acid rock. GIOVEDI 24 [LOCOMOTIV CLUB] Ingresso: PRE 18€ / DOOR 25€ Riservato ai soci AICS LINK ALLE PREVENDITE DELTA SLEEP (UK) La band britannica ha trascorso l'ultimo decennio a coltivare un seguito cult con la propria musica in una ricetta che è sublimata nuovamente nel loro quarto album "Blue Garden", pubblicato a Settembre, in cui la band lascia entrare nella propria casa math rock influenze punk, elettroniche ed R&B. La tempesta perfetta che ne scaturisce ha condotto i Delta Sleep a scavare quanto più a fondo nell'oscurità dell'umano per ritrovare una luce di speranza anche nel buio della disperazione, delle ingiustizie e dei conflitti che ci circondano oggi. INVENTORY (DK) Four piece from Copenhagen playing the sad and soothing rock music. ASINO (IT)

Vai direttamente all'evento: Gio 10 Locomotiv - Pageninetynine, La Quiete, Blind Girls, Ojne | Ven 11 - Pallido Fango | Sab 12 - Mint Sound Escape | Dom 13 - Valerian Swing | Lun 14 - Samizdat | Mar 15 - A Deer A Horse, Apeiron Necrosi | Mer 16 - Choke Chain, YS La Vey || GIOVEDI 10 [LOCOMOTIV] Ingresso: SOLD-OUT!/// Riservato ai soci AICS ORARI 18:30 Apertura porte 19:30 Blind Girls 20:15 Ojne 21:00 La Quiete 22:00 Pageninetynine PAGENINETYNINE (US) Started in 1997, Pageninetynine is a band from Sterling, Virginia who redefined what "punk rock" could mean and be, touring relentlessly and releasing a plethora of albums, splits, singles and more... all from a venerable squad of miscreants on the outskirts of the nation's capital. With a plethora of releases only rivaled by their staggering eight (sometimes nine) member status, Pg.99 managed to amalgamate almost every heavy-music genre into a tornado of punk rock fury. Not punk in a mohawk-mania sense, but with the unbridled raw spirit of youthful rebellion and passion. Following a series of reunions in 2011, 2017 and 2019, Pageninetynine has remained active, playing select shows and festivals in 2023 and 2024. They recently reissued their iconic Document #8 LP and Singles Collection LP on Virginia-based label Persistent Vision in August 2023. LA QUIETE (IT) Formati nel 1999, i La Quiete sono il gruppo screamo italiano, e probabilmente europeo, più imprescindibile e famoso al mondo. Nel corso di questi ultimi 25 anni di storia, si sono esibiti non solo in gran parte d’Europa, ma anche nelle Americhe, in Asia e in Oceania. E ciononostante non hanno perso mai, nemmeno per errore, l’ancoraggio al più puro e genuino underground. Peculiarità della band è infatti la sporcizia delle incisioni che attingono al grindcore e allo stesso emo-violence. Dopo un lungo silenzio, tornano, nella primavera 2025, per un live inaspettato che sconvolgerà sia i veterani del genere, che i giovani ammaliati a ragione dal revival screamo-emo-post-hardcore in corso. Come predetto oltre un decennio fa, cedendo alle onde del destino, la fine non è la fine. BLIND GIRLS (US) Blind Girls have a distinct way of making entire works sound like a single composition, both live and on record, championing the punk tradition of playing with as few breaks as possible, if any. Ben Smith’s extraordinarily intense drumming is akin to bands like Ampere and Converge, the frantic riffage of guitarists Julian Currie, Luke Sweeney, and bassist Mark Grant is simultaneously representative of current hardcore and reminiscent of metalcore of days past, and the throat-lacerating screams of vocalist Sharni Brouwer are in a class shared perhaps only with Jerome’s Dream. OJNE (IT) Gli Øjne sono una band screamo italiana fondata a Milano nel 2011. Già grazie al loro primo EP, "Undici/Dodici", hanno presto iniziato a girare in lungo e in largo per l'Europa, suonando anche a festival come il Miss The Stars e il Fluff Fest. Poco dopo, la band ha pubblicato due split con Rainmaker e Улыбайся Ветру, e nel 2017 è uscito il loro primo LP "Prima Che Tutto Bruci", che li ha resi tra i gruppi più acclamati nella scena screamo internazionale. Dopo alcuni cambi di formazione, un concerto leggendario al Bloom per festeggiare dieci anni di carriera e un tour in Nord America, gli Øjne hanno pubblicato nel giugno del 2023 il loro ultimo EP, "Sogno #3". VENERDI 11 Ingresso: 5 € Riservato ai soci AICS Sürd (live) https://iesasurd.bandcamp.com/album/sergio-sterzo-vive Mareeo Beeondo (live) https://mammarecords.bandcamp.com/.../mareeo-beeondo-x ... Ekappa (djset) https://soundcloud.com/telefonoek Dj Laguna (djset) https://soundcloud.com/.../no-step-feel-not-found-vs-dj ... SABATO 12 Mint Sound Escape Riservato ai soci AICS DOMENICA 13 Ingresso: Up to You!/// (consigliato 10€) Riservato ai soci AICS VALERIAN SWING As the feature on “Badman (Ting)” from Grammy award-winning UK Grime artist Flowdan might suggest, it would be misleading to label Valerian Swing as a rock band at this stage of their career. The trio’s fourth album, “Liminal,” is threaded with influences from contemporary film score, jazz and electronic music, as well as math and post rock. “Liminal” is an album where dub co-exists with post-rock melodies, where rapid-fire jazz drumming is set alongside rich orchestration, and shimmering synths snake between layers of bass, drums and guitar. It’s a wonderful marriage of the electronic, synthetic and acoustic elements, a record operating at the edge of things, pushing out into new forms of art and music. Such ambition and eclecticism has certainly paid off, as this expansive and cinematic record positions Valerian Swing as one of the most exciting contemporary acts in Europe. LUNEDI 14 Ingresso: 5 € Riservato ai soci AICS IMPRO #1__ 𝑲𝒆𝒓𝒏 + 𝑵𝒐𝒃𝒐𝒅𝒚 (𝒆𝒍𝒆𝒕𝒕𝒓𝒐𝒏𝒊𝒄𝒂) #2__ 𝑪𝒂𝒓𝒍𝒐 𝑴𝒂𝒓𝒓𝒐𝒏𝒆 (𝒄𝒉𝒊𝒕𝒂𝒓𝒓𝒂) + 𝑴𝒂𝒓𝒊𝒐 𝑮𝒖𝒊𝒅𝒂 (𝒃𝒂𝒕𝒕𝒆𝒓𝒊𝒂) + 𝑩𝒊𝒐𝒏𝒊𝒄 𝑻𝒓𝒖𝒎𝒑𝒆𝒕 (𝒕𝒓𝒐𝒎𝒃𝒂, 𝒆𝒍𝒆𝒕𝒕𝒓𝒐𝒏𝒊𝒄𝒂) LIVE SETS #3__ 𝑩𝒖.𝒅.𝒅.𝑨. (𝑩𝒖𝒏𝒅 𝒅𝒆𝒔 𝒅𝒓𝒊𝒕𝒕𝒆𝒏 𝑨𝒖𝒈𝒆𝒔) Is the duo of Sascha Stadlmeier (EMERGE, attenuation circuit) and Chris Sigdell (B°TONG, Leaden Fumes). It is dedicated to meditative ambient drone music and contrary to their respective solo projects, here the two musicians play conventional instruments - electric guitar and electric violin. Since its conception in 2019, Bu.d.d.A. have released several limited EPs and the album "Diese Anmut von Trophäen". They have played with well-known acts like Bohren & der Club of Gore and The Legendary Pink Dots, performed at various renown festivals and toured with Drekka (USA) and N (Hellmut Neidhardt). The latest album is an untitled vinyl collaboration with N released by Auf Abwegen. http://budda-official.bandcamp.com http://youtube.com/watch?v=9v2ZJTuutLM http://facebook.com/BuddA-108237677237015 4#__ 𝑩𝒆𝒃𝒂𝒘𝒊𝒏𝒊𝒈𝒊 It’s a musical and performative project created by Virginia Quaranta aka Bebawinigi. It is an all-around experiment. She experiments with a wide variety of genres to create something new; she experiments with instruments but also with any objects that could make an interesting sound; above all she experiments with her voice and theatricality through a broad range of different timbres, vocal registers and colours; lastly she experiments with verbal language often preferring her own personal “grammelot” (an invented language) over Italian or English. https://bebawinigiproject.bandcamp.com/ www.soundcloud.com/beba-winigi www.facebook.com/beba.winigi www.instagram.com/bebawinigi MARTEDI 15 Ingresso: Up to You!/// Riservato ai soci AICS A DEER A HORSE (US) Massive basslines, a firework of guitars, massive drumming, distinctive and in a way temperamental, muscular vocals. Strong songwriting and catchy melodies – never in the way of their dominant riffs. This 4-piece band pushes you in the face with their bass runs, heavy fuzz guitars and plaintive as well as nihilistic lyrics with a sometime grim stoner attitude through a mix of doom-rock and a touch of sludge-metal. In other words: You can find A Deer A Horse probably in the gaps between such bands as Melvins, Red Fang, Sleater-Kinney or L7. Either way, this band delivers extremely compelling stuff. Sing along, headbang or both? Your decision! APEIRON NECROSI (IT) Apeiron Necrosi unisce diverse visioni artistiche, che si esprimono attraverso il collante comune del metal. Con il primo lavoro in studio "Sogni Bagnati" (uscito il 3 Marzo 2025) si è voluto raccontare, attraverso la tecnica del concept album, la storia del diverso, di colui che non sente più di appartenere a questo mondo. Registrato in presa diretta si vuole distaccare da un panorama musicale fatto di album quasi perfetti dal punto di vista della produzione. MERCOLEDI 16 Ingresso: 10 € Riservato ai soci AICS LINK ALLE PREVENDITE CHOKE CHAIN (US) Mark Trueman’s Choke Chain stands as a formidable testament to the relentless evolution of industrial music. Since its inception, He has created an atmosphere fraught with angst that pushes the boundaries of existential confrontation. The journey began with Chain Tactics (2020), a debut that laid the groundwork for Choke Chain’s distinctive style. Trueman’s early work was characterized by its minimalist approach, focusing on the core elements of industrial music. The evolution continued with Endless Death and Invoking Shadows (both released in 2021), where Trueman began to emphasize darker atmospheres and textures. These releases marked a significant transformation, weaving influences from classic Dark Electro and Electro-Industrial into increasingly complex soundscapes that amplified his themes of despair, fear and hopelessness. The culmination of this journey is Mortality (2023), an album that represents years of intense experimentation. Mortality refines and expands upon Choke Chain’s vision, presenting a sound that confronts the harsh realities of life with uncompromising intensity. Through a relentless pursuit of deeper, darker textures and a continuous evolution, Trueman has created a body of work that challenges listeners to confront their own vulnerabilities and the inescapable weight of existence. YS LA VEY (IT) Young Signorino è un artista musicale italiano che ha guadagnato notorietà nella scena musicale italiana e internazionale per il suo stile unico e controverso. Inizialmente noto per il suo approccio sperimentale al rap e alla trap, si è fatto strada con sonorità audaci e fuori dagli schemi, che hanno catturato l'attenzione per la loro originalità e il rifiuto delle convenzioni tradizionali del genere. Nel 2023, ha intrapreso una svolta creativa che ha segnato un punto di rottura nella sua carriera, evolvendo in un nuovo alter ego: YS LaVey. Con questo pseudonimo, ha abbracciato sonorità influenzate dal post-punk e dal minimal synth, creando atmosfere cupe e malinconiche, alimentate da sintetizzatori minimalisti e una produzione che richiama le sonorità underground degli anni '80. Questo passaggio ha segnato un'evoluzione sia nella sua musica che nella sua immagine artistica, rivelando nuove sfumature di oscurità e introspezione.

Vai direttamente all'evento: Ven 4 - Lanzkhan, Sarso & Drew, Dj Trix | Sab 5 Freakout - Atmosphere: Je T'Aime, Denuit, Thomas Les Vaches | Sab 5 Alchemica - Bohren Und Der Club Of Gore | Mer 9 - La Quiete, Serpe Terror doppio show | Gio 10 Locomotiv - Pageninetynine, La Quiete, Blind Girls, Ojne || VENERDI 4 Ingresso: 10 € PRE / Up to You!/// DOOR Riservato ai soci AICS LINK ALLE PREVENDITE LANZKHAN Lanz Khan, classe ‘90, è un rapper milanese attivo sin dagli inizi degli anni ‘2000. La sua formazione avviene tra il quartiere Corvetto e il Muretto, iniziando a mettersi rapidamente in luce nella scena locale. Attualmente noto per un’abilità lirica che ha influenzato in maniera significativa diverse generazioni di rapper italiani, l’artista meneghino coniuga un’attitudine marcatamente hardcore a una scrittura visionaria, ricca di immagini e richiami al mondo delle arti. Atmosfere cupe e al contempo eleganti, suggestioni pittoriche e cinematografiche, richiami storici e simbolismo si intrecciano in maniera unica e riconoscibile in tutti i progetti che compongono la sua produzione discografica (I Kill You, 2013 – Luigi XVI, 2015 – Medusa Ep, 2018 – Collana di Perle, 2021 – Jack di Fiori ♣, 2022). Numerose le collaborazioni, tra cui figurano alcuni dei nomi più conosciuti del panorama hip hop italiano, quali Bassi Maestro, Mr Phil, Lazza, Jack The Smoker, Axos, DJ Slait, En?gma, DJ Jad, Silent Bob, Goretex, Egreen, DJ Fastcut e molti altri. In aggiunta all’attività msicale, Lanz si occupa di curatela artistica collaborando con variegate realtà artistiche, fra cui RTERiA e Navillains. SABATO 5 Ingresso: 10 € PRE / 15 € DOOR Riservato ai soci AICS LINK ALLE PREVENDITE jE T'AIME (FR) for these few letters, some live, some go mad, but above all, many die. Live until you go mad, live until you die - that's the credo of the cold-wave trio whose spirited spleen sprang from the muggy basements of Parisian nightlife in 2018. While the classic post-punk and new wave influences are obviously there, the driving rain that falls on these three anti-heroes is tinged with the flashing colors of neon lights and their artificial heat. JE T'AIME stirs up your guts as much as your behinds, and blows the codes with a jubilant, touching snarl. After a self-titled debut album released in 2019 on Manic Depression and Icy Cold Records, the band signed the diptych PASSIVE/AGGRESSIVE in 2022, choosing Valentine's Day and All Souls' Day to release both parts. In the few years of its existence, JE T'AIME has rocked audiences at Belgium's W-Fest, Poland's Castle Party Festival, England's Infest Festival, Portugal's Extramuralhas and Germany's Wave Gotik Treffen... If Europe has to learn a few French words, it might as well be “JE T'AIME”. NUIT (FR) Step into the shadows with Denuit, where Darkwave collides with Electro Pop in a sound they call Night- Wave. Picture the raw pulse of Perturbator fused with the dreamy glow of La Femme, wrapped in lyrics that glide between English and French. Fueled by passion and a spark of light in the darkness, this duo creates music that pulls you under with hypnotic beats and haunting vocals, only to lift you back up with moments of shimmering beauty. Denuit is more than music—it’s a dive into the night, wild and immersive, with a balance of edge and revelation. AFTERSHOW: Ingresso 5€ riservato ai soci AICS SABATO 5 [ALCHEMICA] Ingresso: 20 € PRE / 25 € DOOR Riservato ai soci AICS LINK ALLE PREVENDITE BOHREN UND DER CLUB OF GORE (GER) A little over five years after “Piano Nights” and more than eleven years after “Dolores” Bohren & Der Club of Gore published their eights studio album “Patchouli Blue” which has an unusual amount of tracks (eleven) for the band. The playtime of these eleven tracks on the other hand is just over an hour, what implies that the specific Bohren-Vibe of savoring sublime slowness is able to be established within a very short time. The album opener of “Patchouli Blue” (2020) “Total falsch” is an ideal kickoff and implicates the exact opposite of what the title promises. Typical Bohren. Depending on the character of the listener it might take two, sometimes four notes or even two minutes to indicate: You are on Bohren terrain, now is the time to revenge everything! The use of the organ already makes you go down on your knees and the upcoming saxophone directs the careful developed tension onto the landscape, where one no longer can exclude an encounter with Jan Garbarek. But there are more surprises following. Not to be expected, for example, is a song like “Deine Kusine” which radiates with lightness. Or right after that „Vergessen und vorbei” which, with its rhythm machine and analog synthesizer, that sounds like a soundtrack to the John Carpenter movie, that he forgot to shoot. If you ask the band “Patchouli Blue” suits the mixing ratio of four parts “typical Bohren”, three parts “weird” and four parts “jazz sneak”. As a bonus exists the shadow of a story behind the order of song titles, that you can make up yourself, depending on your temperament. Bohren never had a title track before. “Patchouli Blue” points back to india stores in the 1970s with their heavy scents. The eleven sound sculptures, which Bohren freed from their redundancy with hard and disciplined work offer plenty of material for acoustic journeys of discovery. Now it’s time to rehearse the songs for their upcoming live performances. MERCOLEDI 9 Ingresso: DOPPIO SHOW / DOPPIO SOLD-OUT!/// Riservato ai soci AICS LA QUIETE Formati nel 1999, i La Quiete sono il gruppo screamo italiano, e probabilmente europeo, più imprescindibile e famoso al mondo. Nel corso di questi ultimi 25 anni di storia, si sono esibiti non solo in gran parte d’Europa, ma anche nelle Americhe, in Asia e in Oceania. E ciononostante non hanno perso mai, nemmeno per errore, l’ancoraggio al più puro e genuino underground. Peculiarità della band è infatti la sporcizia delle incisioni che attingono al grindcore e allo stesso emo-violence. Dopo un lungo silenzio, tornano, nella primavera 2025, per un live inaspettato che sconvolgerà sia i veterani del genere, che i giovani ammaliati a ragione dal revival screamo-emo-post-hardcore in corso. Come predetto oltre un decennio fa, cedendo alle onde del destino, la fine non è la fine. SERPE TERROR La scritta "Digos Boia" disegnata con la bomboletta sul muro della palazzina di fronte. Notti in giro senza patente, sotto le luci delle camionette. Alzarsi stanco ancora una volta senza aver capito, che avevi tirato troppo. E se l'avevi capito hai fatto di nuovo finta di niente. Ballare ancora sui propri passi, che sono sassi, alla controra. Serpe Terror Spinge sotto cassa un immaginario teso sul filo rasoio. GIOVEDI 10 [LOCOMOTIV] Ingresso: SOLD-OUT!/// Riservato ai soci AICS PAGENINETYNINE (US) Started in 1997, Pageninetynine is a band from Sterling, Virginia who redefined what "punk rock" could mean and be, touring relentlessly and releasing a plethora of albums, splits, singles and more... all from a venerable squad of miscreants on the outskirts of the nation's capital. With a plethora of releases only rivaled by their staggering eight (sometimes nine) member status, Pg.99 managed to amalgamate almost every heavy-music genre into a tornado of punk rock fury. Not punk in a mohawk-mania sense, but with the unbridled raw spirit of youthful rebellion and passion. Following a series of reunions in 2011, 2017 and 2019, Pageninetynine has remained active, playing select shows and festivals in 2023 and 2024. They recently reissued their iconic Document #8 LP and Singles Collection LP on Virginia-based label Persistent Vision in August 2023. LA QUIETE (IT) Formati nel 1999, i La Quiete sono il gruppo screamo italiano, e probabilmente europeo, più imprescindibile e famoso al mondo. Nel corso di questi ultimi 25 anni di storia, si sono esibiti non solo in gran parte d’Europa, ma anche nelle Americhe, in Asia e in Oceania. E ciononostante non hanno perso mai, nemmeno per errore, l’ancoraggio al più puro e genuino underground. Peculiarità della band è infatti la sporcizia delle incisioni che attingono al grindcore e allo stesso emo-violence. Dopo un lungo silenzio, tornano, nella primavera 2025, per un live inaspettato che sconvolgerà sia i veterani del genere, che i giovani ammaliati a ragione dal revival screamo-emo-post-hardcore in corso. Come predetto oltre un decennio fa, cedendo alle onde del destino, la fine non è la fine. BLIND GIRLS (US) Blind Girls have a distinct way of making entire works sound like a single composition, both live and on record, championing the punk tradition of playing with as few breaks as possible, if any. Ben Smith’s extraordinarily intense drumming is akin to bands like Ampere and Converge, the frantic riffage of guitarists Julian Currie, Luke Sweeney, and bassist Mark Grant is simultaneously representative of current hardcore and reminiscent of metalcore of days past, and the throat-lacerating screams of vocalist Sharni Brouwer are in a class shared perhaps only with Jerome’s Dream. OJNE (IT) Gli Øjne sono una band screamo italiana fondata a Milano nel 2011. Già grazie al loro primo EP, "Undici/Dodici", hanno presto iniziato a girare in lungo e in largo per l'Europa, suonando anche a festival come il Miss The Stars e il Fluff Fest. Poco dopo, la band ha pubblicato due split con Rainmaker e Улыбайся Ветру, e nel 2017 è uscito il loro primo LP "Prima Che Tutto Bruci", che li ha resi tra i gruppi più acclamati nella scena screamo internazionale. Dopo alcuni cambi di formazione, un concerto leggendario al Bloom per festeggiare dieci anni di carriera e un tour in Nord America, gli Øjne hanno pubblicato nel giugno del 2023 il loro ultimo EP, "Sogno #3".

Vai direttamente all'evento: Ven 28 - Toba, Varsovie; Dj Nema | Sab 29 - Sunpocrisy, TEOSTY, Riah, Reverie | Dom 30 - Apollo Brown's Beat Life w/ Marco Polo | Mar 1 - Zu, Gotho || VENERDI 28 Ingresso: 15 € PRE / 18 € DOOR Riservato ai soci AICS LINK ALLE PREVENDITE TORBA (EX SOFT MOON) All’anagrafe Luigi Pianezzola, originario di Bassano del Grappa, da sempre attratto dalla produzione musicale, con esperienze in I Am Titor, Bruuno e come membro principale nei The Soft Moon, Torba fonda le sue radici nel lato oscuro del post-punk, dark wave e industrial. Nato come esperimento durante il lockdown e come valvola creativa per Pianezzola, che in quel periodo stava registrando per altri artisti, Torba realizza brani di elettronica spigolosa che attingono dal punk, dall’industrial e dalla club music. Torba vede il tempo trascorso con Jose Luis Vasquez come una fonte d’ispirazione: “Ha cambiato tutto per me: suonare con The Soft Moon e conoscere Luis. Ha condiviso davvero molto, voleva che ci sentissimo una famiglia e una band, più che semplici musicisti in tour. Mi ha aperto la mente perché non si preoccupava della musica in sé. Gli importava delle emozioni e dell’energia connesse, non degli aspetti tecnici, e questo l’ho imparato da lui.” VARSOVIE (FR) Between post-punk and dark-rock, VARSOVIE is created in 2005 in Grenoble (France) by Arnault Destal (drums, lyrics, music, art direction) and Grégory Catherina (vocals, guitars, music). Since 2005, the band has released 5 albums + 2 EP and played live several times all over Europe. AFTERSHOW: DJ NEMA (Mint Sound) Cold Wave | Minimal Synth Extravaganza | Italo Disco Ingresso solo Djset: 5€ SABATO 29 Ingresso: 10 € Riservato ai soci AICS LINK ALLE PREVENDITE SUNPOCRISY Overwhelming, stellar and progressive post-mental eargasm: a multi-layered dichotomy between superb melodic sections & roaring wall of sound. THE END OF 6000 YEARS The End Of Six Thousand Years was formed in 2004 as a five-piece scattered all over Italy. After releasing a 3-songs demo in 2005 and a split with the american act Embrace The End in 2006, T.E.O.S.T.Y. quickly gain a cult status in the underground scene publishing “Isolation” (2008), flawlessly blending swedish death metal, black metal, crust and post rock influences. In 2012 comes the second effort “Perpetuum”, a darker and more atmospheric approach to their trademark sound. 2013 sets off the beginning of a nearly 10 years long hiatus. In 2020 the band slowly starts over with a new line up consisting of 3 founding members with the addition of Michele Basso ( VISCERA/// , Formalist , Hypershape Records ) and Gianmaria Mustillo ( HIEROPHANT, Carnero, Abaton) both taking care of the vacant guitars duty. The revamped line up brings forth a new EP consisting of 3 songs as well as a cover of the influential american noise band Today Is The Day. T.E.O.S.T.Y.’s latest opus sounds rawer, more aggressive and dissonant than ever. During their various runs across Europe T.E.O.S.T.Y. shared the stage with The Ocean, Cursed, Mouth of the Architect, Dead To Fall and Martyr AD. ROPES INSIDE A HOLE Hailing from Bologna, RIAH (Ropes Inside A Hole) plays emotional postmetal. In November 2018 AUTUMNALIA has been published for the American label Fluttery Records. The sophomore album “A Man And His Nature”, will feature external musicians for the cello, the violin, the synth, the saxophone and most important the voice of Daniel Loefgren from Suffocate For Fuck Sake, with which the band is planning to continue the collaboration by making the band a collective between Italy and Sweden. The album produced by dunk!pressing and released by Voice of the Unheard record had an excellent response from the public, becoming the third favorite album by users of the albumoftheyear.com web site in the post metal genre for the year 2023 and Top 10 Best Albums of 2023 for the WherePostRockDwells community. REVERIE I Reverie nascono nel 2019, tra Forlì e Bologna, come band screamo/post hc caratterizzata da suoni cupi e riff violenti. Nel 2022 esce il primo disco “Everything repeats itself forever” che fa un po' da apripista a diversi live in giro per l’Italia. Dopo un periodo di pausa, dovuto ad alcuni cambi di line up, siamo tornati a suonare a pieno regime e abbiamo rilasciato uno split coi Put Pùrana il 24 gennaio. DOMENICA 30 Ingresso: 15 € PRE / 20 € DOOR Riservato ai soci AICS LINK ALLE PREVENDITE APOLLO BROWN (DETROIT, US) Talented artists can make what appears to be impossible look easy. It’s in this rarefied air where you’ll find Detroit’s Apollo Brown, constantly conjuring fresh innovations out of a tried-and-true formula. For the last decade, the artist has singularly re-defined and expanded the foundation of what boom bap production can sound like in the 21st Century. Originally from Grand Rapids in West Michigan, Apollo Brown is a hip-hop producer based in Detroit. In the tradition of left-field beatmakers like the great J Dilla and Madlib, Brown is a man of many influences, with a sound that owes as much to the yacht rock of Seals & Crofts as it does to classic R&B, pulling from all corners of the music world to craft beats that are as interesting musically as they are rhythmically. His vast discography includes guest-filled projects, instrumental albums, and full- length collaborations with MCs such as Big Pooh, Che' Noir, Guilty Simpson, Joell Ortiz, Locksmith, O.C., Philmore Greene, Planet Asia, Raheem DeVaughn, Ras Kass, Stalley, Skyzoo, and many more. Brown has also participated in the hip-hop groups The Left and Ugly Heroes. While Brown started making beats as a bedroom producer in 1996, it wasn’t until he moved to Detroit and became part of the city’s hip-hop scene that he really began to make a name for himself with his production skills on his first beat albums. In 2009, Brown won the Detroit Red Bull Big Tune Championships, and later that year the producer signed on with Mello Music Group. Under the label, Apollo released a body of work that lives up to the legacy of the head-nodding, screwface-inducing, soul-replenishing lineage of Primo and Pete Rock, J Dilla and Large Professor, Mobb Deep and DJ Muggs. This is the tradition that Apollo Brown triumphantly upholds, conceiving, beat by beat, an East Coast sound with a midwestern mentality, hard and nasty drums that blends sadness, depression, and tenderness. It’s fall music, somber relatable music, gray sky music that offers the unvarnished truth. These aren’t beats impersonally e-mailed across the continent from producer-to-MC. On every album bearing the Apollo Brown alias, the artists create songs in the same room, bouncing ideas and concepts off each another until the final product is a masterpiece. Everyone from Danny Brown to Chance The Rapper, Freddie Gibbs to Masta Ace, Black Milk to Oddisee, and Westside Gun, have spit bars over his beats. The explanation why is pretty simple. If you still have any doubts, all you need to do is press play. MARCO POLO (NYC, US) Don't let the name fool you. Producer Marco Polo is more time traveler than explorer. In the past decade, this T.O. native has been transporting listeners to an alternate dimension, somewhere between the 90s and the present. Marco, born Marco Bruno, who started making music in 1999 after buying an MPC with student loan money. The MPC and a pack of Newports as his sole accomplices, Marco made a bold move to NYC in 2001. As an assistant Engineer at renowned recording studio, The Cutting Room, MP honed technical skills and got to know some of the rap game’s finest. The Marco Polo production credit quickly began to hold more weight, with production credits with legends such as Rakim, Westside Gunn,Scarface, Phaorahe Monch, Talib kweli, Masta Ace, Sean Price. MP’s discog of features, collaborations and solo projects grew steadily, leading to the 2007 release of the critically acclaimed “Port Authority.” This debut production album – featuring a who’s-who of MC heavyweights including Large Professor, Kool G Rap and Buckshot – was a career milestone that claimed his place as one of the new school’s most respected beatmakers. The production credits continue to grow and MP has been touring the world. He is expanding his creative horizons into the world of licensing, landing some noteworthy soundtracks, including “Kick-Ass 2”. His original production was selected as the official theme song for the Brooklyn Nets on the YES network . Up next Masta Ace x Marco Polo 3rc LP coming 2025. MARTEDI 1/04 Ingresso: SOLD-OUT!/// Riservato ai soci AICS ZU For over fifteen years, ZU's modus operandi of straddling and abusing musical genres has resulted in over fifteen unique album releases across labels such as Ipecac, Atavistic, Headz (jp). John Zorn describe their sound as "a powerful and expressive music that totally blows away what most bands do these days". Lineup: Luca T. Mai - baritone sax Massimo Pupillo - bass gtr Paolo Mongardi - drums GOTHO “Gothron Versus Fartark” is an album set in a science fiction world, telling the story of the battles between two robotic enemies, fighting for the Logtarks world’s fate. Synthesizers, electric piano, vocoder, trumpet and drums are the instruments that tell the story about how Gothron manages to defeat, after many adventures, his enemy Fartark, avoiding the destruction of the universe. Progressive rock, metal, jazz, disco music, psychedelia, post rock, classical… it is impossible to identify this album with a single genre. BEWARE OF GOTHRON!!! Lineup: Fabio Cuomo - synth (Liquido di Morte, Slaiver) Andrea Peracchia - batteria (Tons)

Vai direttamente all'evento: Gio 20 - Troppistruzzi.: Luna Lias, Venta Protesix, forcener.forcener.forcener, O. Cheikh | Ven 21 - No Glucose x scribble: Callahan & Witscher, Laurén Maria, Ludwig Wandinger, nesso, Nocturnerror | Sab 22 - Girovelle Psicotroniche | Dom 23 - HXC Matinée: Ashen Hands, Fourthsun, Rescue Cat, Final Struggle | Lun 24 - Toby Driver & Alora Crucible | Mar 25 - The Devils || GIOVEDI 20 Ingresso: 5 € Riservato ai soci AICS LUNA LIAS (Kindustrial /// Sinnertronics): Acufene emotiva per legare intestini e cuori. Bandcamp VENTA PROTESIX (CyberMalaise Noise): Veterano dell'ultima tanto chiacchierata frontiera dell'harsh noise digitale. Bandcamp FORCENER.FORCENER.FORCENER (EczemaCore): Pulsioni doom tribali, angelo rotto cerficicato. Bandcamp § A condire prima, durante e dopo, la raw selecta omnicomprensiva di Omar Cheikh Soundcloud VENERDI 21 Ingresso: 10 € Riservato ai soci AICS LINK ALLE PREVENDITE Il 24 aprile 2013, ancora fresco di pubblicazione di un album su PAN e di uno split con Oneohtrixpointnever, Jeff Witscher è stato invitato a Londra a suonare una Boiler Room come Rene Hell. I suoi sforzi sono stati ricompensati con un paio di occhiali da sole e una birra. Pubblicato quattro anni dopo ‘What Happens on Earth Stays on Earth’, opera multimediale presentata nel 2020 a Issue Project Room, ‘Think Differently’ scritto con Jack Callahan, agitatore dell’underground newyorkese e fondatore di nina protocol, decostruisce la loro esperienza musicale e rimescola i suoni dell’hard rock americano post-grunge, di shoegaze e MTV rock per raccontare lo stato dell’industria e le sue contraddizioni, in una ispirata combinazione di stupida beatitudine e sagace ironia. Venerdì prossimo con lo showcase di scribble, crew berlinese che invita Laurén Maria, il producer e batterista Ludwig Wandinger (il suo ultimo LP è stato pubblicato da Caterina Barbieri su light-years), gli algoritmi bass di nesso e Nocturnerror. Callahan & Witscher (live) NYC, deconstructed rock music http://callahanwitscher.bandcamp.com/ Laurén Maria (live) Berlin, ambient folk http://laurenmaria.bandcamp.com/ Ludwig Wandinger (live) Berlin, deconstructed club music http://ludwigwandinger.bandcamp.com/ nesso (live coding) Berlin, algorave http://nesso.bandcamp.com/ Nocturnerror (live) Berlin, experimental electronic http://afloodedneed.bandcamp.com/ SABATO 22 Ingresso: 5 € Riservato ai soci AICS ✺ local crew DJ 超级 Chāoj aka Nostromo ombrelloni & Pol ✺ Guest - Oltrefuturo Oltrefuturo (aka Valerio Ebert) è un produttore, DJ e ingegnere del suono proveniente da un centro trancepelagico lungo la mistica costa adriatica. Ruota attorno alla scultura di paesaggi sonori stravaganti e psichedelici, fondendo groove lenti con ritmi liberi e senza tempo. DOMENICA 23 [dalle 18 alle 23] Ingresso: Up to You!/// Riservato ai soci AICS RESCUE CAT Melodic hardcore, Milano/ostia lido. FOURTHSUN Post-Hardcore da Lodi. FINAL STRUGGLE Hardcore da Modena. ASHEN HANDS Emoviolence/Screamo da Bologna/Reggio Emilia. LUNEDI 24 Ingresso: Up To You!/// Riservato ai soci AICS TOBY DRIVER / ALORA CRUCIBLE (US/MEX) oby Driver is a composer and multi-instrumentalist who navigates between genres. He is “a tirelessly inventive recording artist” (PopMatters) with a prolific career of over 20 years. His work–– impressionistic, architectural and emotionally vulnerable––has been described as “unlike any other” (The Quietus), displaying “A greater vision of how music can evoke feelings both grandiose and devastatingly intimate.” (Vice/Noisey). His multifarious projects share a sensitive and detail oriented composition ranging from the metaphysical to the avant-garde, and an insatiable search for the new: there's “absolutely nothing to compare it against.” (Echoes and Dust) ALORA CRUCIBLE, his most recent musical identity, explores transcendental instrumental music with Driver on guitar and hammered dulcimer in collaboration with violinist Timba Harris and keyboardist Ana Cristina Pérez. With their recent second album, Oak Lace Apparition, released on the enigmatic and elite House of Mythology label in the company of titans Ulver and Current 93, Alora Crucible has made a strong and enduring statement about this music's exalted place in Driver's diverse body of work. Ana Cristina Pérez is a writer and musician from Morelia, Mexico, based in Connecticut. In her sonic explorations, she combines field recordings, poetry and synthesizers, creating from a space between language, sound and story. She has collaborated music and sound for audiovisual projects and performance, and as a writer she has collaborated in works of Ludovico Ensemble, Bloodmist, Marina White Raven, MV Carbon and Charlemagne Palestine, and others. Timba Harrisis an American violinist, trumpet player, and composer. His long list of collaborations includes Amanda Palmer, Frank Ocean, Mr. Bungle, Secret Chiefs 3, John Zorn, SunnO))), Gyan Riley, Peter Garland, Sort Sol, and many others. his playing and orchestral arrangements can be found on recordings throughout the experimental music world and on video games and film. Harris has performed in theaters, halls, clubs, and festivals in over 45 countries throughout North America, South America, Europe, the Middle East, Asia, and Australia. He has been based in several locations during his career, including Los Angeles, Santa Cruz, Seattle, New York, England, and France. MARTEDI 25 Ingresso: Up to You!/// Riservato ai soci AICS THE DEVILS THE DEVILS si formano a Napoli nel 2015. I loro primi due album Sin, You Sinners! (2016) e Iron Butt (2017) sono prodotti da Jim Diamond (The White Stripes, The Sonics) e pubblicati da Voodoo Rhythm Records. Dal 2016 sono costantemente in tour, con oltre 600 spettacoli in tutta Europa, Regno Unito e Canada. Gianni Blacula stupra la chitarra ed Erika Switchblade picchia la batteria. The Devils incarnano il suono definitivo del caos; il loro stile è primitivo, carico di sesso, peccato e Rock’n’Roll. Sono selvaggi, molto rumorosi e carnali. Il nome del duo è stato scelto come tributo alla pellicola di culto “The Devils” (1971) di Ken Russell. Il loro terzo disco Beast Must Regret Nothing (2021) è prodotto da Alain Johannes (QOTSA, Them Crooked Vultures, Chris Cornell, PJ Harvey) e vede la partecipazione di Mark Lanegan alla voce in “Devil Whistle Don’t Sing”. La collaborazione col poliedrico musicista Johannes prosegue nel seguente album in studio Let The World Burn Down, che lui ha mixato, masterizzato, nonché suonato l’assolo di chitarra nel pezzo ‘Horror and Desire’. Questo quarto lavoro in studio è uscito a febbraio 2024 per Go Down Records, che pubblicò il primo album dal vivo di The Devils a gennaio 2023. Nel 2025 celebrano il loro 10° anniversario con il quinto album Devil’s Got It, un disco di cover blues e soul mixato e masterizzato ancora da Alain Johannes. La band è stata in tour con grandi artisti come The Sonics, Jon Spencer & The Hitmakers, Boss Hog, Mudhoney, GBH e molti altri. Si sono inoltre esibiti in diversi importanti festival europei, tra cui Azkena Rock Festival e Helldorado.

Vai direttamente all'evento: Gio 13 - Doppionodo: Sonic 3 Release Party, Grocery Stores | Ven 14 & Sab 15 - Mint Sound Escape Weekend | Dom 16 - Radar Men From The Moon, Throne | Lun 17 - Smutt, Firecracker, Jim Bob Luke | Mar 18 - L.M.I., N.U.R. | Mer 19 - Undicesimacasa: Yao Bobby & Simon Grab, Terminal Archive | Gio 20 - Troppistruzzi.: Luna Lias, Venta Protesix, forcener.forcener.forcener, O. Cheikh || GIOVEDI 13 Ingresso: Up to You!/// Riservato ai soci AICS Dalla romagna con furore, i Sonic 3 presentano il loro primo EP al Freakout Club, in bilico fra no wave, madchester e post-punk. Spoiler: si balla. In apertura: Grocery Stores Dopo: Lord Trambusto alla consolle. VENERDI 14 & SABATO 15 14 MARZO PYE CORNER AUDIO + RESIDENTS 15 MARZO LAAAR + RESIDENTS POLICY vibe-only 50% tickets online 50% tickets all'ingresso entro ore 1:00 La cassa chiude alle ore 1:00 Prevendite riservate agli iscritti Mint Sound DOMENICA 16 Ingresso: 10 € Riservato ai soci AICS LINK ALLE PREVENDITE RADAR MEN FROM THE MOON (NL) Radar Men From The Moon (RMFTM) is an experimental collective from Eindhoven (NL). Nothing is fixed and everything is in a constant state of flux, never standing still. Their upcoming album ‘Vomitorium’ is slated for release on Fuzz Club Records, August 16th. Heavier and darker than before; reveling in cathartic excess and a bludgeoning intensity, they power through 90s industrial electronics, discordant noise-rock and the darkest post-punk extremes. After nine albums and shows throughout Europe, RMFTM are ready for their next chapter. THRONE (IT) THRONE is a blackened sludge doom band formed in 2012 in the swampiest and most remote areas of Italy. They combine crushing riffs with a dark and oppressive atmosphere. In the same year, they released their debut full-length album "Avoid the Light," produced by Moonlight Records. After five years of live shows across Europe, in 2017, they released their second full-length album "Consecrates," produced by Black Bow Records and Endless Winter. This album is more mature, darker, and anti-religious. In the following years, they played numerous live shows across Italy and Europe with bands such as Conan, Belzebong, Ufomammut, Weedeater, Messa, and Hexis, gaining extensive experience and delivering brutal and devastating performances. SLUDGE UNTIL THE END. LUNEDI 17 Ingresso: Up to You!/// Riservato ai soci AICS SMUTT (FR) MUTT plays their songs since 2013. Kick ass punk rock! High energy, streched guitars and devastating riffs. It goes fast, reminiscent of the first wave of Californian punk in the early '80s, and the energy is there all the way. Like a steamroller going 200 miles an hour, the machine crushes everything in its path... After a welcomed first EP, the LP will be released in 2025. FIRECRACKER (IT) I Firecracker sono una band punk rock’n’roll di Bologna, attiva dal 2020. Con un sound diretto che unisce l’energia del punk, il mood grunge e l’attitudine senza compromessi del rock’n’roll, hanno costruito la loro identità con passione e autenticità. Dopo un cambio di formazione avvenuto nel 2023, i Firecracker sono tornati con un sound ancora più crudo, viscerale e autentico. Nel 2025 è prevista l’uscita di un nuovo EP, che rappresenta un ulteriore passo nel loro percorso musicale, consolidando il loro stile grezzo e senza filtri. JIM BOB LUKE (IT) Rock’n’roll da Bologna. MARTEDI 18 Ingresso: Up to You!/// Riservato ai soci AICS L.M.I. (US) Mathy Punk/Hardcore from Philadelphia US. NEUEUNRUHE REICH (IT) Post-Punk from Bologna IT. MERCOLEDI 19 Ingresso: 5 € Riservato ai soci AICS YAO BOBBY (TOGO) & SIMON GRAB (SWI) Una battaglia sonora così intensa da azzerare i 4500 km di distanza che separano le rime estreme del rapper e attivista togolese Yao Bobby e i beat senza compromessi del noisemaker svizzero Simon Grab. "Yao Bobby & Simon Grab’s music screams, kicks and pulses in an unstoppable, shape-shifting rhythm of sound & voice, driven by this same need for survival, an urgency to create, and to be heard. To manifest the music is a kind of proof of existence, proof of survival." [RWDFWD] https://yaobobbysimongrab.bandcamp.com/album/wum https://yaobobbysimongrab.bandcamp.com/album/kpalongo TERMINAL ARCHIVE (IT) Dub-punk bruciante e sciroppo d'acero avvelenato dalla combinazione di Jonathan Clancy e Fera. GIOVEDI 20 Ingresso: 5 € Riservato ai soci AICS LUNA LIAS (Kindustrial /// Sinnertronics): Acufene emotiva per legare intestini e cuori. Bandcamp VENTA PROTESIX (CyberMalaise Noise): Veterano dell'ultima tanto chiacchierata frontiera dell'harsh noise digitale. Bandcamp FORCENER.FORCENER.FORCENER (EczemaCore): Pulsioni doom tribali, angelo rotto cerficicato. Bandcamp § A condire prima, durante e dopo, la raw selecta omnicomprensiva di Omar Cheikh Soundcloud